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Jonathan Edwards (1703-1758) is widely regarded as one of the major thinkers in the Christian tradition and an important and influential figure in American theology. After Jonathan Edwards is a collection of specially commissioned essays that track his intellectual legacies from the work of his immediate disciples that formed the New Divinity movement in colonial New England, to his impact upon European traditions and modern Asia. It is a unique interdisciplinary contribution to the reception of Edwardsian ideas, with scholars of Edwards being brought together with scholars of New England theology and early American history to produce a groundbreaking examination of the ways in which New England Theology flourished, how themes in Edwards's thought were taken up and changed by representatives of the school, and its lasting influence on the shape of American Christianity.
This collection draws together the key works of those who followed in Jonathan Edwards's theological footsteps, showing how one unique tradition shaped American theology in the eighteenth and nineteenth centuries.
Nathaniel Taylor was arguably the most influential and the most frequently misrepresented American theologian of his generation. While he claimed to be an Edwardsian Calvinist, very few people believed him. This book attempts to understand how Taylor and his associates could have counted themselves Edwardsians. In the process, it explores what it meant to be an Edwardsian minister and intellectual in the 19th century.
At the close of the eighteenth century, Timothy Dwight--poet, clergyman, and, later, president of Yale College--waged a literary and intellectual war against the forces of "infidelity." The Devil and Doctor Dwight reexamines this episode by focusing on The Triumph of Infidelity (1788), the verse satire that launched Dwight's campaign and, Colin Wells argues, the key to recovering the deeper meaning of the threat of infidelity in the early years of the American Republic. The book also features the first modern, annotated edition of this important but long-overlooked poem. Modeled after Alexander Pope's satiric masterpiece, the Dunciad, Dwight's poem took aim at a number of his contemporaries, but its principal target was Congregationalist Charles Chauncy, author of a controversial treatise asserting "the salvation of all men." To Dwight's mind, a belief in universal salvation issued from the same naive faith in innate human virtue and inevitable progress that governed all forms of Enlightenment thought, political as well as religious. Indeed, in subsequent works he traced with increasing dismay a shift in the idea of universal salvation from a theological doctrine to a political belief and symbol of American national identity. In this light, Dwight's campaign against infidelity must also be seen as an early and prescient critique of the ideological underpinnings of Jeffersonian democracy.