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This volume brings together Nussbaum's published papers on the relationship between literature and philosophy, especially moral philosophy. The papers, many of them previously inaccessible to non-specialist readers, deal with such fundamental issues as the relationship between style and content in the exploration of ethical issues; the nature of ethical attention and ethical knowledge and their relationship to written forms and styles; and the role of the emotions in deliberation and self-knowledge. Nussbaum investigates and defends a conception of ethical understanding which involves emotional as well as intellectual activity, and which gives a certain type of priority to the perception of particular people and situations rather than to abstract rules. She argues that this ethical conception cannot be completely and appropriately stated without turning to forms of writing usually considered literary rather than philosophical. It is consequently necessary to broaden our conception of moral philosophy in order to include these forms. Featuring two new essays and revised versions of several previously published essays, this collection attempts to articulate the relationship, within such a broader ethical inquiry, between literary and more abstractly theoretical elements.
A team of leading contributors from both philosophical and literary backgrounds have been brought together in this impressive book to examine how works of literary fiction can be a source of knowledge. Together, they analyze the important trends in this current popular debate. The innovative feature of this volume is that it mixes work by literary theorists and scholars with work of analytic philosophers that combined together provide a comprehensive statement of the variety of ways in which works of fiction can engage questions of worldly interest. It uses the problem of cognitive value to explore: literature’s contribution to ethical life literature’s ability to engage in social and political critique the role narrative plays in opening up possibilities of moral, aesthetic, experience and selfhood This remarkable volume will attract the attention of both literature and philosophy scholars with its statement of the various ways that literature and life take an interest in one another.
Kivy raises questions of a philosophical nature about the novel that will be of interest both to the professional philosopher and to the general reader.
This is a critical biography of the greatest platform speaker in the United States during the Great Depression era. His name was Brother Leo Meehan of the Christian Brothers. His extension courses for the University of California drew standing-room-only crowds, and his poetry recitals filled the San Francisco Opera House. He shared the same lecture podium with Winston Churchill and Sherwood Anderson. In 1939, he substituted for Monsignor Fulton J. Sheen for a month on the Catholic Hour over the NBC radio network. As its chancellor, Brother Leo made Saint Marys College one of the finest liberal arts colleges in the West. His magisterial history of English literature was adopted by colleges and universities across the nation. Although a vowed religious, Brother Leo conducted a secret love affair with a wealthy Oakland heiress, who was also his cousin. His leaving the religious life in 1941 became a national news story. After retiring to a stone villa on Lake Sherwood in Southern California, he married one of his many female fans. Francis Meehan died in 1966.