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Tymms provides readers with an in-depth account of the Church of St. Mary in Bury St. Edmunds, including its architectural features, historical significance, and artistic treasures. This beautifully illustrated work is a must-read for anyone interested in the history of English architecture and art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In the absence of borough status and after the winding up of the guilds, the townsmen of Bury St Emunds experiment with town government. In 1569, thirty years after its abbey had been dissolved, the large town of Bury St Edmunds remained unincorporated. These accounts show how the feoffees (still essentially the medieval Candlemas guild) experimented with town government. The pre-Reformation landed endowments were increased throughout the period. This enabled the feoffees to address many aspects of town life. In addition to payments for housing and clothing the poor, and the provision of medical care, they also contributed to the cost of providing clergy (whose theology was akin to their own) for the two town churches. To encourage trade, they built the town's first covered Market Cross, while the acquisition of theShire House enabled the assizes and quarter sessions to move into the town. After the turn of the century, the Charitable Uses Act of 1601 was used to recover land which had long ago been alienated. At the same time some of the up and coming men successfully petitioned for a charter of incorporation for Bury St Edmunds, so that in 1606 the town acquired the borough status which had eluded it for centuries. Unless new sources are discovered, these accounts, though inevitably slanted to the feoffees' activities, are the most revealing source for the work of the new corporation in its early years.
In this interdisciplinary study of drama, arts, and spirituality, Gail Gibson provides a provocative reappraisal of fifteenth-century English theater through a detailed portrait of the flourishing cultures of Suffolk and Norfolk. By emphasizing the importance of the Incarnation of Christ as a model and justification for late medieval drama and art, Gibson challenges currently held views of the secularization of late medieval culture.
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Reprint of the original, first published in 1881.
First Published in 1981 The Architectural History of Canterbury Cathedral traces the entire architectural history of the church from Anglo-Saxon times to the present day. Every major epoch of English architecture is represented, from the Norman Conquest to the splendours of the Tudor age. One of the main concerns has been a reconstruction of the two Norman phases – Lanfranc’s cathedral from 1070 and the great choir of St Anselm begun in 1096. Dr Woodman puts forward new and provocative ideas about the architecture of William of Sens and his original proposals for the new Gothic choir and Trinity Chapel. The Perpendicular phases are detailed for the first time, including an important reattribution and redating of the splendid pulpitum. It analyses for the first time the precise areas of building completed by individual master masons, and he discusses details revealed by archaeological excavations and restoration work that are no longer visible. This stimulating study is a must read for scholars and researchers of British architecture, architectural history and architecture in general.