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In the past, our ideas of psychiatric hospitals and their history have been shaped by objects like straitjackets, cribs, and binding belts. These powerful objects were often used as a synonym for psychiatry and the way psychiatric patients were treated, yet very little is known about the agency of these objects and their appropriation by staff and patients. By focusing on material cultures, this book offers a new perspective on the history of psychiatry: it enables a narrative in which practicing psychiatry is part of a complex entanglement in which power is constantly negotiated. Scholars from different academic disciplines show how this material-based approach opens up new perspectives on the agency and imagination of men and women inside psychiatry.
In the past, our ideas on psychiatric hospitals and their history have been shaped by objects like straitjackets, cribs, and binding belts. By focusing on material cultures, this book offers a new perspective on the history of psychiatry as a complex entanglement where power is permanently negotiated.
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Employing the considerable archaeological and historical skills in her armory, Susan Piddock tries to lift the lid on the lunatic asylums of years gone by. Films and television programs have portrayed them as places of horror where the patients are restrained and left to listen to the cries of their fellow inmates in despair. But what was the world of nineteenth century lunatic asylums really like? Are these images true, or are we laboring under a misunderstanding?