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In his debut book, Nebraskan author Scott Howard exposes the actors financing the institutionalization of transgenderism. Behind the medical research into gender transitioning of children, ubiquitous pride parades, and Drag Queen Story Hours is a lot of money. Sex education, the homosexual and feminist precursor projects, and the global propaganda are all pushed and paid for by very wealthy and well-connected people with motive and will. Howard demonstrates that the transgender phenomenon is far from the "grass-roots movement" some of its advocates would have the public believe. Impeccably sourced and researched, The Transgender-Industrial Complex pulls the mask off the complex network of influential groups responsible for this inhuman project. Howard takes a deep dive into the murky depths of the Big Money behind Big Gay, exposing how the concept gained such recognition as well as the goals of the people behind it. At once wide-ranging and specific, advanced and accessible, The Transgender-Industrial Complex is essential reading for anyone who wants to understand why every institution with power, and a great many without, are uniform in their inversion of reality, their religion of lies, and their commitment to all that is ugly, broken, and foul. Antelope Hill is proud to present it's first original work: Scott Howard's The Transgender-Industrial Complex.
Inner Space/Outer Space brings together much of the exciting work contributing to a new synthesis of modern physics. Particle physicists, concerned with the "inner space" of the atom, are making discoveries that their colleagues in astrophysics, studying outer space, can use to develop and test hypotheses about the events that occurred in the microseconds after the Big Bang and that shaped the universe as we know it today. The papers collected here, from scores of scientists, constitute the proceedings of the first major international conference on research at the interface of particle physics and astrophysics, held in May 1984. The editors have written introductions to each major section that draw out the central themes and elaborate on the primary implications of the papers that follow.
A collection of essays celebrating the history of underground American music venues.
Beautiful selection of 100 19th-century American wood type fonts, many reproduced at actual size. Each font features a complete alphabet of capitals; many include lowercase letters, numerals, and punctuation marks.
A wealth of breathtaking photographs shot from unusual camera angles and imaginative viewpoints provide new perspectives on the beauty and magic of the City by the Bay--under moonlight, shrouded in fog or simply shining under the California sun. San Francisco Chronicle photojournalist Frederic Larson and the late Pulitzer Prize winning columnist Herb Caen shared a love of San Francisco's beauty and majesty that they captured in photographs and words over the course of decades. Now they are united: Larson's spectacular photographs--shot from unique perspectives in the light of the moon and the rising sun, shrouded in fog--and Caen's beautiful tributes excerpted from hundreds of columns. The city's glorious landmarks are seen through the camera lens, places like the Golden Gate Bridge and Golden Gate Park, Chinatown and Alcatraz, the frenzied bustle of Fisherman's Wharf, the timeless romance of cable cars. The Larson-Caen collaboration exposes the city for what it is--vibrant, innovative, and endlessly surprising.