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The chapel of King's College, Cambridge, is one of England's greatest architectural treasures, and is visited by about two million people every year. It contains the country's finest collection of 16th-century stained glass, and one of the best in Europe, but from ground level much of the glass is rendered almost invisible by distance and the windows' heavy leading.
DigiCat Publishing presents to you this special edition of "A Short Account of King's College Chapel" by Walter Poole Littlechild. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Today, King's College Chapel is the iconic image of the City of Cambridge. The chapel was founded in 1446 by the mystically-inclined King Henry VI, known in his time as "the royal saint." The king gave his builders complete instructions for a magnificent chapel of cathedral dimensions, every part of which had a mystical and spiritual meaning. This "final flowering of the Great Work' was designed from the principles of sacred geometry, laid out and orientated by the ancient geomantic practice of the operative masons who built it. This book gives an historic overview of the chapel, and a summary of its construction, notable for its stunningly beautiful fan-vaulting and exceptional stained glass which still exists in its entirety. Although the chapel's original significance as a symbolic structure has been eroded over the centuries, it remains a place of wonder and reverence for countless thousands of visitors and those who watch on television the annual Christmas carol festival broadcast from there every year.
The Choir of Kingâe(tm)s College, Cambridge, is world-famous. Through radio, television and recordings its unique sound has been heard in countless homes on every continent. When King Henry VI founded the College Chapel in 1446, the statutes provided for six clerks (singing men) and 16 choristers. Who could have foreseen that the Chapel would become one of the architectural glories; or that its Choir would be singing to many thousands of visitors each year? The text follows the activities of the Choir through a typical year, featuring the preparations for events.
Today, King's College Chapel is the iconic image of the City of Cambridge.The chapel was founded in 1446 by the mystically-inclined King Henry VI, known in his time as "the royal saint". The king gave his builders complete instructions for a magnificent chapel of cathedral dimensions, every part of which had a mystical and spiritual meaning. This "final flowering of the Great Work' was designed from the principles of sacred geometry, laid out and orientated by the ancient geomantic practice of the operative masons who built it.This book gives an historic overview of the chapel, and a summary of its construction, notable for its stunningly beautiful fan-vaulting and exceptional stained glass which still exists in its entirety. Although the chapel's original significance as a symbolic structure has been eroded over the centuries, it remains a place of wonder and reverence for countless thousands of visitors and those who watch on television the annual Christmas carol festival broadcast from there every year.
First Published in 1986 The Architectural History of King's College Chapel provides a complete picture of how and why King’s College Chapel came to be built. Francis Woodman uses the evidence both of structure and style and finance and patronage to present the organisation and mechanics of the structural campaigns spread over more than seventy years. He proposes a completely new sequence of constructions from that hitherto accepted, together with clear evidence of changes in policy concerning the intention to vault the Chapel part-way through construction. The book also contains the first complete analysis of the remarkable Tudor building accounts and their significance for the study of mediaeval architectural history. King’s College Chapel is placed within the context of the contemporary architecture in both England and France and, for the first time, English late mediaeval architecture is considered and presented as one part of a wider European movement. This book is a must read for scholars and researchers of British architecture and architectural history.