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By John William Jarvis. Includes a description of a visit to Yorkshire and a few references to Shakespeare. Most of this account seems to have been used when compiling his The glyptic, or Musee phusee glyptic : a scrapbook of jottings from Stratford-on-Avon ... with an attempt at description of Henry Jones's museum, 1875. The first part with some changes appears on p. 101. Also, advertisements for and reviews of The glyptic ..., 1874-1879; 7 autograph letters to Jarvis, 1875-1876, 1904, from Henry Jones, John Williams, the illustrator, Samuel Timmins, J.L. Toole and W.G. Colbourne, 2 photographs (of Jones?), and other papers.
Waterloo was the last battle fought by Napoleon and the one which finally ended his imperial dreams. It involved the deployment of huge armies and incurred heavy losses on both sides; for those who fought in it, Dutch and Belgians, Prussians and Hanoverians as well as British and French troops, it was a murderous struggle. It was a battle that would be remembered very differently across Europe. In Britain it would be seen as an iconic battle whose memory would be enmeshed in British national identity across the following century. In London news of the victory unleashed an outburst of patriotic celebration and captured the imagination of the public. The Duke of Wellington would go on to build his political career on it, and towns and cities across Britain and the Empire raised statues and memorials to the victor. But it was only in Britain that Waterloo acquired this iconic status. In Prussia and Holland its memory was muted - in Prussia overshadowed by the Battle of the Nations at Leipzig, in Holland a simple appendage to the prestige of the House of Orange. And in France it would be portrayed as the very epitome of heroic defeat. Encapsulated in the bravery of General Cambronne and the last stand of the Old Guard, remembered movingly in the lines of Stendhal and Victor Hugo, the memory of Waterloo served to sustain the romantic legend of the Napoleonic Wars - and contributed to the growing cult of Napoleon himself.