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"To bring more awareness to the revolutionary international impact of #MeToo, The Other #MeToos brings together chapters that look at specific iterations of the #MeToo movement across multiple communities, cultures, and countries. Going beyond gender, the book takes into account the intersectional assemblage of location, history, religion, ethnicity, race, class, and neoliberal aspects that inform #MeToo and its place in local and transnational feminisms. From Egypt, Lebanon, Iran, Tunisia, and Morocco to India, Pakistan, Bangladesh, Nepal, and Sri Lanka to South Africa to Latin America to South Korea, Japan, and China to Czech Republic - #MeToo has inspired local movements and hashtag trends as well as transnational and collective hashtags like #MosqueMeToo. Therefore, by making feminism mainstream, it has rendered possible international feminist solidarities unlike any other feminist movement that precedes it. It is critical to document this defining feminist moment of #MeToo and its variants to acknowledge the diversity and multidimensionality of transnational feminisms, along with looking at the various ways they have been changed by the #MeToo, internationally. To that argument, the contributions in this collection examine, analyze, and interrogate the reception, translation, and adaptation of #MeToo in their local, indigenous, minoritized, othered, and/or postcolonial contexts. Overall, The Other #MeToos highlights the adaptation, translation, and impact of #MeToo in non-Western, postcolonial, minoritized, and othered locales to expand the larger discourse and praxes of the #MeToo movement beyond its Americentric focus to explore other feminist possibilities that the movement has enabled"--
This book presents a new paradigm for attending to gender-based violence (GBV) social media discourse among marginalised Black women in South Africa. Focusing on the intersections of television and social media, the study charts the morphing and merging of the “inside” of the soap opera and the “outside” of the real world, amid a rise in feminist social media activism. The analysis begins with coverage of gender-based violence in a long-running South African soap opera and social media discussion of these issues, in parallel with real-world events and the collective social media response. The author offers pertinent insights into audiences in sub-Saharan Africa, presenting a new feminist trajectory for women and activism in the region. Offering new insights into an important issue, this book will be of interest to scholars and students of gender, cultural studies, film studies, television studies, sociology, development studies, feminism, media, and journalism.
When a female musician is found murdered on a small tropical island, after a string of similar deaths, outraged local women take matters into their own hands. The quiet calm of Ash Wednesday morning. Carnival is over. Everyone on the small island of St. Colibri is sleeping peacefully. Everyone except Sora Tanaka, a young pan player lying under the cannonball tree. Sora, a professional musician, had been visiting St. Colibri to take part in the island’s famous steel pan competition. But Sora isn’t asleep; she’s dead: brutally murdered, and still in her costume. And as the women of this island know all too well, Sora is far from the first woman to be killed, and she probably won’t be the last, either. In fact, the problem of women being killed on the island is so bad, there’s even a dedicated unit within the police department: OMWEN, the Office for Murdered Women, headed by Inspector Cuthbert Loveday. In this powerful new rewriting of the detective novel, Sora’s death is the last straw and the beginning of something much larger, a "revolution" some are calling it. The event draws together four women who have never before seen each other as allies: a friend of the victim, the organizer of a sex workers’ collective, a local activist, and the prime minister’s wife. Tenderly, sometimes hilariously, Passiontide chronicles how these women join forces and find new ways to help one another.
Effecting change can begin with just you and your phone.
This book responds to a growing interest in death, dying and the dead within and beyond the field of death studies. The collection defines an understanding of ‘difficult death’ and examines the differences between death, dying and the dead, as well as exploring the ethical challenges of researching death in mediated form. The collection is attendant to the ways in which difficult deaths are imbricated in power structures both before and after they become mediatised in culture. As such, the work navigates the many political and social complexities and inequalities – what might be deemed the difficulties – of death, dying and the dead. The book seeks to expand understandings of the difficulty of death in media and culture through a wide range of chapters from different contexts focused on literature, film, television, and in online environments, as well as several chapters examining news reportage of difficult deaths.
This volume explores the application of human rights to higher education through a critical lens. Combining theoretical and applied perspectives, it asks what a human rights framework grounded in liberation and justice can offer to ways of working and teaching practices in higher education. Human rights, in this edited compilation, call for continuous critical engagements around the higher education transformation project. The book recognizes human rights simultaneously as law, values, and emancipatory vision. It showcases global north and global south perspectives and encourages a dialogue between the human rights approach and other approaches to higher education transformation, such as decolonialization, anti-racism, diversity and inclusion, and intersectionality. Individual chapters featuring a range of case studies written from global south and north perspectives critically examine higher education practices linked with human rights, ranging from curricular practices to student activism and community partnerships. The critical space of the university and its role in the transformation of society is therefore viewed in multi-dimensional ways. Underlining the value of applying human rights as a framework in understanding and designing higher education transformation, the book will be of great interest to scholars, researchers, and post-graduate students in the fields of the sociology of education, human rights education, higher education, and social justice education
To celebrate Mothertongue's 21st anniversary, Collaborative Conversations weaves together the reflections of a group of artists, scholars and writers who have journeyed with the organisation over the last two decades. Since its inception in 2000 with What the Water Gave Me, The Mothertongue Project has used participatory, integrated arts methods to create theatrical works that strive for personal and collective dialogue and healing in South Africa. In poetry, scholarly writing and transcribed oral conversations, the contributors now think and feel their way through the aspirations and achievements - and the alchemy - of The Mothertongue Project's work. Accompanied by photographs of performances from across the 21 years, this book provides a sense of what a Mothertongue theatre piece does: it draws audience and performers into transformative, embodied conversations. Includes work by Awino Okech, Genna Gardini, Koleka Putuma, Makgati Mokwena, Malika Ndlovu, Mwenya B Kabwe, Nicosia Shakes, Nina Callaghan, Ntomboxolo Makhutshi and Rehane Abrahams.
A challenging, yet highly accessible, introduction to discrimination law which highlights the major issues and asks how the right to equality can be made more effective. This edition includes expanded material on how jurisdictions formulate grounds of discrimination with thematic analysis on topics such as racism, sexism, and LGBTQ+ rights.
A blazingly insightful, provocative study of violence against women from the peerless feminist critic. Why has violence, and especially violence against women, become so much more prominent and visible across the world? To explore this question, Jacqueline Rose tracks the multiple forms of today’s violence – historic and intimate, public and private – as they spread throughout our social fabric, offering a new, provocative account of violence in our time. From trans rights and #MeToo to the sexual harassment of migrant women, from the trial of Oscar Pistorius to domestic violence in lockdown, from the writing of Roxanne Gay to Hisham Mitar and Han Kang, she casts her net wide. What obscene pleasure in violence do so many male leaders of the Western world unleash in their supporters? Is violence always gendered and if so, always in the same way? What is required of the human mind when it grants itself permission to do violence? On Violence and On Violence Against Women is a timely and urgent agitation against injustice, a challenge to radical feminism and a meaningful call to action.
Feminisms in Leisure Studies acknowledges and advances the contribution of feminist theories to leisure knowledge and research. Building upon the strong history of feminist leisure scholarship, the book reviews key feminist theories and offers an overview of a fourth wave of feminism and its relevance to leisure. Written by a team of leading international feminist scholars, each chapter addresses a particular theoretical perspective, using examples from each author’s research to unpack methodological and substantive issues essential to leisure studies. Critically, this book moves beyond women, the emphasis of much gender scholarship to date, to focus on issues of feminism as connected to leisure scholarship more broadly. This book is an important and engaging read for students and scholars of diversity, women’s studies, multiculturalism, social justice, gender studies, leisure studies, LGBTQQ studies, and feminist research.