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Here is the book Merlin could have given a young Arthur . . . if only it had existed. Out of the millions of Harry Potter fans worldwide, there are tens of thousands who want to really do the magical things J.K. Rowling writes about. But would-be wizards must rely on information passed down from wizard elders. Is there a Hogwarts anywhere in the real world? A real Albus Dumbledore? Where is the book these aspiring wizards need? Luckily for all those fans, Oberon Zell-Ravenheart, today’s foremost genuine wizard, has written the essential handbook. What’s more, he has gathered some of the greatest names in Wicca—including Ellen Evert Hopman, Raymond Buckland, Raven Grimassi, Patricia Telesco, Jesse Wolf Hardin, Morning Glory Zell-Ravenheart, and many more into a modern-day “Grey Council” to publish for the first time everything an aspiring wizard needs to know. Lurking within the pages of Grimoire for the Apperntice Wizard are: Biographies of famous wizards of history and legend Detailed descriptions of magickal tools and regalia (with full instructions for making them) Rites and rituals for special occasions A bestiary of mythical creatures The Laws of Magick Myths and stories of gods and heroes Lore and legends of the stars and constellations Instruction for performing amazing illusions, special effects, and many other wonders of the magical multiverse Praise forGrimoire for the Apprentice Wizard “I can’t think of a better, more qualified person to write a Handbook for Apprentice Wizards. Oberon is a Wizard.” —Raymond Bucklland, author of Buckland’s Complete Book of Witchcraft “Oberon is not only extremely learned in the magickal arts but he communicates that knowledge with wit and charm.” —Fiona Horne, author of Witch: A Magickal Journey and star of Mad, Mad, Mad House
One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.
Here Is the Book Merlin Could Have Given a Young Arthur...If Only It Had Existed. Oberon Zell-Ravenheart shares magickal practices in his new book Companion for the Apprentice Wizard. Unlike his first best-selling book, Grimoire for the Apprentice Wizard, which focused on the lessons one must learn to become a Wizard, Oberon focuses on taking you to the next level by putting those lessons to use with hands-on magickal training. Chapters are based on the Departments of Oberon's Grey School of Wizardry: Alchemy Beast Mastery Ceremonial Magick Cosmology and Metaphysics Divination Healing Lifeways Lore Mathemagicks Metapsychics Nature Performance Magic Practice Sorcery Wizardry Wortcunning Inside you will find materials and exercises from the vaults of the Grey School, and instruction from the faculty. Step-by-step instructions are provided for: How to make a Wizard’s wand How to make your own runes How to make a pocket sundial How to make and use a firebow How to make the milky way galaxy How to make your own amulets and talismans Potions for all purposes How to conjure illusions and create special effects And many other amazing projects... Companion for the Apprentice Wizard also includes a number of hand-drawn, full-page diagrams of magickal objects to copy, cut out, and assemble, including: Spinners for psychokinesis A Planetary Hour Calculator The Mariner’s Astrolabe A winged dragon A model of the mystic pyramid A model of Leonardo da Vinci’s Ornithopter
Roxy Music’s ambitious and sophisticated art rock built them a following far beyond the glam constituency from which they sprang. Almost embarrassed by an excess of talent, the original 1972 line-up was not only fronted by glam-rock icon Bryan Ferry but also included multifaceted genius Brian Eno, multi-instrumentalist Andrew MacKay, and killer guitarist Phil Manzanera. Subsequent shuffles of personnel and changes in musical direction are acutely documented in Jonathan Rigby’s groundbreaking analysis of the band’s prolific output. Complete with coverage of each band member's amazing solo work, a song-by-song analysis of everything from Virginia Plain to Avalon including album tracks, singles, and B-sides, exhaustive coverage of all the band’s live performances from 1972 to 2007, and news of the long-awaited new album, this book will appeal to new fans and decades-long Roxy Music aficionados alike.
Neil Creighton's poems insist that it is time, long past time, to acknowledge crimes against indigenous people, to stop cloaking and hiding past colonialism and current racism with lies, to shine a light of honesty on what the legacy of the white invasion of Australia really is, and to begin creating a space of hope for healing. Painful, powerful, and truly necessary poetry. -Laura M. Kaminski, Managing Editor of Praxis Magazine Online and Author of five poetry collections and four chapbooks, including Anchorhold and The Heretic's Hymnal It is astonishing how Rock Dreaming reasserts Australia's precolonial history, confronts her colonial history, rewrites the history, and transcends its endless tyranny with a great anger, a greater insight, and a much greater empathy capable of healing the oppressed. The magic of this collection is rooted in Creighton's humane attention to the details of the conditions of the people whose lives his poems explore so powerfully. -Darlington Chibueze Anuonye, Curator of Daybreak: An Anthology of Short Nigerian Fiction The poems in Rock Dreaming approach their difficult subject matter in many ways. They are lyrical, journalistic, deeply personal, and historical. Often confronting, unflinching, almost cinematically brutal, they seek justice but never self-justification. In them Creighton seeks "to gouge a path of acknowledgment straight into the heart of national conscience." The poems reveal a tender heart and a desire to educate the reader about a buried history of genocide. We can only hope that works such as these can incite sufficient indignation and compassion to lead to whatever reparations are still possible. -Betsy Mars, Author of Alinea