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Between 1842 and 1908, Bronson Howard wrote 27 plays which appeared under 39 different titles, and had opening nights in New York, London and Berlin. This study is both a historical biography and critical analysis of the literature, concluding with an attempt to place his work in critical perspective both in terms of his own era, and ours. In addition to his best-known play, the often-anthologized civil war spectacle Shenandoah, it examines his other works such as Saratoga, Young Mrs Winthrop, One of Our Girls and The Henrietta.
The importance of Native American realism is traced through a study of the evolution of dramatic theory from the early 1890s through World War I and the uniquely American innovations in realistic drama between world wars.
During the years 1880 to 1945, American theatre grew up, moving from entertainment-driven motives and melodramatic formulas to serious confrontations with issues of its time and to an experimentation with forms that would allow those confrontations to be frank and earnest. Many of the playwrights of this time wrote works of lasting significance, while others have impacted the work of contemporary dramatists. This reference is a guide to American theatre during this formative period. The volume includes alphabetically arranged entries for 40 American playwrights active between 1880 and 1945. Included are the most frequently canonized figures, as well as previously neglected women and minority playwrights whose work is a vital part of American theatre history. Each entry includes a biographical overview, a summary of the critical reception of major productions and significant revivals, a critical assessment of the playwright's career, and a listing of archival, primary, and secondary bibliographic material.