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After extensive research in eighteenth- and early nineteenth-century tax and land records, ledgers, journals, and newspapers, architectural historian Henry K. Sharp convincingly demonstrates how the five Ellicott brothers created America's first factory town, not in New England, but in Maryland's Patapsco River Valley, and modeled it according to the Quaker concept of community. As the first merchant mills prospered in grain, other entrepreneurial spirits added cotton mills and ironworks. By the Civil War, the valley was a booming industrial center, but what the powerful and unpredictable river had given it swiftly destroyed in two terrifying floods. Perceptive and elegantly written, this book challenges long-held beliefs about the origins of the Industrial Revolution in the United States, and brings to life once more a time and place almost lost to history.
NATIONAL BESTSELLER • "James and Deborah Fallows have always moved to where history is being made.... They have an excellent sense of where world-shaping events are taking place at any moment" —The New York Times • The basis for the HBO documentary streaming on HBO Max For five years, James and Deborah Fallows have travelled across America in a single-engine prop airplane. Visiting dozens of towns, the America they saw is acutely conscious of its problems—from economic dislocation to the opioid scourge—but it is also crafting solutions, with a practical-minded determination at dramatic odds with the bitter paralysis of national politics. At times of dysfunction on a national level, reform possibilities have often arisen from the local level. The Fallowses describe America in the middle of one of these creative waves. Their view of the country is as complex and contradictory as America itself, but it also reflects the energy, the generosity and compassion, the dreams, and the determination of many who are in the midst of making things better. Our Towns is the story of their journey—and an account of a country busy remaking itself.
How the Amoskeag Manufacturing Company shaped the social, ethnic, and economic existence of Manchester, New Hampshire during America's rise as a manufacturing power.
For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.
Examines how towns across the United States have grown thanks to the existence of one large business being run from the community, discusses how those single-business communities have influenced the American economy, and explores the benefits and consequences of these towns.
The instant New York Times bestseller about one man's battle to save hundreds of jobs by demonstrating the greatness of American business. The Bassett Furniture Company was once the world's biggest wood furniture manufacturer. Run by the same powerful Virginia family for generations, it was also the center of life in Bassett, Virginia. But beginning in the 1980s, the first waves of Asian competition hit, and ultimately Bassett was forced to send its production overseas. One man fought back: John Bassett III, a shrewd and determined third-generation factory man, now chairman of Vaughan-Bassett Furniture Co, which employs more than 700 Virginians and has sales of more than $90 million. In Factory Man, Beth Macy brings to life Bassett's deeply personal furniture and family story, along with a host of characters from an industry that was as cutthroat as it was colorful. As she shows how he uses legal maneuvers, factory efficiencies, and sheer grit and cunning to save hundreds of jobs, she also reveals the truth about modern industry in America.
Examines the many facets of the Hudson’s rich history, distinctive regional culture, and important contributions to the development of modern America. Since its inception in 1984, The Hudson River Valley Review has taken an eclectic and interdisciplinary approach to a region that has long been recognized for its role in American colonial history; its important contributions to American arts, letters, and architecture; its role in the economic development of the nation; and its significant and ongoing contributions to American culture and history. This collection of essays brings together eighteen of the best essays from the Review’s first twenty-five years of publication. From natives and newcomers to twentieth-century leaders, the authors of these essays examine the many facets of the Hudson’s rich history, distinctive regional culture, and important contributions to the development of modern America.
"The new edition of Reasoning with Democratic Values 2.0 presents an engaging approach to teaching U.S. history that promotes critical thinking and social responsibility. In Volume 1 students investigate 20 significant historical episodes, arranged chronologically, beginning with the Colonial Era and ending with Reconstruction."--Provided by publisher.
Edward Drummond Libbey was a glassmaker, industrialist, artist, innovator and art collector. Both practical and creative, he forever changed the glass industry with the automatic bottle-making machine and automatic sheet glass machine. This work examines the long career of Libbey, particularly his innovation of American flint cut glass, his contributions to the middle-class American table through affordable glassware, and his enormous art glass and painting collections, which eventually formed the basis for the Toledo Museum of Art's collection. Libbey single-handedly revolutionized glassmaking, a craft which had gone virtually unchanged for 2000 years.
Joan Mark offers an interpretive biography of Patrick Tracy Lowell Putnam (1904–53), who spent twenty-five years living among the Bambuti pygmies of the Ituri Forest in what is now Zaire. On the Epulu River he constructed Camp Putnam as a harmonious multiracial community. He modeled his camp on the “dude ranches” of the American West, taking in paying guests while running a medical clinic and occasionally offering legal aid to the local people, and assumed the role of intermediary between locals and visitors, including Colin M. Turnbull, author of the classic Forest People. Mark describes Putnam’s mercurial relations with family and with his African and American wives—and follows him to his sad and violent end. She places Patrick Putnam within the context of three different anthropological traditions and examines his contribution as an expert on pygmies.