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An insightful portrait of U.S. presidents from Franklin D. Roosevelt to George W. Bush. Hamilton examines their unique characters, their paths to Pennsylvania Avenue, their effectiveness as global leaders, and their lessons in governance, both good and bad.
Is Donald Trump the American Caesar? There are many incredible parallels between the two men. The Roman establishment hated Julius Caesar and wanted him dead. They believed he would be a disaster for Rome, and bring chaos. They thought he was an obnoxious, overweening, preening narcissist and power-mad oligarch. He was denounced as a populist demagogue who would say anything to get into power. Friends disowned him. Supporters became enemies. Numerous influential Romans spoke out against him and delivered chilling warnings if Caesar should assume power in Rome. Julius Caesar was a "Strong Man" who brought order to Rome in a time of weak leaders, an establishment that had lost its way, which no longer had any vision, and which was allowing chaos to reign on the streets. Before Caesar came to power, the glory that was Rome was fading fast. Its best days seemed behind it. The Republic was failing. Caesar set out to make Rome great again.
America's Songs tells the stories behind the most beloved popular songs of the last century. We all have songs that have a special meaning in our lives; hearing them evokes a special time or place. Little wonder that these special songs have become enduring classics. Nothing brings the roarin '20s to life like Tea for Two or I'm just Wild About Harry; the Great Depression is evoked in all of its pain and misery in songs like Brother Can You Spare a Dime?; God Bless America revives the powerful hope that American democracy promised to the world during the dark days of World War II; Young at Heart evokes the postwar optimism of the '50s. And then there are the countless songs of love, new romance, and heartbreak: As Time Goes By, Always, Am I Blue...the list is endless. Along with telling the stories behind these songs, America's Songs suggests, simply and succinctly, what makes a song great. The book illuminates the way each great song melds words and music - sentiment and melody - into a seamless whole. America's Songs also traces the fascinating but mysterious process of collaboration, the give-and-take between two craftsmen, a composer and a lyricist, as they combined their talents to create a song. For anyone interested in the history of the songs that America loves, America's Songs will make for fascinating reading.
Winner of the 2006 Pietro Di Donato and John Fante Literary Award from The Grand Lodge of the Sons of Italy, New York State Robert Viscusi takes a comprehensive look at Italian American writing by exploring the connections between language and culture in Italian American experience and major literary texts. Italian immigrants, Viscusi argues, considered even their English to be a dialect of Italian, and therefore attempted to create an American English fully reflective of their historical, social, and cultural positions. This approach allows us to see Italian American purposes as profoundly situated in relation not only to American language and culture but also to Italian nationalist narratives in literary history as well as linguistic practice. Viscusi also situates Italian American writing within the "eccentric design" of American literature, and uses a multidisciplinary approach to read not only novels and poems, but also houses, maps, processions, videos, and other artifacts as texts.
The figure of Julius Caesar has loomed large in the United States since its very beginning, admired and evoked as a gateway to knowledge of politics, war, and even national life. In this lively and perceptive book, the first to examine Caesar's place in modern American culture, Maria Wyke investigates how his use has intensified in periods of political crisis, when the occurrence of assassination, war, dictatorship, totalitarianism or empire appears to give him fresh relevance. Her fascinating discussion shows how—from the Latin classroom to the Shakespearean stage, from cinema, television and the comic book to the internet—Caesar is mobilized in the U.S. as a resource for acculturation into the American present, as a prediction of America’s future, or as a mode of commercial profit and great entertainment.
This is Volume 2 of a two volume set. Please order both volumes for a complete set. America is no longer the land of the free. In Senate Report 93-549, the United States Congress admitted that, since at least 9 March 1933, the American people have lived under a state of national emergency. Instead of a federal Government of delegated and limited powers, what now operates from Washington, D.C. is a centralized military despotism which claims ultimate sovereignty over its citizens and rules them by statute in all cases whatsoever. Beginning with the usurpations of Abraham Lincoln, this book explains how the so-called emergency powers of the President of the United States developed over a period of seven decades and finally culminated in the virtual supplanting of the Constitution by Franklin Delano Roosevelt's New Deal democracy. The author draws heavily from a wealth of rare political literature from the past two centuries, as well as long-forgotten Government documents to paint an unsettling picture of American history and to show why nothing ever seems to change in Washington, no matter which political party is currently in power.
America’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.
America is having a nervous breakdown. Its national character has fragmented. Americans no longer stand united, and they never will again. They are at each other's throats. What happened? What went wrong? This is the strange tale of how America is being destroyed by its conflicting character types. Even worse, this is a problem that cannot be resolved. There is no "one-size-fits-all" set of policies that can accommodate character types that seek radically different things. This makes consensual government impossible. Oswald Spengler, in his apocalyptic masterpiece "The Decline of the West", wrote, "2000-2200: Formation of Caesarism. Victory of force politics over money. Increasing primitiveness of political forms. Inward decline of the nations into a formless population, and Constitution thereof as an imperium of gradually increasing crudity of despotism." America, with the advent of Donald Trump, has entered its Caesarian period. Things will never be the same again.
Once “one nation under God,” America today is desperately sick. And the Church seems to have no answers. How can a nation so “churched” be so untouched by the Gospel? Why has “the Glory departed,” leaving a nation racked by political hatred, drug addiction, and shattered families? God, Caesar, and Idols asks these questions and calls the Church to seek God’s Word for answers. Too many Christians no longer make political choices on the basis of eternal truth, but instead make them on the basis of purely financial considerations. It’s time for the Church to break its addiction to humanistic, government schooling and instead “bring them up in the nurture and admonition of the Lord.” This book challenges the Church to reject “cheap grace” and the easy temptation to be “tolerant” of society’s rebellion. We must again honor the authority of God’s Word and embrace the life-altering power available when we reject our cultural idols and proclaim “the whole counsel of God” without compromise. Armed with careful scriptural exegesis and supported by the words of great Christians from church history, God, Caesar, and Idols encourages the American Church to again “contend for the faith” in today’s culture—whatever the cost.
All the classics in lighter versions made with the freshest of ingredients.