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So many singers, so few winners, Americans' Idols give their all for the love of singing, the hate of loosing, the joy of winning. Music and song are the healing forces of the world.
Feeding off the frenzy of fleeting fame and image overload, Hostetler takes anecessary look at the false gods in modern society. This timely book can helpreaders realize and overcome their own idolatries.
The currency is fame, and it's bigger than money, more desired than power. Each season American Idol delivers on a promise whose epic scope is unparalleled in the annals of competition: to take an unknown dreamer from the middle of America and turn him or her into a genuine star. It has become not only the biggest show on television, but the biggest force in all of entertainment; its alumni dominate the recording charts and Broadway, win Academy Awards, and sweep up Grammys. In fact, American Idol has reshaped the very idea of celebrity. But it didn't start out that way. When the little singing contest debuted as a summer replacement on the U.S. airwaves, it was packed between reruns and low-cost filler. The promise that it would find America's next pop star produced a hearty round of guffaws from the country's media critics. Now, some ten years and millions of records later, no one is laughing. American Idol: The Untold Story chronicles the triumphs and travails, the harrowing backstage drama and the nail-biting onstage battles that built this revolutionary show. In this revealing book, veteran journalist Richard Rushfield goes deeper inside the circus than any reporter ever has. Candid interviews with Idol alumni, including Simon Fuller and Simon Cowell, shed new light on the show that changed the entertainment industry. And because Rushfield had full access to the people who created the show, starred in it, and kept it atop the pop culture pyramid, this book is the first to take Americans behind the curtain and tell what has really been happening on the world's most watched and speculated-about stage.
American Ideal: How American Idol Constructs Celebrity, Collective Identity, and American Discourses explores ideals associated with American Idol, and includes deep examinations of contextual press coverage, official message boards, and the show itself. It finds that the representation of an idealized American culture endorses and supports contemporary cultural, economic, and institutional ideologies, particularly values of celebrity, beauty, American identity, and capitalism.
Arguing against the presumption that the U.S. has no dominant ideology, the author confronts the myths in American society that limit the perception of political reality and constrain progressive reform.
With its sharp focus on stardom during the 1920s, Idols of Modernity reveals strong connections and dissonances in matters of storytelling and performance that can be traced both backward and forward, across Europe, Asia, and the United States, from the silent era into the emergence of sound. Bringing together the best new work on cinema and stardom in the 1920s, this illustrated collection showcases the range of complex social, institutional, and aesthetic issues at work in American cinema of this time. Attentive to stardom as an ensemble of texts, contexts, and social phenomena stretching beyond the cinema, major scholars provide careful analysis of the careers of both well-known and now forgotten stars of the silent and early sound era—Douglas Fairbanks, Buster Keaton, the Talmadge sisters, Rudolph Valentino, Gloria Swanson, Clara Bow, Colleen Moore, Greta Garbo, Anna May Wong, Emil Jannings, Al Jolson, Ernest Morrison, Noble Johnson, Evelyn Preer, Lincoln Perry, and Marie Dressler.
John Ogilby's 'America: Being the Latest, and Most Accurate Description of the New World' is a groundbreaking work that provides readers with a comprehensive insight into the New World during the early 17th century. Through detailed descriptions and vivid illustrations, Ogilby offers a unique perspective on the geography, people, and cultures of America. Written in a descriptive and informative style, the book serves as an important historical document that sheds light on the exploration and colonization of the Americas. Ogilby's meticulous attention to detail and dedication to accuracy make this work a valuable resource for scholars and history enthusiasts alike. His use of maps and illustrations further enhances the reader's understanding of the New World, making it a truly immersive reading experience. Recommended for those interested in early American history and exploration, 'America' is a must-read for anyone looking to deepen their knowledge of this fascinating period in history.
James Atwood contends that the thirty thousand gun deaths America suffers every year cannot be understood apart from our national myth that God has appointed America as "the trustee of the civilization of the world" and even "Christ's light to the nations." Because these purposes are noble, and we are supposedly a good and trustworthy people, violence is sometimes "required" and gives license to individuals to carry open or concealed weapons, which "save lives" and can even be "redemptive." Atwood, an avid hunter, cautions that an absolute trust in guns and violence morphs easily into idolatry. Having spent thirty-six years as a Presbyterian pastor fighting against the easy access to firearms, one of which took the life of a friend, he uses his unique experience and his biblical and theological understanding to graphically portray the impact guns have on our society. He documents how Americans have been deceived into believing that the tools of violence, whether they take the form of advanced military technology or a handgun in the bedside stand, will provide security. He closes with a wake-up call to the faith community, which he says is America's best hope to unmask the extremism of the Gun Empire.
No issues touch us more profoundly or universally,' writes Richard Foster. 'No topics cause more controversy. No human realities have greater power to bless or curse. No three things have been more sought after or are more in need of a Christian response.' Money, Sex and Power discerns the biblical principles that enable us to live out a relevant and authentic response to the three greatest temptations of our age. Gerard Kelly writes: 'Foster follows a road few in recent years have travelled, and does so with depth, wit and down-to-earth wisdom. Don't assume for one moment that this book is anti-money, anti-sex or anti-power: the author has a healthy respect and admiration for all three as sacred gifts of a loving creator. What he does urge us to do, though, is to "live rightly" in respect of these key ares, and so to be freed into a life of creative celebration.'
Once “one nation under God,” America today is desperately sick. And the Church seems to have no answers. How can a nation so “churched” be so untouched by the Gospel? Why has “the Glory departed,” leaving a nation racked by political hatred, drug addiction, and shattered families? God, Caesar, and Idols asks these questions and calls the Church to seek God’s Word for answers. Too many Christians no longer make political choices on the basis of eternal truth, but instead make them on the basis of purely financial considerations. It’s time for the Church to break its addiction to humanistic, government schooling and instead “bring them up in the nurture and admonition of the Lord.” This book challenges the Church to reject “cheap grace” and the easy temptation to be “tolerant” of society’s rebellion. We must again honor the authority of God’s Word and embrace the life-altering power available when we reject our cultural idols and proclaim “the whole counsel of God” without compromise. Armed with careful scriptural exegesis and supported by the words of great Christians from church history, God, Caesar, and Idols encourages the American Church to again “contend for the faith” in today’s culture—whatever the cost.