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A premier volume in Oxford's Pivotal Moments in World History series, Americanos offers an engagingly written, compact history of the Latin American wars of independence. Proceeding almost cinematically, scene by vivid scene, John Charles Chasteen introduces the reader to lead players, basic concepts, key events, and dominant trends, braided together in a single, taut narrative. He vividly depicts the individuals and events of those tumultuous years, capturing the gathering forces for independence, the clashes of troops and decisions of leaders, and the rich, elaborate tapestry of Latin American societies as they embraced nationhood.
"Why do I fight here in this land so foreign to my own? Why did I come here far from my home and family?...Is it because I seek adventure? No...I am here because I believe that the most important thing for free men to do is to protect the freedom of others." —William Morgan, in a letter to Herbert Matthews at the New York Times When William Morgan was twenty-two years old, he was working as a high school janitor in Toledo Ohio. Seven years later, in 1958, he walked into a Rebel camp in the Cuban Jungle to join the revolutionaries in their fight to overthrow the corrupt Cuban president, Fulgencio Batista. They were wary of the broad-shouldered, blond-haired, blue-eyed americano but Morgan's dedication and passion, his military skill and charisma, led him to become a chief comandante in Castro's army—he was the only foreigner to hold such a rank, with the exception of Che Guevera. Vicious battles in the jungles were followed by victorious revelry in the cities. Morgan married a Cuban beauty. He single-handedly thwarted the Dominican Republic's attempt to overthrow Castro. And he was chosen to work with Castro and other high ranking Rebels to improve the quality of life for all people. This man who had lived under the radar in America was now a Cuban hero on the watch lists of several governments, all of whom wondered whose side he was really on. It all ended in 1961, when, at age thirty-two, Morgan was executed by firing squad, at the hands of Fidel Castro. Journalist Aran Shetterly takes us back to an era when democracy could have flourished in Cuba. He interviewed Morgan's friends and family and former Cuban Rebels, and examined FBI and CIA documents in search of the truth. What emerged was the true story of a young man who had never fit in but finally found his place in the world by fighting another country's war.
SHORTLISTED FOR THE BAILEY'S WOMEN'S PRIZE FOR FICTION 'A delicious, important novel' The Times 'Alert, alive and gripping' Independent 'Some novels tell a great story and others make you change the way you look at the world. Americanah does both.' Guardian As teenagers in a Lagos secondary school, Ifemelu and Obinze fall in love. Their Nigeria is under military dictatorship, and people are fleeing the country if they can. Ifemelu--beautiful, self-assured--departs for America to study. She suffers defeats and triumphs, finds and loses relationships and friendships, all the while feeling the weight of something she never thought of back home: race. Obinze--the quiet, thoughtful son of a professor--had hoped to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Thirteen years later, Obinze is a wealthy man in a newly democratic Nigeria, while Ifemelu has achieved success as a writer of an eye-opening blog about race in America. But when Ifemelu returns to Nigeria, and she and Obinze reignite their shared passion--for their homeland and for each other--they will face the toughest decisions of their lives. Fearless, gripping, spanning three continents and numerous lives, Americanah is a richly told story of love and expectation set in today's globalized world.
In 1808, world history took a decisive turn when Napoleon occupied Spain and Portugal, a European event that had lasting repercussions more than half the world away, sparking a series of revolutions throughout the Spanish and Portuguese empires of the New World. These wars for independence resulted eventually in the creation of nineteen independent Latin American republics.Here is an engagingly written, compact history of the Latin American wars of independence. Proceeding almost cinematically, scene by vivid scene, John Charles Chasteen introduces the reader to lead players, basic concepts, key events, and dominant trends, braided together in a single, taut narrative. He vividly depicts the individuals and events of those tumultuous years. Here are the famous leaders--Simon Bolivar, Jose de San Martin, and Bernardo O'Higgins, Father Hidalgo and Father Morelos, and many others. Here too are lesser known Americanos: patriot women such as Manuela Saenz, Leona Vicario, Mariquita Sanchez, Juana Azurduy, and Policarpa Salavarrieta, indigenous rebels such as Mateo Pumacahua, and African-descended generals such as Vicente Guerrero and Manuel Piar. Chasteen captures the gathering forces for independence, the clashes of troops and decisions of leaders, and the rich, elaborate tapestry of Latin American societies as they embraced nationhood. By the end of the period, the leaders of Latin American independence would embrace classical liberal principles--particularly popular sovereignty and self-determination--and permanently expanding the global reach of Western political values.Today, most of the world's oldest functioning republics are Latin American. And yet, Chasteen observes, many suffer from a troubled political legacy that dates back to their birth. In this book, he illuminates this legacy, even as he illustrates how the region's dramatic struggle for independence points unmistakably forward in world history.
Fourteen cultural history essays exploring the relationship between Italian Americans, consumer culture, and the American identity. How do immigrants and their children forge their identities in a new land? And how does the ethnic culture they create thrive in the larger society? Making Italian America brings together new scholarship on the cultural history of consumption, immigration, and ethnic marketing to explore these questions by focusing on the case of an ethnic group whose material culture and lifestyles have been central to American life: Italian Americans. As embodied in fashion, film, food, popular music, sports, and many other representations and commodities, Italian American identities have profoundly fascinated, disturbed, and influenced American and global culture. Discussing in fresh ways topics as diverse as immigrant women’s fashion, critiques of consumerism in Italian immigrant radicalism, the Italian American influence in early rock ’n’ roll, ethnic tourism in Little Italy, and Guido subculture, Making Italian America recasts Italian immigrants and their children as active consumers who, since the turn of the twentieth century, have creatively managed to articulate relations of race, gender, and class and create distinctive lifestyles out of materials the marketplace offered to them. The success of these mostly working-class people in making their everyday culture meaningful to them as well as in shaping an ethnic identity that appealed to a wider public of shoppers and spectators looms large in the political history of consumption. Making Italian America appraises how immigrants and their children redesigned the market to suit their tastes and in the process made Italian American identities a lure for millions of consumers. Fourteen essays explore Italian American history in the light of consumer culture, across more than a century-long intense movement of people, goods, money, ideas, and images between Italy and the United States—a diasporic exchange that has transformed both nations. Simone Cinotto builds an analytical framework for understanding the ways in which ethnic and racial groups have shaped their collective identities and negotiated their place in the consumers’ emporium and marketplace. Grounded in the new scholarship in transnational US history and the transfer of cultural patterns, Making Italian America illuminates the crucial role that consumption has had in shaping the ethnic culture and diasporic identities of Italians in America. It also illustrates vividly why and how those same identities—incorporated in commodities, commercial leisure, and popular representations—have become the object of desire for millions of American and global consumers. “This compelling and innovative volume captures the complexities of the pivotal role of consumption in the historical formation of transnational Italian American taste, positing a distinctive diasporic consumer culture that continues its importance today. Richly interdisciplinary, the collection represents an exciting new resource for scholars and students alike.” —Marilyn Halter, Boston University
Winner, T. R. Fehrenbach Award, Texas Historical Commission, 2007 From the nineteenth century until today, the power brokers of Dallas have always portrayed their city as a progressive, pro-business, racially harmonious community that has avoided the racial, ethnic, and class strife that roiled other Southern cities. But does this image of Dallas match the historical reality? In this book, Michael Phillips delves deeply into Dallas's racial and religious past and uncovers a complicated history of resistance, collaboration, and assimilation between the city's African American, Mexican American, and Jewish communities and its white power elite. Exploring more than 150 years of Dallas history, Phillips reveals how white business leaders created both a white racial identity and a Southwestern regional identity that excluded African Americans from power and required Mexican Americans and Jews to adopt Anglo-Saxon norms to achieve what limited positions of power they held. He also demonstrates how the concept of whiteness kept these groups from allying with each other, and with working- and middle-class whites, to build a greater power base and end elite control of the city. Comparing the Dallas racial experience with that of Houston and Atlanta, Phillips identifies how Dallas fits into regional patterns of race relations and illuminates the unique forces that have kept its racial history hidden until the publication of this book.
Introduction: The Machine with a Soul -- 1. The Good Adventure: Fascist Squads in a War-Weary World -- 2. Mystic in a Morning Coat: Americans' Mussolini in the 1920s -- 3. The Dream Machine: The Fascist State in an Era of Democratic Disillusionment -- 4. Man as the Measure of All Things: Sympathizing with Fascism in the Early Depression Years -- 5. The Garden of Fascism: Beauty, Transcendence, and Peace in an Era of Uncertainty -- Conclusion: Searching for Soul under the Sign of the Machine.