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Since the 1950s, men and women around the world have claimed to have had contact with human-like visitors from space. This book explores how the "contactee" subculture has critiqued political, social and cultural trends in the United States, Europe and elsewhere. Not merely quaint relics of the 1950s Atomic Age, contactees have continued their messages of transformation into the 21st century. Regardless of whether these alleged contacts took the form of physical meetings or channeled paranormal psychic communications, or whether they actually happened at all, contactees have provided a consistently relevant source of commentary on this world and beyond.
Before and after the presidency of Donald Trump, the United States was--and now is again--on an intentional trajectory to fulfill what famous Freemason Manly P. Hall described as The Secret Destiny of America. Hall's book includes future national and global subservience to the god of Freemasonry, a deity most Americans would not imagine when reciting the pledge of allegiance to "one nation under God." Unknown to most Americans and certainly many Christians is the fact that the Great Seal of the United States is a prophecy hidden in plain sight by the Founding Fathers for more than two hundred years, foretelling the return of this terrifying, demonic god who seizes control of Earth in the New Order of the Ages. This supernatural entity was known and feared in ancient times by different names: Apollo, Osiris, and even farther back as Nimrod, whom Masons consider to be the father of their institution.
At Dupont University, an innocent college freshman named Charlotte Simmons learns that her intellect alone will not help her survive.
His most recent book of 20 essays, were all written in 2020 about contemporary issues in America. It is a hard hitting, powerful book with strong opinions about patriotism, power, disease, racism, guns, leadership, wealth inequality, religion, morality and more. It captures a year in history like no other. This book is a journey through a year with topics are mostly about issues in the zeitgeist. Zeitgeist literally means the defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time. The title fits the book. What did you learn from the last year? Beeman will challenge your thinking!
American Zeitgeist is a collection of dramatic monologues about the life and career of William Jennings Bryan, the Great Commoner, from his rise as populist hero of the Democratic Party in the 19th century to his ignominious end at the Scopes Monkey Trial in 1925. Related mostly in the voice of a fictional contemporary named Jefferson Powers, a journalist, and framed by lectures on Bryan and the Progressive Era by a fictional modern-day History professor, Jefferson Lynn, the arc of this narrative serves as commentary on the American spirit and should be read as historical fiction. As the writer David Mitchell (Cloud Atlas, The Bone Clocks) notes, the popularity of historical fiction lies in its double narrative thrust. It "delivers a stereo narrative," Mitchell writes, "from one speaker comes the treble of the novel's own plot while the other speaker plays the bass of history's plot." American Zeitgeist conforms to this model. This is a page-turner that delivers history and drama in equal measure.
The first biography of Helena Sheehan, Irish-American Marxist feminist activist Why would an American girl-child, born into a good, Irish-Catholic family in the thick of the McCarthy era – a girl who, when she came of age, entered a convent – morph into an atheist, feminist, and Marxist? The answer is in Helena Sheehan’s fascinating account of her journey from her 1940s and 1950s beginnings, into the turbulent 1960s, when the Vietnam War, black power, and women’s liberation rocked her bedrock assumptions and prompted a volley of life-upending questions – questions shared by millions of young people of her generation. But, for Helena Sheehan, the increasingly radicalized answers deepened through the following decades. Beginning by overturning such certainties as America-is-the-world’s-greatest-country and the-Church-is-infallible, Sheehan went on to embrace existentialism, philosophical pragmatism, the new left, and eventually Marxism. Migrating from the United States to Ireland, she became involved with Irish republicanism and international communism in the 1970s and 1980s. Sheehan’s narrative vividly captures the global sweep and contradictions of second-wave feminism, antiwar activism, national liberation movements, and international communism in Eastern and Western Europe – as well as the quieter intellectual ferment of individuals living through these times. Navigating the Zeitgeist is an eloquently articulated voyage from faith to enlightenment to historical materialism that informs as well as entertains. This is the story of a well-lived political and philosophical life, told by a woman who continues to interrogate her times.
'From Trump's backward-looking promise to "make America great again" to the hipster's fondness for a pre-industrial age of craft, nostalgia saturates our world. Gandini's book is a remarkable and insightful guide to this phenomenon, laying out the deep roots of its origins and setting out the contours of its limits.' Nick Srnicek, co-author of Inventing the Future: Postcapitalism and a World Without Work We live an age of nostalgia, incarnated by populist fantasies of “taking back control” and making nations “great again". In the long aftermath of the 2007-08 economic crisis, nostalgia has been established as the cultural zeitgeist of Western society. Populist fantasies of nostalgia represent a cry for help against the demise of the societal model of the postwar era, based on stable employment and mass consumption. The promise of an impossible return to the 'good life' of the 20th century, Gandini contends, particularly appeals to the older generations, who are incapable of making sense of the evolution of Western societies after decades of globalization and neoliberal policies. The younger generations, in the meantime, are instead trying to build a new 'good life' based on another form of return, this time to old practices of craft production and consumption.
Captain America made his debut in 1940, just two years behind the first comic book superheroes and five years before the United States' emergence as the world's primary superpower at the end of World War II. His journey has been intertwined with America's progress throughout the decades. Known as the "Sentinel of Liberty," he has frequently provided socio-political commentary on current events as well as inspiration and warnings concerning the future. This work explores the interconnected histories of the United States and Captain America, decade-by-decade, from the character's origins to Chris Evans' portrayal of him in the Marvel Cinematic Universe. It examines how Captain America's story provides a guide through America's tenure as a global superpower, holds a mirror up to American society, and acts as a constant reminder of what America can and should be.
This is an anthology of 14 papers that were presented at the Ninth Cooperstown Symposium on Baseball and American Culture, held in June 1997 and co-sponsored by the State University of New York at Oneonta and the National Baseball Hall of Fame and Museum. To mark the 50th anniversary of Jackie Robinson's breaking the color barrier in major league baseball the 1997 Symposium was dedicated to Robinson. These papers focus on Robinson, baseball, and race relations and are divided into three parts: "Before Robinson," "Robinson and Social Change" and "The Legacy of Robinson." The preface is by series editor Alvin L. Hall, and an introduction is provided by the editor of the volume, Peter M. Rutkoff.
This Companion examines the full range and vigor of the American novel. From the American exceptionalism of James Fenimore Cooper to the apocalyptic post-Americanism of Cormac McCarthy, these newly commissioned essays from leading scholars and critics chronicle the major aesthetic innovations that have shaped the American novel over the past two centuries. The essays evaluate the work, life and legacy of influential American novelists including Melville, Twain, James, Wharton, Cather, Faulkner, Ellison, Pynchon and Morrison, while situating them within the context of their literary predecessors and successors. The volume also highlights less familiar, though equally significant writers such as Theodore Dreiser and Djuna Barnes, providing a balanced and wide-ranging survey of use to students, teachers and general readers of American literature.