Download Free American Victorian Choral Music Book in PDF and EPUB Free Download. You can read online American Victorian Choral Music and write the review.

This MUSA volume makes an important contribution to American music studies by presenting a scholarly edition of selected choral works by Dudley Buck (18391909). Buck was arguably the finest composer of choral music among the group of musicians who had come of age by the end of the Civil War. The works chosen for this volume, some of which became icons of American Victorian culture, represent the three most popular choral genres during the Guilded Age: the anthem, the sacred and secular cantata, and the partsong. All of the works included here found immediate publication and stayed in print well into the twentieth century. Buck's works became the standards, not only by their intrinsic merit, but owing to their widespread performance throughout the country. His services, canticles, anthems, and hymnsmusically engaging, well-crafted, and often genuinely movingwere considerably more professional than the homegrown music in use when he began his work. Included here are three works, a hymn anthem ("Rock of Ages"), a liturgical text ("Festival Te Deum No. 7 in E-flat"), and a late, through-composed work ("Grant to Us Thy Grace"). Buck's sacred and secular cantatas along with his partsongs also enjoyed widespread success among the growing number of church choirs and community choral groups. The two partsongs come from his earliest and latest periods. "In Absence" represents the early Victorian partsong, and the second, "The Signal Resounds from Afar" is both Buck's longest partsong and the one showing the greatest contrapuntal complexity. Both The Centennial Meditation of Columbia, written for the 1876 Centennial Exhibition, and the Forty-Sixth Psalm, from 1872, are in full score and typify some of the finest cantata writing in Victorian America.
A popular Victorian composer of organ and choral music
Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.
This survey of choral literature, written by American composers from 1760 through the 1990s, examines nearly 3,000 pieces of choral music written by over 300 composers. Along with a descriptive analysis, the literature is placed within a historical perspective. Familiar and less well-known composers and their music are examined. The study seeks to remedy the superficial treatment choral music is often given in standard textbooks on American music and to acknowledge and expose the varied richness of the literature. Choral conductors and musicologists will appreciate the vast repertory of choral music literature examined. Organized chronologically, this study uniquely traces the development of choral music literature throughout the centuries. A select bibliography provides a useful guide for further research.
Lowell Mason, Horatio Parker, Amy Beach, Charles Ives, Edward MacDowell, and Arthur Foote are but some of the American composers featured in this guide.
For the SingerThis book is designed as an interactive workbook that will help you to understand how your voice works, and to gain insight into what is taking place physically as you experience vocal changes. Most important, it presents ideas as to what types of actions you can take to improve the condition of your voice so that you can enjoy singing to its fullest.For the Choral ConductorWith an average population that is becoming older each year, many conductors are finding an increase in the number of mature singers in their choirs. Specifically, conductors working with a church or community choir are now often in the unique position of needing new tools to guide these singers toward preserving, or re-building, a healthy vocal condition. This book provides those tools in the form of guidelines and practical exercises geared to enhancing vocal vitality and longevity for adult singers of all ages.
This collection includes a large dose of sentimentality and pathos intermingled with irreverent humor and lighthearted gaiety, the sparkle of the British music hall, the brilliance of Gilbert and Sullivan, the sweet simplicity of Stephen Foster, and more.