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Recalls the history and colorful personalities of vaudeville
The Comic Offense from Vaudeville to Contemporary Comedy examines how contemporary writer/performers are influenced by the comedic vaudevillians of the early 20th century. By tracing the history and legacy of the vaudeville era and performance acts, like the Marx Brothers and The Three Keatons, and moving through the silent and early sound films of the early 1930s, the author looks at how comic writer/performers continue to sell a brand of themselves as a form of social commentary in order to confront and dispel stereotypes of race, class, and gender. The first study to explore contemporary popular comic culture and its influence on American society from this unique perspective, Rick DesRochers analyzes stand-up and improvisational comedy writing/performing in the work of Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. He grounds these choices by examining their evolution as they developed signature characters and sketches for their respective shows Curb Your Enthusiasm, 30 Rock, The Colbert Report, and Chappelle's Show.
Over the last couple of decades, minor league baseball games have shown substantial attendance figures, with more than forty-one million spectators in both 2010 and 2011. With all the high-tech, live-streaming, fast-paced entertainment available to consumers, what is it about minor league baseball that still holds appeal with today’s audiences? With access to major league games broadcast on countless cable networks, what draws fans to small stadiums to watch obscure players struggle to make the big time? Sports historian David M. Sutera set out to answer these questions by visiting fourteen minor league baseball parks around the country. In Vaudeville on the Diamond, Sutera discusses the lure of minor league baseball with fans, players, and team representatives, examining how teams have survived and thrived in today’s competitive entertainment world. Combining interviews with game-day observations, Sutera argues that minor league baseball’s key to survival lies in the creation of on- and off-field attractions that invoke the traditions of vaudeville with their unique and quirky spectacle. From inviting fans to participate in dizzy bat competitions and races against the mascot to featuring Star Wars theme nights and monkeys riding border collies, teams have created a multifaceted form of entertainment that transcends the game itself. Part study and part travelogue, Vaudeville on the Diamond features numerous photographs of on-field entertainment, showcasing the vaudevillian side of minor league baseball. A light-hearted and engaging look at the minor leagues, this book will appeal not only to scholars and students of popular culture, sports and leisure studies, and sports management but to all fans of baseball and minor league sports.
This book offers a social and cultural history of American culture in the formative years of the twentieth century, examining forms such as vaudeville, early film, popular songs, modernist art, and many others in the context of contemporary social changes.
For Surveys of Musical Theater, Music Appreciation courses and Popular Culture Surveys. This unique historical survey illustrates the interaction of multiple artistic and dramatic considerations with an overview of the development of numerous popular musical theater genres. This introduction provides more than a history of musical theater, it studies the music within the shows to provide an understanding of the contributions of musical theater composers as clearly as the artistry of musical theater lyricists and librettists. The familiarity of the musical helps students understand how music functions in a song and a show, while giving them the vocabulary to discuss their perceptions.
Cohen argues that silent film allowed America to sever its literary and linguistic ties to Europe and develop an original form of expression compatible with American strengths and weaknesses. She connects the rise of film and the rise of America as a cultural center and 20th century world power.
This volume is an exploration of the image that is the Traveller/Gypsy, the migrant and the “Other”. Rapid developments as relating to the global flows of cultural diaspora have both overcome spatial/temporal distance and separation and have created enhanced necessity for the exploration of issues relating to cross-cultural and identity representation. In an age of mass migration and mass-media dissemination, a wide combination of forces have ruptured and blurred the borders of the modern nation-state. These forces have created the trans-national contexts for scholarly enquiry as relating to such scholarly disciplines as Irish Studies, Traveller Studies, Romani Studies and Diaspora and Migration Studies. As outlined in these essays, the diversity that encompasses traditionally migrant and diaspora communities such as Travellers and Gypsies frequently disrupt those narratives which have defined hitherto dominant cultures and thereby serve to hybridise the discourse.
The latest title in the Norton/Library of Congress Visual Sourcebooks series, Theaters offers a richly illustrated history of a revered cultural artifact and a technological challenge, following its progression from the eighteenth-century opera house to the modern movie multiplex.
Americans have a long history of public arguments about taste, the uses of leisure, and what is culturally appropriate in a democracy that has a strong work ethic. Michael Kammen surveys these debates as well as our changing taste preferences, especially in the past century, and the shifting perceptions that have accompanied them. Professor Kammen shows how the post-traditional popular culture that flourished after the 1880s became full-blown mass culture after World War II, in an era of unprecedented affluence and travel. He charts the influence of advertising and opinion polling; the development of standardized products, shopping centers, and mass-marketing; the separation of youth and adult culture; the gradual repudiation of the genteel tradition; and the commercialization of organized entertainment. He stresses the significance of television in the shaping of mass culture, and of consumerism in its reconfiguration over the past two decades. Focusing on our own time, Kammen discusses the use of the fluid nature of cultural taste to enlarge audiences and increase revenues, and reveals how the public role of intellectuals and cultural critics has declined as the power of corporate sponsors and promoters has risen. As a result of this diminution of cultural authority, he says, definitive pronouncements have been replaced by divergent points of view, and there is, as well, a tendency to blur fact and fiction, reality and illusion. An important commentary on the often conflicting ways Americans have understood, defined, and talked about their changing culture in the twentieth century.