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Poetry in America is flourishing in this new millennium and asking serious questions of itself: Is writing marked by gender and if so, how? What does it mean to be experimental? How can lyric forms be authentic? This volume builds on the energetic tensions inherent in these questions, focusing on ten major American women poets whose collective work shows an incredible range of poetic practice. Each section of the book is devoted to a single poet and contains new poems; a brief "statement of poetics" by the poet herself in which she explores the forces — personal, aesthetic, political — informing her creative work; a critical essay on the poet's work; a biographical statement; and a bibliography listing works by and about the poet. Underscoring the dynamic give and take between poets and the culture at large, this anthology is indispensable for anyone interested in poetry, gender and the creative process. CONTRIBUTORS: Rae Armantrout, Mei-mei Berssenbrugge, Lucie Brock Broido, Jorie Graham, Barbara Guest, Lyn Hejinian, Brenda Hillman, Susan Howe, Ann Lauterbach, Harryette Mullen.
The ideal introduction to the current generation of American poets
This book offers a comprehensive introduction to studying the diversity of American poetry in the twenty-first century.
Poetics of Social Engagement emphasizes the ways in which innovative American poets have blended art and social awareness, focusing on aesthetic experiments and investigations of ethnic, racial, gender, and class subjectivities. Rather than consider poetry as a thing apart, or as a tool for asserting identity, this volume's poets create sites, forms, and modes for entering the public sphere, contesting injustices, and reimagining the contemporary. Like the earlier anthologies in this series, this volume includes generous selections of poetry as well as illuminating poetics statements and incisive essays. This unique organization makes these books invaluable teaching tools. A companion website will present audio of each poet's work. Poets included: Rosa Alcalá Brian Blanchfield Daniel Borzutzky Carmen Giménez Smith Allison Hedge Coke Cathy Park Hong Christine Hume Bhanu Kapil Mauricio Kilwein Guevara Fred Moten Craig Santos Perez Barbara Jane Reyes Roberto Tejada Edwin Torres Essayists included: John Alba Cutler Chris Nealon Kristin Dykstra Joyelle McSweeney Chadwick Allen Danielle Pafunda Molly Bendall Eunsong Kim Michael Dowdy Brent Hayes Edwards J. Michael Martinez Martin Joseph Ponce David Colón Urayoán Noel
“A fine and selective anthology that’s also a critical introduction to some of the most provocative, and some of the most original, poetry out there.” —Stephanie Burt, author of Don’t Read Poetry: A Book About How to Read Poems The American Poets in the 21st Century series continues with another anthology focused on female poets. Like the earlier books, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. This unique organization makes these books invaluable teaching tools. Broadening the lens through which we look at contemporary poetry, this new volume extends its geographical net by including Caribbean and Canadian poets. Representing three generations of women writers, among the insightful pieces included in this volume are essays by Karla Kelsey on Mary Jo Bang’s modes of artifice, Christine Hume on Carla Harryman’s kinds of listening, Dawn Lundy Martin on M. NourbeSe Phillip (for whom “english / is a foreign anguish”), and Sina Queyras on Lisa Robertson’s confoundingly beautiful surfaces. In addition, a companion website presents audio of each poet’s work.
This anthology begins with the memory of landscapes and landmarks, presenting poems in the For My People tradition of Margaret Walker. It includes a section titled "Blood and Disappointment in the Land," which documents ongoing social struggles. Other poems focus on the love that is essential for survival, rebirth, and dreams. More than 100 prominent African American poets contribute, including the distinguished and award-winning poets Toi Derricotte, Sam Cornish, Jabari Asim, and Pinkie Gordon Lane.
Dowdy uncovers and analyzes the primary rhetorical strategies, particularly figures of voice, in American political poetry from the Vietnam War-era to the present. He brings together a unique and diverse collection of poets, including an innovative section on hip hop performance.
This anthology of poetry collects 21st century American works by both established and emerging poets that deal with the public events, government policies, ecological and political threats, economic uncertainties, and large-scale violence that have largely defined the century to date. But these 138 poems by 50 poets do not simply describe, lament, or bear witness to contemporary events; they also explore the linguistic, temporal, and imaginative problems involved in doing so. In this way, the anthology offers a comprehensive look at contemporary American poetry, demonstrating that poets are moving at once toward a new engagement with public concerns and toward a focus on the problems of representation. A detailed introduction by the editors along with poetics statements by many of the poets add depth and context to a book that will appeal to anyone interested in the state and evolution of contemporary American poetry. Instructors considering this book for use in a course may request an examination copy here.
Anthology of poems by 20th century American poets.
North American Women Poets in the 21st Century: Beyond Lyric and Language is an important new addition to the American Poets in the 21st Century series. Like the earlier anthologies, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. Among the insightful pieces included in this volume are essays by Catherine Cucinella on Marilyn Chin, Meg Tyler on Fanny Howe, Elline Lipkin on Alice Notley, Kamran Javadizadeh on Claudia Rankine, and many more. A companion web site will present audio of each poet's work. Calling, Natasha Trethewey Mexico 1969 Why not make a fiction of the mind's fictions? I want to say it begins like this: the trip a pilgrimage, my mother kneeling at the altar of the Black Virgin, enthralled—light streaming in a window, the sun at her back, holy water in a bowl she must have touched. What's left is palimpsest—one memory bleeding into another, overwriting it. How else to explain what remains? The sound of water in a basin I know is white, the sun behind her, light streaming in, her face— as if she were already dead—blurred as it will become. I want to imagine her beforethe altar, rising to meet us, my father lifting me toward her outstretched arms. What else to make of the mind's slick confabulations? What comes back is the sun's dazzle on a pool's surface, light filtered through water closing over my head, my mother—her body between me and the high sun, a corona of light around her face. Why not call it a vision? What I know is this: I was drowning and saw a dark Madonna; someone pulled me through the water's bright ceiling and I rose, initiate, from one life into another.