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A definitive guide to the 18th- and 19th-century painted furniture that has dominated recent antiques shows. The authors consider the elegant painted furniture from major East Coast style centers. An impressive array of works by prominent craftsmen are highlighted. 350 full-color photos. Major reviews.
Beautifully illustrated, comprehensive study of women's painted furniture, a long-lost art that sheds light on women's lives in the early republic
A generously illustrated survey of an important post-revolutionary American decorative art form.
Now in its sixth year, Early Homes is a biannual special edition that focuses on the period 1690—1850 and it's revivals, including Colonial and Neoclassical design. Each issue contains lavish photos and plenty of product sources.
For a full list of entries, contributors, and more, visit the Encyclopedia of American Folk Art web site. This is the first comprehensive, scholarly study of a most fascinating aspect of American history and culture. Generously illustrated with both black and white and full-color photos, this A-Z encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more, including both famous and lesser-known genres. Containing more than 600 articles, this unique reference considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art. An incomparable resource for general readers, students, and specialists, it will become essential for anyone researching American art, culture, and social history.
Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.
Folk art is one of the American South's most significant areas of creative achievement, and this comprehensive yet accessible reference details that achievement from the sixteenth century through the present. This volume of The New Encyclopedia of Southern Culture explores the many forms of aesthetic expression that have characterized southern folk art, including the work of self-taught artists, as well as the South's complex relationship to national patterns of folk art collecting. Fifty-two thematic essays examine subjects ranging from colonial portraiture, Moravian material culture, and southern folk pottery to the South's rich quilt-making traditions, memory painting, and African American vernacular art, and 211 topical essays include profiles of major folk and self-taught artists in the region.
In a comprehensive listing of entries from "Aalto, Hugo Alvar Henrik" to "Zui Weng Yi," Boyce illuminates readers about furniture styles, construction details, terminology, furniture designers, and design movements throughout history and throughout the world. Styles covered include European-inspired classical, baroque, pop, rococo, and modernist. This extensive guide will be helpful for furniture enthusiasts, historians, and those interested in redecorating their homes.
A Storied Past: Collections of the Historic Odessa captures the historical character and significance of two important late-18th-century houses, each of which retains a high percentage of original furnishings and locally made objects. Over the past several years, the collections have undergone careful examination and interpretation. One hundred are published along with four interpretive chapters. Relatively few historic sites have received this level of investigative treatment. Additionally, several of the hitherto-unpublished objects relate to others already in the decorative and fine arts lexicon. Using rich archival and genealogical sources, Philip D. Zimmerman brings to light here for the first time an extraordinary array of decorative and fine arts from the collections at the Historic Odessa Foundation. This well-documented group of family objects provides an intimate glimpse into the daily life of members of the Corbit and Wilson families in the late eighteenth and early nineteenth centuries and also sheds light on the history of Odessa, Delaware, and the larger region. Particularly strong holdings of furniture made by John Janvier and his talented sons and nephew allow informative contrasts with products made in Delaware, Phil­adelphia, and elsewhere. Needlework and other textiles made by Corbit and Wilson women char­acterize their handiwork. Other objects tell other stories. Some, labeled by their nineteenth-century owners for posterity, document evolving trends in early collecting and historic preservation. The richly illustrated book includes more than 200 photographs, including many details and historic images, along with careful physical descriptions and historical documentation. Meticulously researched and elegantly written, A Storied Past illuminates a wealth of furnishings, works of art, and artifacts with common provenances and interlocking histo­ries and places them into the artistic, social, and historical contexts of their time. The collections documented here furnish the Corbit-Sharp (1774) and Wilson-Warner (1769) houses, built on adjoining lots by a tanner and a merchant and now maintained by the Historic Odessa Foundation. Subsequent generations valued and preserved the two houses and many furnish­ings. The Wilson house opened in 1923 as the first historic house museum in Delaware. The Corbit house remained in family hands until H. Rodney Sharp bought it in 1938 to preserve it. Furniture owned in the family of John Janvier, the noted cabi­netmaker in Odessa, was added in the 1970s, and the Foundation has continued to acquire Corbit and Wilson family furnishings as well as locally made furniture in the years since. Those interested in historic houses and late 18th and early 19th century life, American antique collectors (especially of furniture), and those with local interests will find this book interesting.