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The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.
A collection of poems by American author Jane Springer.
The murder ballad holds a rock-solid position in US roots music and the Great American Songbook for decades. Telling the stories of sometimes true and often not-so-true-crimes and other horrific events, they are raw stories full of unrequited love, betrayal, life, and death. The song form stems from the Anglo-Saxon ballad tradition, where stories were orally passed on to a mostly illiterate population. Dutch cartoonist Erik Kriek was inspired by five old and new murder ballads — including songs by modern masters such as Nick Cave, Steve Earle, and Gillian Welch — and used them as a launching point for five special and ruthless graphic narratives that dig deep into the darkness of Americana, in which guns and religion maintain an uneasy balance.
Murder Ballads is a truly unique package, AGraphic Novel with an an accompanying soundtrack by Dan Auerbach and RobertFinley. It deftly weaves the music into an narrative that is a meditation onmusic, race, obsession, and how far someone will go to see their vision becomereal, Murder Ballads follows the fall and reinvention of Nate Theodore, thedead-broke and deadbeat owner of a failed record label who is on a cross-countrydrive in the dead of winter with his wife Mary, fleeing the wreckage of theirbusiness and heading towards the destruction of their marriage. But Nate isgiven an unexpected chance to redeem himself when, during an unscheduled detour,he "discovers" Donny and Marvell Fontweathers,two African-American brothers who play a singular version of doom-laden countryblues. Convinced that the brothers arethe key to his salvation, Nate's desperate to make an album with the brothersbefore someone else finds out about them-but he needs money. Money he doesn'thave and can't get through any conventional means. So he persuades Donny andMarvell to join him in a crazy scheme: they'll undertake a minor crime spree toraise the funds needed to produce their record. Naturally, complications arisefor this wannabe modern-day Alan Lomax and his soon-to-be stars, and just likein the murder ballads the Fontweathers Brothers play, the body count starts togrow.. Music contributed by Dan Auerbach andRobert Finley."
CrimeSong: True Crime Stories From Southern Murder BalladsCrimeSong plunges readers into a world of violence against women, murders, familicide, suicides, brutal mob action, and many examples of a failed justice system. Although these ballads and stories are set in specific times, cultures, and places, they present universal themes of love, betrayal, jealousy, and madness through true-life tales that are both terrifying and familiar'stories that could be ripped from today's headlines. This compelling investigation of the gripping true crimes behind American ballads dispels myths and legends and brings to life a cast of characters --both loathsome and innocent--shadowy history, courtroom dramas, murders, mayhem, and music. In CrimeSong, law professor and authentic storyteller Richard H. Underwood recreates in engaging and folksy prose the true facts behind twenty-four Southern murder ballads. All of these ballads were composed and eventually written down by simple folk, mostly unknown, who were preserving, in their homespun lyrics, actual, tragic events. Because of Underwood's interest and experience in the law, he has resurrected these stories and shares them with the reader through his old lawyer trifocals. He presents his case studies, documented through contemporary news accounts and court records, as a series of dramas filled with jump-off-the-page real and memorable characters. These stories are sometimes harrowing, but they are always completely readable.CrimeSong includes 90 illustrations, including a map relevant to stories and the original art of a North Carolina artist and a Kentucky artist.
In a bar called The Bucket of Blood, a man shoots the bartender four times in the head. In the small town of Millhaven, a teenage girl secretly and gleefully murders her neighbors. A serial killer travels from home to home, quoting John Milton in his victims' blood. Murder Ballads, the ninth studio album from Nick Cave and the Bad Seeds, is a gruesome, blood-splattered reimagining of English ballads, American folk and blues music, and classic literature. Most of the stories told on Murder Ballads have been interpreted many times, but never before had they been so graphic or profane. Though earning the band their first Parental Advisory warning label, Murder Ballads, released in 1996, brought Nick Cave and the Bad Seeds their biggest critical and commercial success, thanks in part to the award-winning single, “Where the Wild Roses Grow,” an unlikely duet with Australian pop singer, Kylie Minogue. Closely examining each of the ten songs on the album, Santi Elijah Holley investigates the stories behind the songs, and the numerous ways these ballads have been interpreted through the years. Murder Ballads is a tour through the evolution of folk music, and a journey into the dark secrets of American history.
Includes a plot summary, brief history, and list of selected recordings for each ballad! At the end of the 19th century, Harvard professor Francis James Child published a collection of 305 traditional English and Scottish ballads that would influence folk tradition and popular culture for decades to come. Presented here are those Child Ballads that have become most widely known around the world. While the songs themselves may be centuries old, the stories they tell are timeless. So go forth now and enjoy these tales of kings, queens, serving men and maidens, spirits, demons and guardian angels; of redemption, betrayal, avengement and loss, and, of course... MAD LOVE, MURDER & MAYHEM.
AMERICA’S MOST COLD-BLOODED! In the horrifying annals of American crime, the infamous names of brutal killers such as Bundy, Dahmer, Gacy, and Berkowitz are writ large in the imaginations of a public both horrified and hypnotized by their monstrous, murderous acts. But for every celebrity psychopath who’s gotten ink for spilling blood, there’s a bevy of all-but-forgotten homicidal fiends studding the bloody margins of U.S. history. The law gave them their just desserts, but now the hugely acclaimed author of The Serial Killer Files and The Whole Death Catalog gives them their dark due in this absolutely riveting true-crime treasury. Among America’s most cold-blooded you’ll meet • Robert Irwin, “The Mad Sculptor”: He longed to use his carving skills on the woman he loved—but had to settle for making short work of her mother and sister instead. • Peter Robinson, “The Tell-Tale Heart Killer”: It took two days and four tries for him to finish off his victim, but no time at all for keen-eyed cops to spot the fatal flaw in his floor plan. • Anton Probst, “The Monster in the Shape of a Man”: The ax-murdering immigrant’s systematic slaughter of all eight members of a Pennsylvania farm family matched the savagery of the Manson murders a century later. • Edward H. Ruloff, “The Man of Two Lives”: A genuine Jekyll and Hyde, his brilliant scholarship disguised his bloodthirsty brutality, and his oversized brain gave new meaning to “mastermind.” Spurred by profit, passion, paranoia, or perverse pleasure, these killers—the Witch of Staten Island, the Smutty Nose Butcher, the Bluebeard of Quiet Dell, and many others—span three centuries and a host of harrowing murder methods. Dramatized in the pages of penny dreadfuls, sensationalized in tabloid headlines, and immortalized in “murder ballads” and classic fiction by Edgar Allan Poe and Theodore Dreiser, the demonic denizens of Psycho USA may be long gone to the gallows—but this insidiously irresistible slice of gothic Americana will ensure that they’ll no longer be forgotten.
A terrifying collection of horror and crime noir from the author of Southern Gods and A Lush and Seething Hell. Featuring ten tales, two never before in print, Murder Ballads and Other Horrific Tales is an exciting glimpse into the dark territories of the human heart. These are coming-of-age stories. Stories of love and loss, grief and revenge. Survival and redemption. From old gods to malevolent artificial intelligences, vampires to zombies to ghosts, Jacobs exposes our fears and worst imaginings. CONTAINS THE SEQUEL TO SOUTHERN GODS "Jacobs demonstrates masterful control of his eclectic themes and frequently propels them into unexpected and pleasingly original territory... Offers plenty to keep genre fans hooked." --Publishers Weekly