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The identification and dating of American jewelry heretofore has been difficult because few pieces bear standard markings and the references have been diverse, hard to find, and incomplete. Using old trade journals and their related directories as her primary sources, the eminent silver historian Dorothy Rainwater has exhaustively compiled here for the first time a comprehensive reference of jewelry trademarks and manufacturers in alphabetical order. She has also written a history of jewelry making in the United States which explains the framework upon which this enormous industry was built. The large scale manufacturers which began in the 1840s form a major portion of this directory. it is surprising to learn that only in 1961, after years of effort by the Jeweler's Vigilance Committee and the backing of trade journals, did American law require makers' marks on new jewelry. Therefore, this reference should become an important sourcebook for every jeweler, collector, antique jewelry dealer and manufacturing historian for the foreseeable future.
The Napier Jewelry book is a visual encyclopedia of Napier Costume Jewelry. It tells the heretofore untold and phenomenal story of The Napier Co. inception, development, flowering, and ultimate success. It chronicles the history of its management, manufacturing, marketing, and most importantly, the unparalleled beauty of Napier fashion jewelry. With approximately 4000 pictures of Napier jewelry history and over 250,000 words of text and descriptions, you will be taken step-by-step, decade by decade, through the development of the Napier style. As a collector, you will learn to recognize the findings, materials, and designs to appropriately circa-date the Napier jewelry in which you are investing. As a lover of vintage costume jewelry, you will enjoy the drama and excitement of the trials, tribulations, and breakthroughs at each stage of the Napier journey. In the end, you will have a deep and lasting appreciation of the romantic story infused into the metal, gemstones, crystals, cabochons, and elegance of each piece of Napier jewelry that you own or are considering owning
This encyclopedic study is the fruit of twenty years of collecting, research, and study of the most significant American costume jewelry from 1930-1950. It offers readers a meticulous, reliable instrument to knowing these gems, which are often true and proper little works of art. In the two volumes, over 966 photographs show hundreds of jewelry items in full color, with an additional 729 illustrations of patents, advertisements, and historic photos. Thirty-seven companies are included, with addtional chapters on jelly belly jewelry and patriotic jewelry in the second volume. In-depth research of the companies makes this the best source on the American costume jewelry industry. The first volume, A-M, covers the companies from Accessocraft to Mosell, and includes Boucher, Coro, Eisenberg, Miriam Haskell, Hobe and others. The second volume N-Z, continues with Norma Jewelry Corp., through Rebajes, Réja, Trifari, to Uncas Manufacturing, with chapters on jelly belly jewelry and American patriotic jewelry.
Sarah Coventry*R jewelry was produced from 1949 through 1984 and is extremely popular with collectors today. This beautiful book provides detailed information about dates of manufacture and company names for Sarah Coventry brooches, earrings, necklaces, bracelets, rings, and sets. Includes current market values, original catalog material, interviews with former employees, collector tips, glossary, index.
The dramatic evolution of 20th century European jewelry design, documenting the innovative trends, sources, and makers. Artists' limited-edition creations, as well as fashion and costume jewelry, are explored through the well-researched text, over 700 wonderful photos and vintage prints. Biographical sketches are provided for the artists and couturiers who worked closely with the fashion designers.
Presents color photographs, descriptions, and prices for vintage costume jewelry made with wood, plastic, or rhinestones.
Discusses the traditional adornment of North American Indians, covering the furs of the subarctic, the shells of the woodland tribes, the plateau area beadwork, the Northwest Coast jewelers, and the turquoise of the Southwest.