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The eagerly anticipated first monograph to celebrate the fifty-years-and-counting career of decorating legend Mario Buatta. Influenced by the understated elegance of Colefax and Fowler and the doyenne of exuberant American decor, Sister Parish, Buatta reinvented the English Country House style stateside for clients such as Henry Ford II, Barbara Walters, Malcolm Forbes, and Mariah Carey, and for Blair House, the President’s guest quarters. The designer is acclaimed for his sumptuous rooms that layer fine antiques, confectionary curtains, and sublime colorations, creating an atmosphere of lived-in opulence. This lavishly illustrated survey—filled with images taken for the foremost shelter magazines as well as many unpublished photographs from the designer’s own archive—closely follows Buatta’s highly documented career from his professional start in the 1950s working for department store B. Altman & Co. and Elisabeth Draper, Inc. to his most recent projects, which include some of the country’s finest residences. Buatta shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures along the way.
American Interior is a psychedelic historical travelogue from Welsh pop legend Gruff Rhys. In 1792, John Evans, a twenty-two-year-old farmhand from Snowdonia, Wales, travelled to America to discover whether there was indeed, as widely believed, a tribe of Welsh-speaking native Americans still walking the great plains. In 2012, Gruff Rhys set out on an 'investigative concert tour' in the footsteps of John Evans, with concerts in New Orleans, Baltimore, Philadelphia, Pittsburgh, Cincinnati, St Louis, North Dakota and more. American Interior is the story of these journeys. It is also an exploration of how wild fantasies interact with hard history and how myth-making can inspire humans to partake in crazy, vain pursuits of glory, including exploration, war and the creative arts. Gruff Rhys is known around the world for his work as a solo artist as well as singer and songwriter with Super Furry Animals and Neon Neon, and for his collaborations with Gorillaz, Dangermouse, Sparklehorse, Mogwai and Simian Mobile Disco amongst others. The latest album by Neon Neon, Praxis Makes Perfect, based on the life of radical Italian publisher Giangiacomo Feltrinelli, was recently performed as an immersive live concert with National Theatre Wales.
Bringing together 12 original essays, Shaping the American Interior maps out, for the first time, the development and definition of the field of interiors in the United States in the period from 1870 until 1960. Its interdisciplinary approach encompasses a broad range of people, contexts, and practices, revealing the design of the interior as a collaborative modern enterprise comprising art, design, manufacture, commerce, and identity construction. Rooted in the expansion of mass production and consumption in the last years of the nineteenth century, new and diverse structures came to define the field and provide formal and informal contexts for design work. Intertwined with, but distinct from, architecture and merchandising, interiors encompassed a diffuse range of individuals, institutions, and organizations engaged in the definition of identity, the development of expertise, and the promotion of consumption. This volume investigates the fluid pre-history of the American profession of interior design, charting attempts to commoditize taste, shape modern conceptions of gender and professionalism, define expertise and authority through principles and standards, marry art with industry and commerce, and shape mass culture in the United States.
Cars, single-family houses, fallout shelters, air-conditioned malls—these are only some of the many interiors making up the landscape of American suburbia. Indoor America explores the history of suburbanization through the emergence of such spaces in the postwar years, examining their design, use, and representation. By drawing on a wealth of examples ranging from the built environment to popular culture and film, Andrea Vesentini shows how suburban interiors were devised as a continuous cultural landscape of interconnected and self-sufficient escape capsules. The relocation of most everyday practices into indoor spaces has often been overlooked by suburban historiography; Indoor America uncovers this latent history and contrasts it with the dominant reading of suburbanization as pursuit of open space. Americans did not just flee the city by getting out of it—they did so also by getting inside. Vesentini chronicles this inner-directed flight by describing three separate stages. The encapsulation of the automobile fostered the nuclear segregation of the family from the social fabric and served as a blueprint for all other interiors. Introverted design increasingly turned the focus of the house inward. Finally, through interiorization, the exterior was incorporated into the all-encompassing interior landscape of enclosed malls and projects for indoor cities. In a journey that features tailfin cars and World’s Fair model homes, Richard Neutra’s glass walls and sitcom picture windows, Victor Gruen’s Southdale Center and the Minnesota Experimental City, Indoor America takes the reader into the heart and viscera of America’s urban sprawl.
In 1792, John Evans, a twenty-two-year-old farmhand from Snowdonia, Wales, travelled to America to discover whether there was indeed, as widely believed, a tribe of Welsh-speaking native Americans still walking the great plains.
This “fast-moving, entertaining biography” of the woman behind the Parish Hadley interior design firm is “like eavesdropping on a lively society lunch” (Publishers Weekly). A New York Times Notable Book Sister—as she was called by family and friends—was born Dorothy May Kinnicutt into a patrician New York family in 1910, and spent her privileged early life at the right schools, yacht clubs, and coming-out parties. Compelled to work during the lean years of the Depression, she combined her innate design ability with her upper-echelon social connections to create an extraordinarily successful interior decorating business. The Parish-Hadley firm’s list of clients reads like an American Who’s Who, including Astors, Paleys, Rockefellers, and Whitneys—and she helped Jacqueline Kennedy transform the White House from a fusty hodge-podge into a historically authentic symbol of American elegance. Cozy, airy, colorful but understated, her style came to be known as “American country,” and its influence continues to this day. Compiled by her daughter and granddaughter from Sister’s own unpublished memoirs, as well as from hundreds of interviews with family members, friends, staff, world-renowned interior designers (Mark Hampton, Mario Buatta, Keith Irvine, Bunny Williams, and her longtime partner Albert Hadley, among many others), and clients including Annette de la Renta, Glenn Bernbaum, and Mrs. Thomas Watson, Sister Parish takes us into the houses—and lives—of some of the most fascinating and famous people of this inimitable woman’s time. Fully updated, the revised edition features a new foreword by Albert Hadley and an appreciation by Bunny Williams, who began her career at Parish-Hadley. “Selections from Mrs. Parish’s own rather wonderful, often moving, reminiscences, intercut with observations from her family, employees, clients and friends.” —The New York Times Book Review “Sister’s delightfully self-deprecating humor illuminates the biography throughout.” —Kirkus Reviews Includes photographs
Here is an authoritative look at the way American Victorian houses were decorated in the 19th century, covering all aspects of interior design: floor coverings, woodwork, window treatments and draperies, walls and wallpaper, and ceilings. 225 pictures and drawings; 16-page color insert.
Winner of the George Perkins Marsh Prize Winner of the Stuart L. Bernath Prize Winner of the W. Turrentine Jackson Award Winner of the British Association of American Studies Prize "Extraordinary...Deftly rearranges the last century and a half of American history in fresh and useful ways." --Los Angeles Review of Books "Offers unprecedented insights into the depth and staying power of American exceptionalism...as generations of policymakers sought to extend the reach of U.S. power globally while emphatically denying that the United States was an empire." --Penny Von Eschen, author of Satchmo Blows Up the World "A smart, original, and ambitious book. Black demonstrates that the Interior Department has had a far larger, more invasive, and more consequential role in the world than one would expect." --Brian DeLay, author of War of a Thousand Deserts When one thinks of the story of American power, the Department of the Interior rarely comes to mind. Yet it turns out that a government agency best known for managing natural resources and operating national parks has constantly supported and projected America's imperial aspirations. Megan Black's pathbreaking book brings to light the surprising role the U.S. Department of the Interior has played in pursuing minerals around the world--in Indigenous lands, foreign nations, the oceans, and even outer space. Black shows how the department touted its credentials as an innocuous environmental-management organization while quietly satisfying America's insatiable demand for raw materials. As presidents trumpeted the value of self-determination, this almost invisible outreach gave the country many of the benefits of empire without the burden of a heavy footprint. Under the guise of sharing expertise with the underdeveloped world, Interior scouted tin sources in Bolivia and led lithium surveys in Afghanistan. Today, it promotes offshore drilling and even manages a satellite that prospects for Earth's resources from outer space.
Vernacular architecture reflects local needs, traditions, and natural resources. This book includes drawings and pictures of American interior architecture ranging from 1870-1940.
Esteemed New York architect and interior designer Alan Wanzenberg shares his intimate story and brilliantly crafted projects in this personal monograph, Journey: The Life and Times of an American Architect.