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American Indians and the American Imaginary considers the power of representations of Native Americans in American public culture. The book's wide-ranging case studies move from colonial captivity narratives to modern film, from the camp fire to the sports arena, from legal and scholarly texts to tribally-controlled museums and cultural centres. The author's ethnographic approach to what she calls "representational practices" focus on the emergence, use, and transformation of representations in the course of social life. Central themes include identity and otherness, indigenous cultural politics, and cultural memory, property, performance, citizenship and transformation. American Indians and the American Imaginary will interest general readers as well as scholars and students in anthropology, history, literature, education, cultural studies, gender studies, American Studies, and Native American and Indigenous Studies. It is essential reading for those interested in the processes through which national, tribal, and indigenous identities have been imagined, contested, and refigured.
This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture. With examples ranging from Irish oral myth, through the pop image of Indians promulgated in pornography, to the philosophical appropriations of Ernst Bloch or the European far right, contributors illustrate the legend of "the Indian." Drawing on American Indian literary nationalism, postcolonialism, and transnational theories, essays demonstrate a complex nexus of power relations that seemingly allows European culture to build its own Native images, and ask what effect this has on the current treatment of indigenous peoples.
American Indians and the American Imaginary considers the power of representations of Native Americans in American public culture. The book's wide-ranging case studies move from colonial captivity narratives to modern film, from the camp fire to the sports arena, from legal and scholarly texts to tribally-controlled museums and cultural centres. The author's ethnographic approach to what she calls "representational practices" focus on the emergence, use, and transformation of representations in the course of social life. Central themes include identity and otherness, indigenous cultural politics, and cultural memory, property, performance, citizenship and transformation. American Indians and the American Imaginary will interest general readers as well as scholars and students in anthropology, history, literature, education, cultural studies, gender studies, American Studies, and Native American and Indigenous Studies. It is essential reading for those interested in the processes through which national, tribal, and indigenous identities have been imagined, contested, and refigured.
Native Americans did not write down or record their history, so we have to find out about their past in other ways. They used games, myths, dance, and impersonation to teach the children of their history and ways of life. Their storytelling was filled with family, heritage and stories of the earth. It is through storytelling, that the rich history of the Native American tribes is alive and well today. It has been shared and preserved and still pays tribute to fallen heroes of the past. It is through these glimpses into the past, and these stories much like the ones that are contained in this book, that you can see what a proud heritage they possess and how in tune with the Earth Native Americans really are. Included in this collection are: The Story of the Land of Northern Lights, The Legend of the Bear Family, The Origin of Summer and Winter, The Story of the Buffalo-painted Lodges, The Story of the Camp of the Ghosts, Creation of the First Indians, The Story of the Little Burnt Face, Origin of the Sweat Lodge, Rabbit and the Moon Man, Ghost of the White Deer, Unktomi and the Arrowheads, The Story of the First Pine Trees, Raven and His Grandmother, The Story of the Snow Man, The Origin of Medicine, and many more.
Native Americans use storytelling to get to know one another, as well as, passing history and messages on to newer generations. These stories are a heritage, but they will be known only as long as they are told. When someone ceases to tell a story, part of our cultural knowledge is gone. The stories of Native American Indians have always possessed some greater meaning. They are often based in nature or about animals. And even though the tribes may vary in location or beliefs, deep within you will find a common thread. Respect for nature can be heard in stories from tribes from Canada to Florida. The stories included in this book show Native American storytelling at its best. Among the stories included in this fourth volume Of the Native American Story Book are: The Woman and her Bear, The Story of Winter Snow, The Warrior of High Cliff, The Sacred Pipe of the T'salagi, The Origin of Fire and the Canoe, The Long Journey, A New Bow for Tani, The Trickster's Great Fall and His Revenge, Grandfather Thunder, The Origin of the Doll Being and many, many more.
Through storytelling, the rich history of the Native American tribes is alive and well today. It has been shared and preserved and still pays tribute to fallen heroes of the past. It is through these glimpses into the past, and these stories much like the ones that are contained in this book, that you can see what a proud heritage they possess and how in tune with the Earth Native Americans really are. With this book I hope you understand the Native American people a little better and understand where they have come from and what they can offer the world. By exploring these stories, I offer you a glimpse into an often forgotten past. Included in this book are the stories: The Song of Hiawatha, Iktomi and the Muskrat, The Boy and the Turtles, The Arrow Chain, The Toad and the Boy, The Sparrow Hawk and the Grasshoppers, Origin of the Groundhog Dance, The Eye Juggler, The Tree-bound, The Sun Snarer, How the Rattlesnake Learned to Bite, The White Trail in the Sky, The Pet Donkey, The Enchanted Horse, The Story of the Peace Pipe, The Raccoon and the Crawfish, Splinter Foot Girl, Creation of Man, The Orphan and the Owl, Coyote and Sun, The Children of Cloud, Iktomi's Blanket, Why the Apaches are Fierce, and many, many more.
Through storytelling, the rich history of the Native American tribes is alive and well today. It has been shared and preserved and still pays tribute to fallen heroes of the past. It is through these glimpses into the past, and these stories much like the ones that are contained in this book, that you can see what a proud heritage they possess and how in tune with the Earth Native Americans really are. Stories included in Volume One are: How the Terrapin Beat the Rabbit, How the Deer got his Horns, Why the Turkey Gobbles, How the Redbird got his Color, The Bear Man, The Man in the Stump, Determination of Night and Day, The Lost Cherokee, The Legend of the Cedar Tree, The First Moccasins, The Legend of the Apache Tear, The Gift of the Peace Pipe, Brother of the Moon, Teepee Etiquette and many, many more. With this book I hope you understand the Native American people a little better and understand where they have come from and what they can offer the world. By exploring these stories I offer you a glimpse into an often forgotten past. The past of my people. I was born Cherokee and as a child heard many of these stories. These stories were passed to me in the old traditional way by my grandfather. And now I give these stories to you, to carry forward for younger generations to explore and learn.
From back cover of paperback version: "First published in 1922, this volume (specifically planned for the general reader) includes 27 tales of Indian life. Among the contributors are Franz Boas, A. L. Kroeber, Robert H. Lowie, Clark Wissler, Paul Radin, Edward Sapir, and John R. Swanton. Concerning the method of the book, A. L. Krober, says in his introduction: The fictional form of presentation devised by the editor has definite merit. It allows a freedom in depicting or suggesting the thoughts and feelings of the Indian, such as is impossible in a formal, scientific report. In fact, it incites to active psychological treatment, else the tale would lag. At the same time customs depicted are never invented. Each author has adhered strictly to the social facts as he knew them. He has merely selected those that seemed most characteristic, and woven them into a plot around an imaginary Indian hero or heroine."
A history of representations of American Indians in Jewish literature and popular media. In Members of the Tribe: Native America in the Jewish Imagination, author Rachel Rubinstein examines interventions by Jewish writers into an ongoing American fascination with the "imaginary Indian." Rubinstein argues that Jewish writers represented and identified with the figure of the American Indian differently than their white counterparts, as they found in this figure a mirror for their own anxieties about tribal and national belonging. Through a series of literary readings, Rubinstein traces a shifting and unstable dynamic of imagined Indian-Jewish kinship that can easily give way to opposition and, especially in the contemporary moment, competition. In the first chapter, "Playing Indian, Becoming American," Rubinstein explores the Jewish representations of Indians over the nineteenth century, through narratives of encounter and acts of theatricalization. In chapter 2, "Going Native, Becoming Modern," she examines literary modernism’s fascination with the Indian-poet and a series of Yiddish translations of Indian chants that appeared in the modernist journal Shriftn in the 1920s. In the third chapter, "Red Jews," Rubinstein considers the work of Jewish writers from the left, including Tillie Olsen, Michael Gold, Nathanael West, John Sanford, and Howard Fast, and in chapter 4, "Henry Roth, Native Son," Rubinstein focuses on Henry Roth’s complicated appeals to Indianness. The final chapter, "First Nations," addresses contemporary contestations between Jews and Indians over cultural and territorial sovereignty, in literary and political discourse as well as in museum spaces. As Rubinstein considers how Jews used the figure of the Indian to feel "at home" in the United States, she enriches ongoing discussions about the ways that Jews negotiated their identity in relation to other cultural groups. Students of Jewish studies and literature will enjoy the unique insights in Members of the Tribe.