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American Illustration 38 presents the year's best photographs from 2018 as selected by a jury of art and design experts. From over 7,000 images submitted to our annual competition, the jury selected only 362 illustrations to be presented in the oversized, beautifully printed, deluxe, hardcover, 384-page annual award book. The AI38 jury included: Christopher Brand, Crown Publishing; Hannah K Lee, The New York Times; Janet Michaud, Politico; Dennis Huyhn, Buzzfeed; Maria G. Keehan, Smithsonian; Aaron Rinas, Art + Mechanical; and Marianne Seregi, National Geographic.
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
A quirky, nostalgic send-up to the Oregon Trail computer game, featuring snarky and hard-earned life lessons from the trail. Pack your wagons, find your ride-or-(literally) die friends, and roll up to Matt's General Store with a sack of cash--it's time to hit the Oregon Trail, twenty-first-century style ...And Then You Die of Dysentery is the perfect send-up to the sometimes frustrating, always entertaining, and universally beloved Oregon Trail computer game. Featuring a four-color design in the game's iconic 8-bit format, alongside pop culture references galore, the book offers 50 humorous, snarky lessons gleaned from the game's most iconic moments, including gems such as: --Suffering from exhaustion is a real thing. (It's not just PR code for why a celebrity went to rehab.) --If you hunt too frequently in one area, game will become scarce. (The first signs of gentrification ) --Invite your sweetie to cuddle with you while looking up at the stars. (The night sky was the original Netflix & Chill. Step 1: Loosen up Orion's belt...) With its laugh-out-loud commentary and its absurdist nostalgia, ...And Then You Die of Dysentery is the ultimate trip down memory lane ... all the way to the Willamette Valley.
The year's best photography as selected by a jury of photo and design professionals.
One of the most exciting and eclectic celebrations of African American art ever published, Narratives of African American Art and Identity showcases one hundred paintings, etchings, sculptures, and photographs from the collection of David C. Driskell. A true Renaissance man, Driskell himself is an esteemed artist, educator, curator, and philanthropist. His fifty-year career has been committed to promoting African American art. Included are works by John Biggers, Sam Gilliam, Lois Mailou Jones, Keith Morrison, Henry Ossawa Tanner, Alma Thomas, Romare Bearden, Elizabeth Catlett, Augusta Savage, and James VanDerZee -- to name just a few. Each artwork is accompanied by information about the artist and the particular work. This book is the catalog for the exhibition of the same title, which travelled to various American museums through February 2001.
[This book is] for American art survey courses. [It] provides a thorough ... chronology of American art, including painting, sculpture, architecture, decorative arts, photography, and folk art. [The author] presents art and artists within the context of their times, including insights into the intellectual, spiritual, and political environment. [He] charts the growth of a distinctly American art culture.-Back cover.
From the world's foremost collector, here is the new, fully illustrated standard guide to America's first golden age of tile making. American Art Tile presents more than 2,000 tiles, arranged geographically and chronologically, made by more than 100 American potteries and manufacturers from the Civil War to the 194Os. Full-color photographs illustrate these collectible and rare tiles from all regions of the United States, as well as historic landmark tile installations, from the New York subway to Catalina Island. Tile collectors will appreciate the meticulously researched history of each pottery, biographies of tile makers, and rare examples (seldom seen even in museums) from little-known potteries in Norman Karlson's personal collection.