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An exhaustive compilation of all original catalog material from major American furniture manufacturers of the 1880s and 1890s. This is an important resource for identifying makers and understanding the range of their work. Included is furniture for the dining room, parlors, library, bedroom and office. Over 2000 illustrations and a price guide are included.
First Published in 2015. Routledge is an imprint of Taylor & Francis, an Informa company.
A definitive guide to the 18th- and 19th-century painted furniture that has dominated recent antiques shows. The authors consider the elegant painted furniture from major East Coast style centers. An impressive array of works by prominent craftsmen are highlighted. 350 full-color photos. Major reviews.
Cabinetmakers and the furniture of the mid-nineteenth century is a field in its infancy. While a great deal is known about the various styles and their popularity and about some of the makers of these styles, there is not a vast amount that can be documented as made by a particular cabinet shop. We have attempted to put the styles in chronological order where possible. Several of the cabinetmakers, however, worked over long periods and in a variety of styles. -- Preface.
Antique Trader Furniture Price Guide examines all major styles of American and European furniture from the seventeenth century through the mid-twentieth century via a review of beds, benches, cradles, sofas, armories, and more, complete with furniture dating chart, price guide, and more than one thousand color photos.
Drawing on the latest scholarship, this comprehensive, lavishly illustrated survey tells the story of the evolution of American furniture from the 17th century to the present. Not viewed in isolation, furniture is placed in its broader cultural, historic, and aesthetic context. The focus is not only on the urban masterpieces of 18th century William and Mary, Queen Anne, Chippendale, and Federal styles but also on the work of numerous rural cabinetmakers. Special chapters explore Windsor chairs, Shaker, and Pennsylvania German furniture which do not follow the mainstream style progression. Picturesque and anti-classical explain Victorian furniture including Rococo, Renaissance, and Eastlake. Mission and Arts and Crafts furniture introduce the 20th century. Another chapter identifies the eclectic revivals such as Early American that dominated the mass market throughout much of the 20th century. After World War II American designers created many of the Mid-Century Modern icons that are much sought after by collectors today. The rise of studio furniture and furniture as art which include some of the most creative and imaginative furniture produced in the 20th and 21st centuries caps the review of four centuries of American furniture. A final chapter advises on how to evaluate the authenticity of both traditional and modern furniture and how to preserve it for posterity. With over 800 photos including 24 pages of color, this fully illustrated text is the authoritative reference work.
This book illustrates and discusses 300 prime objects displayed in the 1970 exhibition of American decorative arts displayed during the Centennial exhibition at the Metropolitan Museum of Art in 1970. Presented as a series of lavish room settings and galleries, the exhibit included pieces in the 19th century’s principal styles of furniture and decorative arts--Federal, Empire, Gothic, rococo, Renaissance, art nouveau, and reform. Objects featured in this book include various pieces of furniture, silver, glass, ceramics, and metalwork from the Museum’s American wing.
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
In 36 brief sections, Naeve identifies the distinguishing characteristics of each style that makes up America's rich furniture heritage. Each trend is related to international stylistic movements, innovative craftsmen, influential publications, and the technological improvements that shaped them. Key factors of each style are highlighted for easy identification.
The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas furniture and its makers. After more than a decade of investigation, they published Texas Furniture in 1975, and it quickly became the authoritative reference on this subject. An updated edition, Texas Furniture, Volume One, was issued in the spring of 2012. Texas Furniture, Volume Two presents over 150 additional pieces of furniture that were not included in Volume One, each superbly photographed in color and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. Taylor and Warren have also written a new introduction for this volume, in which they amplify the story of early Texas furniture. In particular, they compare and contrast the two important traditions of cabinetmaking in Texas, Anglo-American and German, and identify previously unknown artisans. The authors also discuss nineteenth-century Texans’ desire for refinement and gentility in furniture, non-commercial furniture making, and marquetry work. And they pay tribute to the twentieth-century collectors who first recognized the value of locally made Texas furniture and worked to preserve it. A checklist of Texas cabinetmakers, which contains biographical information on approximately nine hundred men who made furniture in Texas, completes the volume.