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Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
"Combining new research, never-before-published color photographs, and detailed entries on each artwork, American Radiance is indispensable for students and collectors, yet broadly appealing to the folk art market. The book celebrates the opening of the Museum's new building, where the Esmerian Collection is the widely publicized inaugural exhibition."--BOOK JACKET.
Comprehensive encyclopedia of twentieth century American folk art and artists.
I do believe a lot of what I draw comes from within. The images of the Indian Princesses and there, horses, have always been a part of my life. From a small child I understand those feeling all so well. I lived with the love of many horses in my life time. They are still here in my heart and soul. So it comes very easy to me in and image. The love between a girl and her horse. I hope that comes across in what the one looking at the Image, see's and feels. Animals, Birds, Symbols, they all just seem to me to belong together. I hope the Love I have for the Native American Indian, comes out in my art. Enjoy.
This work presents a private collection of American folk art sculpture. Weather vanes are the focus of this collection of mostly 19th-century pieces, but included are ship's figureheads, decoys, and a painting of a stalking tiger, reproduced in a four-page gatefold. All the sculpture has been specially photographed for this book, with many pieces shown in double page spreads and from multiple perspectives.
A Step-by-Step Guide to Creating Beautiful Quilts! Beautiful antique quilts and a workbook of patterns come together in this lavish photography book for quilters. The more than 30 featured quilts from the Wisconsin State Historical Society collection are displayed in period rooms at Old World Wisconsin, the Society's outdoor museum of German and Scandinavian farmhouses. Patterns and block layouts are provided for replicating each of the original quilts, and after seeing each of them in a true historical context, home sewers will be inspired to create their own versions.
Folk art is as varied as it is indicative of person and place, informed by innovation and grounded in cultural context. The variety and versatility of 300 American folk artists is captured in this collection of informative and thoroughly engaging essays. American Folk Art: A Regional Reference offers a collection of fascinating essays on the life and work of 300 individual artists. Some of the men and women profiled in these two volumes are well known, while others are important practitioners who have yet to receive the notice they merit. Because many of the artists in both categories have a clear identity with their land and culture, the work is organized by geographical region and includes an essay on each region to help make connections visible. There is also an introductory essay on U.S. folk art as a whole. Those writing about folk art to date tend to view each artist as either traditional or innovative. One of the major contributions of this work is that it demonstrates that folk artists more often exhibit both traits; they are grounded in their cultural context and creative in the way they make work their own. Such insights expand the study of folk art even as they readjust readers' understanding of who folk artists are.
Presenting concise overviews of artists and movements that are uniquely American, these volumes distill the essence of their subjects with authoritative texts and lavish illustrations. Since the time of the earliest settlers, Americans have been expressing their individuality through the embellishment of everyday objects. Such classics as whirligigs, ship models, and carousel animals fill these pages.