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A catalog published on the occasion of the exhibition of the same name, held at the Nelson-Atkins Museum of Art, Kansas City, Missouri, July-September 1992. In addition to the Nelson collection, works are included from the U. of Kansas' Spencer Museum of Art in Lawrence, the Albrecht-Kemper Museum of Art in St. Joseph, and from several notable private collections in Kansas City. The artists represented include Childe Hassam, Winslow Homer, Frederic Remington, John La Farge, Thomas Hart Benton, Andrew Wyeth, Rockwell Kent, Georgia O'Keefe, and Joseph Stella. Each exhibited item is reproduced, and described and discussed in some detail. Annotation copyright by Book News, Inc., Portland, OR
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
The drip paintings of Jackson Pollock, trailblazing Abstract Expressionist, appear to be the polar opposite of Thomas Hart Benton's highly figurative Americana. Yet the two men had a close and highly charged relationship dating from Pollock's days as a student under Benton. Pollock's first and only formal training came from Benton, and the older man soon became a surrogate father to Pollock. In true Oedipal fashion, Pollock even fell in love with Benton's wife. Pollock later broke away from his mentor artistically, rocketing to superstardom with his stunning drip compositions. But he never lost touch with Benton or his ideas-in fact, his breakthrough abstractions reveal a strong debt to Benton's teachings. I n an epic story that ranges from the cafés and salons of Gertrude Stein's Paris to the highways of the American West, Henry Adams, acclaimed author of Eakins Revealed, unfolds a poignant personal drama that provides new insights into two of the greatest artists of the twentieth century.
A major survey of American art from the Colonial period to the early 21st-century.
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Showcasing one of the nation's finest collections of American art, this remarkable two-volume set features 267 exceptional paintings reproduced in full color and illuminated with never-before-published research findings. Works span American history from the colonial period through the close of World War II and are by many of the nation's best-known artists, including Mary Cassatt, Thomas Cole, Childe Hassam, Winslow Homer, Edward Hopper, and Georgia O'Keeffe. Pre-1900 subject strengths reside in portraiture with canvases by John Singleton Copley, John Singer Sargent, and Henry Ossawa Tanner; still lifes by John Peto and Severin Roesin; and landscapes from the brushes of Frederic Edwin Church, Martin Johnson Heade, Fitz Henry Lane, Thomas Moran, and others. Scenes and portraits by artists including John Steuart Curry, Robert Henri, Peter Hurd, Maurice Prendergast, and John Sloan provide honest, enduring assessments of early 20th-century American life. A stunning sample of early Modernism is seen in important canvasses by Albert Bloch, Stuart Davis, Arthur Dove, and Marsen Hartley, to name a few. Volume 1 includes 140 extended essays on the most important canvases in the collection, which are represented in full-page color reproductions. Volume 2 reproduces in color all the works in the collection and is accompanied by thorough technical notes based on recent object examination, complete provenance, listings of directly related works, and exhaustive exhibition and publication histories. American Paintings is an outstanding resource and a beautifully illustrated record of our country's history and culture.
Providing a detailed annotated bibliography and research guide to the Stieglitz Circle and four of its leading members—Arthur Dove, Marsden Hartley, John Marin, and Max Weber—this new sourcebook offers a chapter on each of the four artists. Complete with biographical essay and guides to writings, statements, correspondence, books, articles, reviews, reference sources, and archival sources, each artist's chapter gives the researcher an exhaustive catalogue of relevant material. The only such annotated sourcebook currently available on the Stieglitz Circle, R. Scott Harnsberger's work offers lists of annotated reproductions of each artist's works, keyed to over 600 source volumes not mentioned elsewhere in the volume, including catalogues of museums, galleries, private collections, thematic exhibitions, and auction firms.