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This New York Times bestselling book from interior designer Mark D. Sikes is a celebration of American style today, showcasing chic and accessible ideas for every home. Modern and unfussy, Mark D. Sikes’s interiors are classic takes on California indoor/outdoor living, with natural fibers and crisp coloration, informed and influenced by the fashion world where he began his career. In eight chapters, he explores approachable, stylish looks, from "Blue and White Forever," which features indigos, stripes, batiks, and wicker in casual rooms such as porches and pool houses; to "Timeless Neutrals," presenting semiformal rooms filled with chinoiserie, gilt, glass, mirrors, banquettes, and French chairs; to "Garden Greens," featuring happy, casual family rooms and kitchens inspired by the garden with treillage woodwork, rattan, and cotton. There are also "Beautiful Brights," colorful rooms that are eclectic, layered, and fun, with chintz, florals, and Middle Eastern influences; and "Sun Faded Hues," rustic coastal rooms with weathered fabrics and furniture. Each chapter presents light-filled images of the designer’s looks and offers the reader inspiration and advice. As famed film director Nancy Meyers writes in the book’s foreword, this is a book that shows design lovers "how classic can look fresh, how style and comfort go hand-in-hand."
"It is immodestly hoped that this book will encourage the owners of American homes built in the last century to select colors that are historically proper for the age of the structure and to place those colors to emphasize correctly the rich character and detailing intended by the original builders. If readers seek here technical information on paint chemistry or detailed reports on the microanalysis of specific buildings, they will be disappointed. My intention is to provide a practical; handbook for the old-house owner who asks, 'What colors should I paint my house and how should they be applied?'"--Page 7.
The eagerly anticipated first monograph to celebrate the fifty-years-and-counting career of decorating legend Mario Buatta. Influenced by the understated elegance of Colefax and Fowler and the doyenne of exuberant American decor, Sister Parish, Buatta reinvented the English Country House style stateside for clients such as Henry Ford II, Barbara Walters, Malcolm Forbes, and Mariah Carey, and for Blair House, the President’s guest quarters. The designer is acclaimed for his sumptuous rooms that layer fine antiques, confectionary curtains, and sublime colorations, creating an atmosphere of lived-in opulence. This lavishly illustrated survey—filled with images taken for the foremost shelter magazines as well as many unpublished photographs from the designer’s own archive—closely follows Buatta’s highly documented career from his professional start in the 1950s working for department store B. Altman & Co. and Elisabeth Draper, Inc. to his most recent projects, which include some of the country’s finest residences. Buatta shares exclusive insights into his process, his own rules for decorating, and personal stories of his adventures along the way.
Here is an authoritative look at the way American Victorian houses were decorated in the 19th century, covering all aspects of interior design: floor coverings, woodwork, window treatments and draperies, walls and wallpaper, and ceilings. 225 pictures and drawings; 16-page color insert.
Still segregated in World War I, the U.S. Army was reluctant to use its 93d division of black soldiers in combat and instead assigned the division's three National Guard and one draftee regiments to the French Army. The battlefield successes of these African Americans under the French at the height of the German offensives in 1918 turned white expectations of failure upside down. Their bravery and heroism gained the respect of French and German alike and called into question the U.S. Army's policy of racially segregating its divisions. The full story of their accomplishments is told here for the first time through the eyes of the enlisted men and their white and black officers.
Interior designer and decorative arts and antiques expert Thomas Jayne follows up his essential 2010 compendium The Finest Rooms in America with this new collection of his own work. Thomas Jayne possesses a unique dual vision—he keeps one eye focused on the aesthetic traditions of the past, and the other looking forward: innovating, creating, and imagining interiors to suit modern sensibilities. His reverence for traditional ideas does not restrict Jayne’s understanding of what makes a beautiful room—rather than seeking to replicate and repeat the exact décor from past, Jayne finds inspiration in the distinctive histories of the spaces in which he works. In every project he undertakes, he draws on his rich academic background in the decorative arts to design interiors that harmonize with their historical settings, yet also connect intimately to the active and modern lives of families who call these remarkable buildings home. Jayne believes that American interior decoration is unique in its combination of elements from European and Asian cultural traditions with indigenous ideas and materials, in its emphasis on comfort and livability, and in its human scale. Presented here for the first time, his projects reflect this sensibility, drawing from established traditions and reinterpreting them for contemporary life. Drawing on the legacies of Albert Hadley and Sister Parish, Jayne insists on authenticity and comfort, incorporating elegant antiques and art with a subtle but warm palette and a welcoming setting. In this richly illustrated collection of both city and country residences, Jayne reveals the inspiration and thought behind each design, identifying elements from the architecture, the clients’ collections of art and antiques, and from the site itself that serves as the basis for the decoration of the rooms.