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On June 27, 1844, a mob stormed the jail in the dusty frontier town of Carthage, Illinois. Clamorous and angry, they were hunting down a man they saw as a grave threat to their otherwise quiet lives: the founding prophet of Mormonism, Joseph Smith. They wanted blood. At thirty-nine years old, Smith had already lived an outsized life. In addition to starting the Church of Latter-day Saints and creating his own “Golden Bible” – the Book of Mormon – he had worked as a water-dowser and treasure hunter. He’d led his people to Ohio, then Missouri, then Illinois, where he founded a city larger than fledgling Chicago. He was running for President. And, secretly, he had married more than thirty women. In American Crucifixion, Alex Beam tells how Smith went from charismatic leader to public enemy: how his most seismic revelation – the doctrine of polygamy – created a rift among his people; how that schism turned to violence; and how, ultimately, Smith could not escape the consequences of his ambition and pride. Mormonism is America’s largest and most enduring native religion, and the “martyrdom” of Joseph Smith is one of its transformational events. Smith’s brutal assassination propelled the Mormons to colonize the American West and claim their place in the mainstream of American history. American Crucifixion is a gripping story of scandal and violence, with deep roots in our national identity.
On June 27, 1844, a mob stormed the jail in the dusty frontier town of Carthage, Illinois. Clamorous and angry, they were hunting down a man they saw as a grave threat to their otherwise quiet lives: the founding prophet of Mormonism, Joseph Smith. They wanted blood. At thirty-nine years old, Smith had already lived an outsized life. In addition to starting his own religion and creating his own "Golden Bible" -- the Book of Mormon -- he had worked as a water-dowser and treasure hunter. He'd led his people to Ohio, then Missouri, then Illinois, where he founded a city larger than fledgling Chicago. He was running for president. And, secretly, he had married more than thirty women. In American Crucifixion, Alex Beam tells how Smith went from charismatic leader to public enemy: How his most seismic revelation -- the doctrine of polygamy -- created a rift among his people; how that schism turned to violence; and how, ultimately, Smith could not escape the consequences of his ambition and pride. Mormonism is America's largest and most enduring native religion, and the "martyrdom" of Joseph Smith is one of its transformational events. Smith's brutal assassination propelled the Mormons to colonize the American West and claim their place in the mainstream of American history. American Crucifixion is a gripping story of scandal and violence, with deep roots in our national identity.
The crucifixion of Christ has been richly portrayed by countless artists for hundreds of years, but it was European Renaissance styles and painters such as Kurz, Benjamin West and John Valentine Haidt that first informed American artists of the possibilities for depicting the crucifixion. This work features artists living and working in America from the mid-18th to the 21st century who depicted the crucifixion of Christ in their artwork. The 19th century saw painters like Julian Russell Story, John Singer Sargent, Vassili Verestchagin and Fred Holland break from the Renaissance tradition of the 18th century to begin a religious art revolution. The 20th century saw painters like Thomas Eakins and George Bellows continuing the traditions of the 19th until the Realist style became dominant, which lasted until the latter part of the century and the rise of Abstract Expressionism and a number of experimental styles such as Op, Pop, and Super-realism.
The left has long used the education system as the microcosm for society. This is the story of a conservative educator trying to survive in a corrupted liberal education system.
A timely and challenging collection of essays on Jesus Christ through the perspective of the slaves and the struggles of African Americans today.
Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.
In this inspiring collection of fifty-one sermons on Romans, Fleming Rutledge presents afresh the radical gospel of Paul. Countering the widespread suspicion that Paul somehow complicated Jesus' simple teachings, Rutledge shows how Paul actually makes explicit what is implicit in the Gospel narratives and reveals "the full dimensions of God's project to reclaim the cosmos and everything in it for himself." With her stirring words and joyful delving into Romans passages, Rutledge leads readers to refocus their eyes and ears on Paul's valuable teachings. She unpacks major ideas and motifs in the epistle, including the cross and resurrection of Christ as the first event of the age to come, faith as the human response ignited by the fire of the Word and the Holy Spirit, and God's work of salvation as all-encompassing and incomparable. Her Not Ashamed of the Gospel will be a help to preachers and an encouragement to listeners.
This thorough study covers all the primary data on how early Jews and Christians perceived crucifixion. The author examines Second Temple and early rabbinic literature and material remains to demonstrate the range of ancient Jewish perceptions. He also surveys ancient Jewish historical accounts of crucifixion, magical literature, and the proverbial use of crucifixion imagery. The volume pays special attention to Jewish interpretations of key Old Testament texts and early Christian literature that reflects on Jewish perceptions of the cross in antiquity. Originally published by Mohr Siebeck and now available as an affordable North American paperback edition, the book provides indispensable background for scholarly work on the death of Jesus.
Suggests that Jesus survived the crucifixion, went to Egypt, then settled in France • Reveals new discoveries that show the beginnings of Christianity in Egypt • Presents historical and archaeological research that proves a connection between Jerusalem, Egypt, and Rennes-le-Château in the south of France • Posits Rennes-le-Château as the actual location of Jesus Christ’s tomb, and that writings by him will be found there Jesus did not die on the cross. He survived and went to southern France with his wife, Mary. This possibility is proposed by Graham Simmans, who spent many years on a quest to find the real beginnings of Christianity. Simmans believes that the spread of Christianity beyond Jerusalem was tied to Jesus’s survival of the crucifixion and his subsequent emigration to Europe. Using Coptic and Jewish sources, including the Talmud, that allow a glimpse of the Christian philosophy espoused by Jesus, he contends that true Christianity was brought into France, Britain, and Spain from first century Egypt and Judea, not fourth- and fifth-century Rome. His investigation shows that after a time in Egypt, Jesus settled in Rennes-le-Château, a sophisticated and cosmopolitan center of spiritual diversity. It was a natural move for Jesus to settle in the Narbonne area of France--an area already heavily settled by Jewish and Gnostic groups. Here, safely outside the reach of the cultural dictatorship of the Roman Church, the Gnostic secrets he taught survived the centuries. Later, the Knights Templar centered their activity in the Languedoc region around Rennes-le-Château, where, within the Jewish communities, a well-connected and influential opposition to Rome already existed. This resistance to Rome gave rise to a religious culture that included elements of Gnostic, Pythagorean, and Kabbalistic teachings. Until the Crusades against the Cathar heretics reasserted the dominion of Rome, the culture that flourished around Rennes-le-Château embodied the true essence of Christ’s message.