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Examines the impact of the 1976 bicentennial on the way Americans celebrate the nation's past
During the 1976 Bicentennial celebration, millions of Americans engaged with the past in brand-new ways. They became absorbed by historical miniseries like Roots, visited museums with new exhibits that immersed them in the past, propelled works of historical fiction onto the bestseller list, and participated in living history events across the nation. While many of these activities were sparked by the Bicentennial, M. J. Rymsza-Pawlowska shows that, in fact, they were symptomatic of a fundamental shift in Americans' relationship to history during the 1960s and 1970s. For the majority of the twentieth century, Americans thought of the past as foundational to, but separate from, the present, and they learned and thought about history in informational terms. But Rymsza-Pawlowska argues that the popular culture of the 1970s reflected an emerging desire to engage and enact the past on a more emotional level: to consider the feelings and motivations of historic individuals and, most importantly, to use this in reevaluating both the past and the present. This thought-provoking book charts the era's shifting feeling for history, and explores how it serves as a foundation for the experience and practice of history making today.
A collection of rich artifacts from one thousand years of artistic production in what is now Missouri. Art Along the Rivers marks the two-hundredth anniversary of Missouri's statehood. This exhibition catalogue presents extraordinary objects produced or collected within a 150-mile region around St. Louis, including paintings, sculptures, drawings, furniture, ceramics, metals, and textiles. As a celebration of the cultural and artistic traditions of this region, the catalog looks within--and beyond--the years of statehood to reveal how the region's geography, raw materials, and pressing social issues shaped over one thousand years of rich artistic production. Though these objects have rarely been considered in connection with one another, the catalog brings them into dialogue to establish and celebrate their shared artistic history. Art Along the Rivers serves as the first significant publication to introduce this primary artistic material to a global audience.
Official Graphics Standards Manual or the Official Symbol of The American Revolution Bicentennial
Armed with his camera, notepad, and '73 VW Super Beetle, an Army journalist sets his sights on being in Washington D.C., Philadelphia, and NYC, all on July 4, 1976, so as to witness how far we have come and how far we have to go. After the festivities of the Kentucky Derby in 1976, Army Specialist Desi McKoy juggles his duties as a photo-journalist at the Fort Knox weekly newspaper with his quest for his own version of the 'Pursuit of Happiness' in the year marking the 200th Anniversary of the signing of the Declaration of Independence. Throughout his pursuit, he encounters many different people, including Emily, a newly minted graduate of the University of Kentucky, hitchhiking musicians who are looking to be part of a protest in Philadelphia, and Penny Bright, a member of the United States Army band at Fort Knox. On the Fourth of July, Desi attends a Washington D.C. breakfast event hosted by Emily's father. Emily has doubts about her own independence as they head towards New York, while Desi is determined to get a sense of the mood of "We the People of the United States" on the American Bicentennial. He also has to figure out where he will be spending the night if he makes it to New York City that day. Through their various experiences, some of the characters discover that true "Patriots" are those who seek to help make the United States what it is capable of becoming, not just a vessel in a turbulent world, but a sanctuary where the aspirations of all its citizens are encouraged. Whether you can recall the Bicentennial with your own memories or not, you will get to ride along with Army Specialist Desi McKoy and experience a moment when a decade of planning at the federal and state levels came together with the participation of millions of people of all backgrounds to celebrate. In the words of John Warner, the Administrator of the American Revolution Bicentennial Administration, the celebration proved that "America was alive and well in 1976."
The NASA Graphics Standards Manual, by Richard Danne and Bruce Blackburn, is a futuristic vision for an agency at the cutting edge of science and exploration. Housed in a special anti-static package, the book features a foreword by Richard Danne, an essay by Christopher Bonanos, scans of the original manual (from Danne's personal copy), reproductions of the original NASA 35mm slide presentation, and scans of the Managers Guide, a follow-up booklet distributed by NASA.
The story of George Washington, African-American founder of Centralia, Wash.
This celebration of the tradition of the community cookbook is a collection of 200 recipes celebrating Maine's rich culinary past, delicious present, and exciting future. It features recipes from everyday families and home cooks to award-winning chefs and notable Mainers.