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"A wide-ranging and inclusive history of American art and architecture from its seventeenth-century colonial beginnings to the latest installation and video work, this book: discusses the key artists, architects, art works, and buildings across the centuries; defines the characteristics of different periods and highlights the forms, techniques, and styles that are distinctively American; integrates discussions of works of visual art and buildings, revealing their shared social and aesthetic concerns; charts the ways in which American artists and architects both adopted and diverged from earlier European models to create their own language; and illustrates paintings, sculpture, photography, and new-media art plus dozens of building types, from colonial houses and churches to modernist and postmodernist museums, stations, and skyscrapers."--BOOK JACKET.
From Native American sites in New Mexico and Arizona to the ancient earthworks of the Mississippi Valley to the most fashionable contemporary buildings of Chicago and New York, American architecture is incredibly varied. In this revolutionary interpretation, Upton examines American architecture in relation to five themes: community, nature, technology, money, and art. 109 illustrations. 40 linecuts. Map.
Why did the colonial Americans give over a significant part of their homes to a grand staircase? Why did the Victorians drape their buildings ornate decoration? And why did American buildings grow so tall in the last decades of the 19th century. This book explores the history of American architecture from prehistoric times to the present, explaining why characteristic architectural forms arose at particular times and in particular places.
Art Deco architecture flourished in large cities and small towns throughout America in the 1920s and 1930s. The style is now captured in over 500 color photos of 75 lavish and innovatively designed buildings across the country that have been preserved both outside and in, giving the full scope of this beloved, exciting style.
Exploring the intersections of art, architecture, and design, at both renowned institutions and cutting-edge contemporary collections. Museum interior spaces must be as carefully designed as their façades—if not more so—to meet the needs of both the art on display and the viewers. The design and construction of art museums in America thus is a complex process, and one rarely undertaken lightly. The architect must design a building that effectively supports the art exhibited. The museumgoers’ interaction with the art must be enhanced by the architecture, while amenities such as restaurants, cafes, gift shops, and accessible and convenient restrooms ensure their comfort. Finally, the storage of works of art not on display must be accounted for in the building design. American Art Museum Architecture: Documents and Design explores all aspects of, and approaches to, museum architecture—the aesthetic, the practical, the innovative, and the functional. Architectural historian Eric M. Wolf delves into the archives of some of the country’s premier institutions not only to explore the design decisions made at their founding, but also to understand how those institutions have continued to evolve along with their collections, up to the present day. Wolf examines the gradual development of six major museums: the Frick Collection, the Museum of Modern Art, and the Whitney Museum of American Art in New York; the Menil Collection in Houston, the Georgia O’Keefe Museum in Santa Fe, and the Art Institute of Chicago. He explains how each museum was originally conceived, how the architecture reflected or modified that original conception, and how the buildings have been reconsidered or revised in later years, as the nature of art, art display, and museum-going has evolved. Extensive archival plans, documents, and photographs enhance the narrative. American Art Museum Architecture also considers the unique architectural challenges often posed by contemporary art. Conceptual art, video installations, and large-scale pieces are increasingly found in permanent collections, at small galleries and encyclopedic institutions alike. Museums built decades ago may have to renovate in order to accommodate such pieces, while newer museums devoted to contemporary work must tackle new architectural challenges when considering how best to house this work. Encompassing both grand nineteenth-century institutions and avant-garde contemporary art collections, American Art Museum Architecture is a timely and fascinating exploration of the ever-changing relationship between architecture and art.
American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott’s romances better after viewing Scott’s Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities. Contents Introduction Chapter One. Gothic Monticello: Thomas Jefferson’s Garden Narratives Chapter Two. ‘Banditti Mania’: The Gothic Haunting of Washington Allston Chapter Three. ‘Arranging the Trap Doors’: The Gothic Revival Castles of Alexander Jackson Davis Chapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington Irving Chapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of Painting Chapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest’s Fonthill Castle Conclusion. ‘Clap It Into a Romance:’ Nathaniel Hawthorne’s Gothic Houses
This book, which has been painstakingly researched and beautifully photographed over many years, takes a close look at twenty of the finest examples of Beaux-Arts architecture in New York City. While showing public exteriors, its focus is on the lavish interiors that are associated with the opulence of the Gilded Age--often providing a glimpse inside buildings not otherwise viewable to the public. The pages recount not only the fascinating stories of some of New York's most famous and significant Beaux-Arts buildings, it also recalls the lives of those who commissioned, designed, and built them.
Drawing from the nearly half a million photographs and documents comprising the Historic American Buildings Survey held in the US Library of Congress, this book constructs a fictional ?one-way road trip? across the United States, weaving north and south across the Mason-Dixon line while tacking west. In A Field Measure Survey of American Architecture, Jeffrey Ladd uses the HABS archive as a surrogate in order to manifest a portrait of his former country at a moment when its democracy seems imperiled.00Inspired equally by the social documentary work of Walker Evans and the architectural interventions of Gordon Matta-Clark and others, Ladd embraces the muteness of photographs to create an ambiguous space where the sculptural, political, forensic, and fictional coalesce within a landscape of both beauty and fragility. What initially appears to be a single voice is revealed to belong to dozens of makers; what seems a description of the distant past is revealed to be closer to the present than expected. A Field Measure Survey sheds light not only on this remarkable archive but on the proliferate meanings that can be shaped from its images.
How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in Americais an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition.
A rich portrait of a major figure in American art & architecture & his role in shaping American cultural identity.