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This ambitious undertaking is designed to acquaint students, teachers, and researchers with reference sources in any branch of English studies, which Marcuse defines as "all those subjects and lines of critical and scholarly inquiry presently pursued by members of university departments of English language and literature.'' Within each of 24 major sections, Marcuse lists and annotates bibliographies, guides, reviews of research, encyclopedias, dictionaries, journals, and reference histories. The annotations and various indexes are models of clarity and usefulness, and cross references are liberally supplied where appropriate. Although cost-conscious librarians will probably consider the several other excellent literary bibliographies in print, such as James L. Harner's Literary Research Guide (Modern Language Assn. of America, 1989), larger academic libraries will want Marcuse's volume.-- Jack Bales, Mary Washington Coll. Lib., Fredericksburg, Va. -Library Journal.
Providing a comprehensive interdisciplinary assessment, and with a particular focus on expressions of tension and anxiety about modernity, this collection examines visual culture in nineteenth-century Europe as it attempted to redefine itself in the face of social change and new technologies. Contributing scholars from the fields of history, art, literature and the history of science investigate the role of visual representation and the dominance of the image by looking at changing ideas expressed in representations of science, technology, politics, and culture in advertising, art, periodicals, and novels. They investigate how, during the period, new emphasis was placed on the visual with emerging forms of mass communication?photography, lithography, newspapers, advertising, and cinema?while older forms as varied as poetry, the novel, painting, interior decoration, and architecture became transformed. The volume includes investigations into new innovations and scientific development such as the steam engine, transportation and engineering, the microscope, "spirit photography," and the orrery, as well as how this new technology is reproduced in illustrated periodicals. The essays also look at more traditional forms of creative expression to show that the same concerns and anxieties about science, technology and the changing perceptions of the natural world can be seen in the art of Armand Guillaumin, Auguste Rodin, Gustave Caillebotte, and Camille Pissarro, in colonial nineteenth-century novels, in design manuals, in museums, and in the decorations of domestic interior spaces. Visions of the Industrial Age, 1830-1914 offers a thorough exploration of both the nature of modernity, and the nature of the visual.
Sex, Soldiers and the South Pacific, 1939-45 explores the queer dynamics of war across Australia and forward bases in the south seas. It examines relationships involving Allied servicemen, civilians and between the legal and medical fraternities that sought to regulate and contain expressions of homosex in and out of the forces.
Drawing on rich archival research, this book explores how the elite network of the Pilgrims Society - whose members included J.P. Morgan and Andrew Carnegie - attempted to influence the Anglo-American relationship in the days before it became special'.
Politically adrift, alienated from Weimar society, and fearful of competition from industrial elites and the working class alike, the independent artisans of interwar Germany were a particularly receptive audience for National Socialist ideology. As Hitler consolidated power, they emerged as an important Nazi constituency, drawn by the party’s rejection of both capitalism and Bolshevism. Yet, in the years after 1945, the artisan class became one of the pillars of postwar stability, thoroughly integrated into German society. From Craftsmen to Capitalists gives the first account of this astonishing transformation, exploring how skilled tradesmen recast their historical traditions and forged alliances with former antagonists to help realize German democratization and recovery.