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Fast-paced and action-packed, America Libre is an award-winning novel that explores just how explosive the immigration crisis can be, and provides a wake-up call to the dangers of extremism on all sides. After years of anti-immigrant backlash, anger seethes in the nation's Latino communities. The crowded streets bristle with restless youth, idled by a deep recession. When undercover detectives in San Antonio accidentally kill a young Latina bystander during a botched drug bust, riots erupt across the Southwest. As the inner-city violence escalates, Anglo vigilantes strike back with shooting rampages. Exploiting the turmoil, a congressional demagogue succeeds in passing legislation that transforms the nation's Hispanic enclaves into walled-off Quarantine Zones. Citizens tagged Class H-those who are Hispanic, are married to a Hispanic, or have at least one grandparent of Hispanic origin-are forced into detention centers. Amid the chaos in his L.A. barrio, Manolo Suarez is out of work and struggling to support his growing family. But under the spell of a beautiful Latina radical, the former U.S. Army Ranger and decorated war veteran now finds himself questioning his loyalty to his wife-and to his country.
In the second decade of the 21st century, as the immigration crisis reaches the boiling point, once-peaceful Latino protests explode into riots. Exploiting the turmoil, a congressional demagogue succeeds in passing legislation that transforms the nation's teeming inner-city barrios into walled-off Quarantine Zones. In this chaotic landscape, Manolo Suarez is struggling to provide for his family. Under the spell of a beautiful Latina radical, the former U.S. Army Ranger eventually finds himself questioning his loyalty to his wife--and his country.
Analyzes the diverse roles and pervasive presence of disability in Latin American literature and film. Libre Acceso stages an innovative encounter between disciplines that have remained quite separate: Latin American literary, film, and cultural studies and disability studies. It offers a much-needed framework to engage the representation, construction, embodiment, and contestation of human differences, and provides tools for the urgent resignification of a robust and diverse Latin American literary and filmic tradition. The contributors discuss such topics as impairment, trauma, illness and the body, performance, queer theory, subaltern studies, and human rights, while analyzing literature and film from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, and Peru. They explore these issues through the work of canonical figures Jorge Luis Borges, Gabriel García Márquez, João Guimarães Rosa, and others, as well as less well-known figures, including Mario Bellatin and Miriam Alves.
This study of South American cinema offers a new way of approaching the variety of films available in the region. It brings to light the interconnectivity between state-run institutions (film councils, cinemateques, archives), altruistic bodies (film festival funds, NGOs) and commercial organisations (production companies, exhibitors and distributors). Examples of filmmakers, policy initiatives, funding sources and alternative film networks combine to produce a rich overview of one of the most significant sites for non-Western filmmaking in the twenty-first century. There is an awareness of the place South American cinema has on the international stage and, for this reason, the study involves an in depth look at the way film products are circulated within national boundaries and through external global circuits. Drawing on scholarship from studies on Latin American culture, cultural policy, indigeneity, digital technology, globalisation, transculturation and the public sphere, new links are traced between the various fields.
Once they had a country, a culture, a future. Today, upheaval and betrayal have turned their world upside down. And for one family-a U.S. war hero, his deeply religious wife, and their impressionable fourteen-year-old son-a new struggle has just begun. Mano Suarez made a choice to fight against injustice, and his wife can only pray for his deliverance. Now their son, Pedro, takes up his father's cause . . . disappearing into the ranks of a cult-like organization and leaving his family far behind. To rescue him, Mano must face the consequences of his past deeds. But how can he convince his son to give up the very ideals he, Mano, embraced? How can he prove that home and family are the most important ideals of all? House Divided
Staging Buenos Aires centers theater as a source of historical inquiry to understand how nonelites experienced and shaped a city undergoing dramatic transformations. Commercial theater constituted the core of the city’s public sphere, one in which middle-class playwrights and audiences assumed the leading role. Audiences and critics often disagreed about what was “acceptable” entertainment. Playwrights used theater to promote their own ideas of sociopolitical change, creating a space for working- and middle-class audiences to identify and push back against imposed regulations and attitudes. Cultural production on the city’s stages revealed fissures and social anxieties about the expansion of the political system and of the public sphere as women became increasingly visible in urban spaces. At the same time, theater also gave structure and meaning to these rapid changes, providing the space for the city’s playwrights and complex publics to play a key role in identifying, processing, and shaping the transforming nation. Plays helped audience members work through dramatic shifts in societal norms as urbanization and industrialization resulted in the visible decline of patriarchal social structures, made most visible in the urban sphere.
A. Owen Aldridge shows that early American literature is not an isolated phenomenon, but one affected by the same influences which operated upon other literatures of the period. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Cuban revolutionary government engaged in social engineering to redefine the nuclear family and organize citizens to serve the state.