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Bernard Shaw on the American Stage is the first comprehensive study of the production of Bernard Shaw’s plays in America. During his lifetime (1856-1950), Shaw was America’s most popular living playwright; productions of his plays were outnumbered only by Shakespeare. Forty-four of Shaw’s plays were staged in America before his death, eight more posthumously. Eleven of the productions were world premieres. Bernard Shaw on the American Stage tells the story of the fifty-two premieres, which, apart from a few fragments, is his total dramatic oeuvre. The book also includes, again for the first time, production data and concise overviews of dozens of the most notable American revivals of the plays, from the 1890s to the beginning of the 2020 pandemic. Illustrations—production photographs, programmes, theatre buildings, playbills, actors’ studio portraits— inform the study throughout.
This book focuses on the economic and social forces which shaped American theatre throughout its history. Alone or as a collection, these essays, written by leading theatre historians and critics of the American theatre, will stimulate discussions concerning the traditionally held views of America's theatrical heritage.
No play in the history of the American Stage has been as ubiquitous and as widely viewed as Uncle Tom's Cabin . This book traces the major dramatizations of Stowe's classic from its inception in 1852 through modern versions on film. Frick introduce the reader to the artists who created the plays and productions that created theatre history.
The geographic range of this study is the British American colonies, from Halifax, Nova Scotia, to Savannah, in the Georgia colony on the continent, and the British West Indies."--BOOK JACKET.
How did Laurette Taylor (1884-1946) become America's most celebrated actress? What training and experience led to her first stage success, Peg o' My Heart, in 1912? How did her failed 1920s silent film career influence her stage technique? What was so remarkable about her portrayal of Amanda Wingfield in the original 1945 Broadway production of The Glass Menagerie that many actors and critics have proclaimed her performance as the greatest they have ever seen, before or since? How did alcoholism affect her career? And why has it been so difficult to tell her story on stage and screen? This biography offers fascinating new insights into the life and craft of Laurette Taylor. Included is a very short play written by the actress, entitled The Dying Wife.
The American Stage and the Great Depression: A Cultural History of the Grotesque proposes a correlation between the divided "mind" of America during the depression and popular stage works of the era. Theatre works such as Jack Kirkland's comic-horrific adaptation of Tobacco Road, Olsen and Johnson's "scream-lined revue", Hellzapoppin, and successful plays by Robert E. Sherwood, Clare Boothe Luce, and S. N. Behrman are interpreted as theatrical reflections of depression culture's sense of being trapped between a discredited past and a nightmarish future. The author analyzes the America of the 1930s as an era of the "grotesque", in which the irreconcilable were forced into tense and dynamic coexistence, and by examining these works of theatre as products of particular historical circumstances, argues for a strong connection between cultural history and theatre history.
This set of essays, which surveys major developments in the winding down of nineteenth-century methods of Shakespeare staging, spans the decades from the 1880s to about 1920. The Epilogue describes the American celebration of the Tercentenary of Shakespeare's death.