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For use in schools and libraries only. Tired of moving around so much, Amelia, the daughter of migrant farm workers, dreams of a stable home.
Fun and fiascoes ensue when young Amelia Bedelia and her parents take a road trip through their state.
How local, specific, and personal understandings about belonging, ownership, and agency intersect with law to shape the city. In Owning the Street, Amelia Thorpe examines everyday experiences of and feelings about property and belonging in contemporary cities. She grounds her account in an empirical study of PARK(ing) Day, an annual event that reclaims street space from cars. A popular and highly recognizable example of DIY Urbanism, PARK(ing) Day has attracted considerable media attention, but has not yet been the subject of close scholarly examination. Focusing on the event's trajectories in San Francisco, Sydney, and Montreal, Thorpe addresses this gap, making use of extensive interview data, field work, and careful reflection to explore these tiny, temporary, and often transformative interventions. PARK(ing) Day is based on a creative interpretation of the property producible by paying a parking meter. Paying a meter, the event’s organizers explained, amounts to taking out a lease on the space; while most “lessees” use that property to store a car, the space could be put to other uses—engaging politics (a free health clinic for migrant workers, a same sex wedding, a protest against fossil fuels) and play (a dance floor, giant Jenga, a pocket park). Through this novel rereading of everyday regulation, PARK(ing) Day provides an example of the connection between belief and action—a connection at the heart of Thorpe’s argument. Thorpe examines ways in which local, personal, and materially grounded understandings about belonging, ownership, and agency intersect with law to shape the city. Her analysis offers insights into the ways in which citizens can shape the governance of urban space, particularly in contested environments. The book's foreword is by Davina Cooper, Research Professor in Law at King’s College London.
Tired of moving around so much, Amelia, the daughter of migrant farm workers, dreams of a stable home.
"A familiar heroine takes an unfamiliar seat in Good Driving, Amelia Bedelia. Herman Parish, nephew of Amelia's creator, Peggy Parish, keeps the wordplay in high gear....Lynn Sweat's bright and jaunty illustrations, meanwhile, suit the action to a (Model?) T."--Publishers Weekly.
The last Palestinian zoo stands on a dusty, dead-end street in the once prosperous farming town of Qalqilya, on the very edge of the West Bank. The zoo's bars are rusting; peacocks wander quiet avenues shaded by broad plane trees; a teenage baboon broods in solitary confinement; walls bear the pockmarks of gunfire. And yet the zoo is an extraordinary place, with a bizarre, troubling and inspiring story to tell. At the center of this story is Dr. Sami Khader, the only zoo veterinarian in the Palestinian territories. Family man, amateur inventor, and dedicated taxidermist, he is fiercely independent, apolitical, and resourceful in times of crisis. Dr. Sami dreams of transforming the zoo into one of an international caliber. In The Zoo on the Road to Nablus, Amelia Thomas brings the reader into a world rarely glimpsed from the outside, weaving the stories of the zoo's animals, its staff, and its visitors into a rich, colorful chronicle of the indomitability of the human -- and animal -- spirit.
Three classic Amelia books are available once again, now in a backpack-size format that's perfect for sharing with friends. Illustrations.
Mama and Papa agree that eggs for breakfast would be nice, but they're too busy to go to the store. So they decide that Hetty is old enough to go by herself. Although she practices walking smoothly up the hill so she won't break the precious eggs, she can't help running all the way down. Young readers will hold their breath as Hetty tries her very best to get those eggs home safely. "The story is remarkable for its evocative imagery, and the loving interchange between the characters sets a charming tone. The words are perfectly complemented by Lewis's dazzling, impressionistic watercolors that show the joyous power of love and depict a warmly supportive world in which Hetty ventures forth toward independence. A fine book that speaks straight to the heart."--Booklist
During the California Gold Rush Rosabel, an African American, and Sophie, a Jew, team up and search for gold to buy Rosabel's mother her freedom from a slave catcher.
A fiercely funny, queer romantic comedy about two girls who can't stand each other, but join forces in a grand feminist plan to expose harassment and inequality at their elite private school. Harriet Price is the perfect student: smart, dutiful, over-achieving. Will Everhart is a troublemaker who's never met an injustice she didn't fight. When their swim coach's inappropriate behavior is swept under the rug, the unlikely duo reluctantly team up to expose his misdeeds, pulling provocative pranks and creating the instantly legendary Amelia Westlake--an imaginary student who helps right the many wrongs of their privileged institution. But as tensions burn throughout their school--who is Amelia Westlake?--and between Harriet and Will, how long can they keep their secret? How far will they go to make a difference? And when will they realize they're falling for each other? Award-winning author Erin Gough's Amelia Westlake Was Never Here is a funny, smart, and all-too-timely story of girls fighting back against power and privilege--and finding love while they're at it.