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A new boy moves in next door to Amelia, and she decide to be friends with him. But when she discovers he is deaf, she faces the challenge of learning to communicate with him. Includes sign-language flash cards. Consumable.
A humorous guide for students with tips for succeeding in school.
When Amelia’s mom gives her a journal for her birthday, she finally has a place to share her truest feelings at last! Nine-year-old Amelia’s mother gives her a blank notebook to write down her thoughts and tells her it will make her feel better. Why would a dumb notebook make me feel better, Amelia thinks. The only thing that will make Amelia feel better is going back to old house, her old school, and her old friends. Amelia does not—do you hear this!—want to move. But no one is listening to Amelia.
Can Amelia keep a friend and her deepest secrets at the same time? Amelia’s sister, Cleo, gives her a new notebook as a tenth birthday present, and Amelia can’t wait to fill it with all her secret thoughts and drawings. But when her best friend Leah wants to read her notebook, Amelia is torn: Sometimes secrets are better when shared with friends, but other secrets are private. How can Amelia keep her friend from feeling left out while still saving some secrets for herself?
Love is awkward, as fans of Rainbow Rowell and E. Lockhart well know. Funny and heartbreaking in equal measure, this grocery store romance was a Morris Award Finalist for Best YA debut. "Smart, honest and full of achingly real characters. And it made me laugh. What else would you want in a book?" —Melina Marchetta, Printz Award-winning author From the moment Amelia sets eyes on Chris, she is a goner. Lost. Sunk. Head over heels infatuated with him. It's problematic, since Chris, 21, is a sophisticated university student, while Amelia, 15, is 15. Amelia isn't stupid. She knows it's not gonna happen. So she plays it cool around Chris—at least, as cool as she can. Working checkout together at the local supermarket, they strike up a friendship: swapping life stories, bantering about everything from classic books to B movies, and cataloging the many injustices of growing up. As time goes on, Amelia's crush doesn't seem so one-sided anymore. But if Chris likes her back, what then? Can two people in such different places in life really be together? Through a year of befuddling firsts—first love, first job, first party, and first hangover—debut author Laura Buzo shows how the things that break your heart can still crack you up. "A sweet and scathingly funny love story." —Kirkus, Starred Review
Amelia is torn between Nadia, her old BFF and Carly, her new BFF. How do you choose between your two best friends?
Just try not to smile! A positively inspiring picture book from the creator of the Caldecott Honor–winning Interrupting Chicken. Because Amelia smiles as she skips down the street, her neighbor Mrs. Higgins smiles too, and decides to send a care package of cookies to her grandson Lionel in Mexico. The cookies give Lionel an idea, and his idea inspires a student, who in turn inspires a ballet troupe in England! And so the good feelings that started with Amelia’s smile make their way around the world, from a goodwill recital in Israel, to an impromptu rumba concert in Paris, to a long-awaited marriage proposal in Italy, to a knitted scarf for a beloved niece back in New York. Putting a unique spin on "what goes around comes around," David Ezra Stein’s charmingly illustrated story reminds us that adding even a small dose of kindness into the world is sure to spur more and more kindness, which could eventually make its way back to you!
When Amelia Bedelia helps out with the school Thanksgiving play, she causes quite a scene. Let's all give thanks for another funny new Amelia Bedelia story!
Ten-year-old Amelia watches her older sister Cleo change when she gets her first boyfriend, while Amelia takes a class in "life skills" and tries to figure out what it means that she likes shop class better than home economics.
From the introduction to California Deathrock: Subculture Portraits by Forrest Black and Amelia G: Since the mid-1990's, Forrest and I have been setting up full blown location studios in all sorts of unlikely and underground places. We've set up lights and backdrops in wind-blown theater parking lots in the middle of the night, while bands played their shows, in co-ed strip clubs, and crammed behind the pool table in the back of noisy dive bars. Sometimes it's a real challenge, but this is how we shoot our personal work. We like to capture the moments in their real environments. For this compendium, we chose only images which were actually shot in California. Some of the deathrockers in this volume grew up here and some are transplants and some were just passing through. Forrest and I had a lot of debates, while hunched over a contact sheet with loupes in hand, over whether a particular photo was really more deathrock or more Gothic, as we needed a methodology for honing down what to share. When we started shooting, there were very few photographers who would ever shoot anyone gothic or punk or tattooed or pierced or fetish and the few who did approached the subject matter in a gritty unattractive purely anthropological manner, like they were going to the zoo. We wanted to create respectful and celebratory work. We wanted to capture the joy and tribal sense of community which we experienced in the various subterranean worlds we documented. We wanted the flamboyant beauty we saw to resonate with other people the way it did for us. We wanted the people we photographed to look the way they looked in our minds' eyes when we recalled the excitement of nightlife at midnight. For nearly a quarter of a century, Amelia G and Forrest Black have been documenting subculture in America. Their work has been published by everyone from Rolling Stone to Playboy and, of course, the seminal publication they are best known for, Blue Blood. Their remarkable portraits benefit from a combination of social anthropology and celebration of community, simultaneously presenting documentary and aspirational artistic ideal. The hallmarks of their distinctive photographic style are viscerally saturated colors and an extraordinary talent for finding intense star quality in their often unusual subjects. Amelia G did her undergraduate work at Wesleyan University and graduate at University of Michigan. Her thesis was a cross-cultural deconstruction of vampires in popular culture. Forrest Black is an award-winning designer whose work has been covered by venues from Print to MTV. He likes black cats and beer. Home base is Los Angeles. "The refreshingly fascinating photography of Amelia G and Forrest Black successfully captures the alluring mystique of the members of our society's underground sub-cultures, and presents these often-misunderstood individuals in a sexy, provocative, and yet approachable way." --Linda "FC" Fletch, Editor, Tattoo Savage magazine "I like their style of cross processing, and I like the fact that they go out into clubland and photograph the wildlife." --Matt Riser, publisher, New Grave magazine "If West Coast deathrock had official scene photographers, they would be Amelia G and Forrest Black." --Kate Deathrock, Deathrock.org