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Ambrosia the champion of all the Enchantian queens, now battles her cousin the evil Alora for the rule as supreme ruler of the all of the Sixth fairy realm. Live the magic and learn the conflicts and the triumphs...
In this book, takes you into the magical world of the Enchantians like never before. Short stories about the Enchantians themselves, Stories of love and war you won't find in the other books.
The exciting adventures of the Enchantians continue in this edition of Magic short stories. Learn how the Enchantians, began, Learn how Ambrosia and Zax really meant. These short extended stories will fill you with magic and spell bounding escape.. Learn how the evil began
The hidden stories of the Enchantians , reveals things that are not told in the book. Long story lines. Excepts of stories. stories about characters and how the enchantians began....
( Aoni) book 1 A beautiful golden she-elf warrior, begins her adventure to her father and her kingdom from the blood sucking Cimmerian tribe. Only Aoni gets captured and only Aoni can save herself. Aoni becomes queen and mother to a new line of she-elve warriors.. Golden skin and magical and brave each queen down the line has their own adventure. Aoni starts off as the first queen of the Enchantians. Amazon/kristenhowe
Ambrosia this time reemerges as the fighter warrior she is. she also regains control and now she is stronger then ever. Ambrosia finds a new battle in another realm, and new rival and an old love. Battle, love, war.....
This guide for the 1990s reveals fascinating patterns into cultural responses and looks at the twentieth century's approaching final decade.
Then. Before they were gods, they were princes of Dasos. For years the kingdom of Dasos was ruled by the merciless King Cronus and the bewitching Queen Rhea. Under their rule, the kingdom prospered until the queen discovered she was pregnant with their third child, Zeus. Hated from birth, Zeus must fight to earn his father's love and his place alongside his brothers: Hades and Poseidon. If Zeus can find the legendary elixir known as Ambrosia, a substance prophesied to make gods of men, not only will he win his father's approval, he will secure the future of Dasos. Now. Centuries later, Dasos is merely a dilapidated village nestled deep within a brutal forest full of roving bands of the vicious Unhallowed, soulless creatures set to destroy anything in their wake. Lilith, a curious woman with a fiery spirit, stumbles into town with no recollection of where she came from. All Lilith knows is that she's drawn to Dasos the same way she was drawn to Finian, the town blacksmith. A storyteller and weapon forger, Finian is plagued with nightmares of a dark shadowed man. After Lilith's arrival, the nightmares intensify and soon Finian questions what is real and what resides only in his mind. When the town is attacked, Lilith and Finian find themselves pawns in a centuries old war between feuding brothers. Destruction, death, and the cursed Unhallowed lurk around every corner. Love and loyalty will be tested. Hearts and bodies will be broken. An unknown enemy will awaken.Welcome to the world of Dasos, where gods and mortals collide.
For nearly two thousand years, historians have treated the subject of homosexuality in ancient Greece with apology, embarrassment, or outright denial. Now classics scholar James Davidson offers a brilliant, unblushing exploration of the passion that permeated Greek civilization. Using homosexuality as a lens, Davidson sheds new light on every aspect of Greek culture, from politics and religion to art and war. With stunning erudition and irresistible wit–and without moral judgment–Davidson has written the first major examination of homosexuality in ancient Greece since the dawn of the modern gay rights movement. What exactly did same-sex love mean in a culture that had no word or concept comparable to our term “homosexuality”? How sexual were these attachments? When Greeks spoke of love between men and boys, how young were the boys, how old were the men? Drawing on examples from philosophy, poetry, drama, history, and vase painting, Davidson provides fascinating answers to questions that have vexed scholars for generations. To begin, he defines the essential Greek words for romantic love–eros, pothos, philia–and explores the shades of emotion and passion embodied in each. Then, exploding the myth of Greek “boy love,” Davidson shows that Greek same-sex pairs were in fact often of the same generation, with boys under eighteen zealously separated from older boys and men. Davidson argues that the essence of Greek homosexuality was “besottedness”–falling head over heels and “making a great big song and dance about it,” though sex was certainly not excluded. With refreshing candor, humor, and an astonishing command of Greek culture, Davidson examines how this passion played out in the myths of Ganymede and Cephalus, in the lives of archetypal Greek heroes such as Achilles, Heracles, and Alexander, in the politics of Athens and the army of lovers that defended Thebes. He considers the sexual peculiarities of Sparta and Crete, the legend and truth surrounding Sappho, and the relationship between Greek athletics and sexuality. Writing with the energy, vitality, and irony that the subject deserves, Davidson has elucidated the ruling passion of classical antiquity. Ultimately The Greeks and Greek Love is about how desire–homosexual and heterosexual–is embodied in human civilization. At once scholarly and entertaining, this is a book that sheds as much light on our own world as on the world of Homer, Plato, and Alexander.