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What does rock art say about gender and how can our understanding of gender shape the way that we view rock art? A significant contribution to the relatively unexplored field of gender in rock art, this volume contains a wealth of information for archaeologists, anthropologists, and art historians interested in past gender systems. Hays-Gilpin argues that art is at once a product of its physical and social environment and at the same time a tool of influence in shaping behavior and ideas within a society. Taking this stance, rock art is shown to be very often one of the strongest lines of evidence avaliable to scholars in understanding ritual practices, gender roles, and ideologicial constructs of prehistoric peoples. Subsequently issues of representation and the people who made these forms of art are also discussed.
In Potential Images Dario Gamboni explores ambiguity in modern art, considering images that rely to a great degree on a projected or imaginative response from viewers to achieve their effect. Ambiguity became increasingly important in late 19th- and early 20th-century aesthetics, as is evidenced in works by such artists as Redon, Cezanne, Gauguin, Ensor and the Nabis. Similarly, the Cubists subverted traditional representational conventions, requiring their viewers to decipher images to extract their full meanings. The same device was taken up in the various experiments leading to abstraction. For example, it was Kandinsky's intention that his work could be interpreted in both figurative and non-figurative ways, and Duchamp's Readymades suggested the radical conclusion that 'it is the beholder who makes the picture'. These invitations to viewers to participate in the process of artistic communication had social and political implications, as they accorded artist and beholder symmetrical, almost interchangeable, roles.
Visual illusions are compelling phenomena that draw attention to the brain's capacity to construct our perceptual world. The Compendium is a collection of over 100 chapters on visual illusions, written by the illusion creators or by vision scientists who have investigated mechanisms underlying the phenomena. --
Presents visual puzzles that challenge perception and perspective, including hidden figures and reversing cubes.
25 hand drawn illustrations / illusions to color Each coloring page is printed on a separate sheet to avoid bleed through Each illustration is printed twice (duplicates in the back) for a total of 50 pages. The multiview illusions coloring book has 25 illustrations all hand-drawn and digitally edited by 'Trick Slattery. Most are completely original ambiguous optical illusions, and others are inspired* in some way by classical illusions. All are drawn in 'Tricks quirky and whimsical style. All illustrations can be seen in more than one way. The images were drawn with varying complexities, so if you are looking for a challenge you can choose a more intricate drawing with lots of nooks to color, or if you are looking for something quick or easy, a more simplistic page would be the way to go. Each illustration has been duplicated for a total of 50 coloring pages (duplicates in the back of the book), giving you a chance at a do-over or to color a different "view" of the same artwork. Coloring pages are single-sided to minimize bleed-through and scoring and have large margins for access to the entire image and ease of cutting out for framing. Images printed on 60lb pure white paper. High-quality colored pencils suggested for the best results. Illustrations / Illusions: 01 Seahorse or chameleon? 02 Queen of hearts or king of spades (elves)? 03 Elephant or swan? * 04 Donkey or seal? * 05 Orangutan or monkey? 06 Owl or parrots in front of the moon (or with large backs). 07 Turn that frown upside down baby. 08 Two bears holding hands or one big bear? 09 Bird eating mouse or mouse in a canoe near a fish? * 10 Jester cat or king fish? 11 Egyptian bird or rhino? 12 Moth on a tree, happy tree creature, or disgruntled tree creature? 13 Mountain landscape or lion? 14 Elf or troll chief? 15 Two side view faces, or one front view face behind a vase, or vase face? * 16 Fish or lagoon creature? 17 One big cat or two cats head to head? 18 Dragon or frog? * 19 Turn that clown, upside down. 20 Strange bird or rabbit? * 21 Penguin or caribou? * 22 Young woman or old lady looking through a window? * 23 Hairy caveman or tiny-head man with big hair? 24 Mouse in fruit basket or pig creature with tongue out? 25 Big-eared alien with a bot or long eyed alien with a UFO?
In this book you will observe some very creative ambiguous figurative illusions by Humberto Machado where both aspects share space, and cannot exist without the other. Ambiguous illusions are fascinating because they remind us of the discrepancy and reality. These illusions occur as a result of how information is interpreted in the brain. At the end of the book you will come across some famous optical illusions by some very well-known psychologist and physicist like Ewald Hering and Johann Poggendorff.
An Astonishing, Mind-Bending book of more than 50 Eye-popping Illusions.
The image of the shadow in midtwentiethcentury America appeared across a variety of genres and media including poetry, pulp fiction, photography, and film. Drawing on an extensive framework that ranges from Cold War cultural histories to theorizations of psychoanalysis and the Gothic, Erik Mortenson argues that shadow imagery in 1950s and 1960s American culture not only reflected the anxiety and ambiguity of the times but also offered an imaginative space for artists to challenge the binary rhetoric associated with the Cold War. From comics to movies, Beats to bombs, Ambiguous Borderlands provides a novel understanding of the Cold War cultural context through its analysis of the image of the shadow in midcentury media. Its interdisciplinary approach, ambitious subject matter, and diverse theoretical framing make it essential reading for anyone interested in American literary and popular culture during the midtwentieth century.
These amazing artistic optical illusions have real depth - that's because they're in 3D! Some have to be viewed through a pair of red & blue paper glasses, which come with the book: put them on & watch decorative cubes, towers, & other complex geometric drawings spring to life, gaining volume & space.