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Argues that German Romanticism, Zen Buddhism, and deconstruction, for all their cultural differences, are three expressions of a universal vision.
Meticulously edited and annotated, Tennessee Williams's notebooks follow his growth as a writer from his undergraduate days to the publication and production of his most famous plays, from his drug addiction and drunkenness to the heights of his literary accomplishments.
The author looks at some of the major events which took place in Africa in the early years of independence including challenges to statehood and nationhood which threatened the existence of some countries. He also looks at the struggle for independence in some of the countries which were among the last to win their freedom, and at some of the causes of conflict in a number of countries across the continent which can be traced to the wrong foundation laid in the sixties for the new African nations. Subjects covered include the Nigerian civil war which almost destroyed the Nigerian federation when the Eastern Region seceded in 1967 and established the independent Republic of Biafra, and which still haunts Nigeria today.
The author looks at Africa in the sixties and at the major events which have shaped the destiny of the continent for decades since the end of colonial rule. Most of the countries had won independence by 1968. It was the euphoric and turbulent sixties when African countries were confronted with the harsh realities of nationhood including nation building and state consolidation. They were also years of military coups and assassinations as well as conflicts: the ouster of Kwame Nkrumah who led Ghana to become the first black African country to win independence; the Congo crisis including the secession of Katanga province and the assassination of Patrice Lumumba; the Nigerian civil war triggered by the secession of the Eastern Region which declared independence as the Republic of Biafra; the Zanzibar Revolution followed by the union of Tanganyika and Zanzibar which led to the creation of a new country, Tanzania, which is the only union of independent states ever formed on the continent; and liberation wars in the countries of southern Africa which were under white minority rule. There were many other events which took place across the continent during those years. Almost all the major events which have taken place on the continent through the decades can be traced back to the sixties in one way or another. That was when the foundations of the young African nations were laid. It was also during those years when African governments adopted and implemented policies, including imported -isms which had a profound impact on the continent for decades. It was probably the most important decade in the history of post-colonial Africa.
This indispensable collection is filled with marvelous autobiographical glimpses of Loren Eiseley at different points in his life-as a young, inquisitive man during the Depression, as an astute archaeologist, as a blossoming writer, and lastly, as a world-renowned observer and essayist. Also included are poems, short stories, an array of Eiseley's absorbing observations on the natural world, and his always startling reflections on the nature and future of humankind and the universe.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
The renowned novelist and critic’s private journals, spanning from his years as a high school student in the Bronx to early adult life in San Francisco. For fifty years Samuel Delany has cultivated a special relationship with language in works of fiction, criticism, and memoir that have garnered critical praise and legions of fans. The present volume—the first in a series—reveals a new dimension of his genius. In Search of Silence presents over a decade’s worth of Delany’s private journals, commencing in 1957 when he was still a student at the Bronx High School of Science, and ending in 1969 when he was living in San Francisco and on the verge of reconceiving the novel that would become Dhalgren. In these pages, Delany muses on the writing of the stories that will establish him as a science fiction wunderkind, the early years of his marriage to the poet Marilyn Hacker, performances as a singer-songwriter during the heyday of the American folk revival, travels in Europe, experiences in a New York City commune, and much more—and crosses paths with artists working in many genres, including poets such as Robert Frost, W. H. Auden, and Marie Ponsot, and science fiction writers such as Arthur C. Clarke, Michael Moorcock, Roger Zelazny, and Joanna Russ. Delany scholar Kenneth R. James presents the journal entries alongside generous samplings of story outlines, poetry, fragments of novels and essays that have never seen publication, and more; James also provides biographical synopses and an extensive set of endnotes to supply contextual information and connect journal material to Delany’s published work. “This is a tremendously significant and vital addition to the oeuvre of Samuel Delany; it clarifies questions not only of the writer’s process, but also his development—to see, in his juvenilia, traces that take full form in his novels—is literally breathtaking.” —Matthew Cheney, author of Blood: Stories “Traversing Delany’s youth, we see a precocious mind grappling with his own talent he lives on two registers, participating in the world and also observing it, living simultaneously as a kid in NYC and, ‘a writer of genius.’” —Robert Minto, New Republic “Mesmerizing . . . a true portrait of an artist as a young Black man . . . already visible in these pages are the wit, sensitivity, penetration, playfulness and the incandescent intelligence that will characterize Delany and his extraordinary work.” —Junot Díaz, author of The Brief Wondrous Life of Oscar Wao
From its founding in the late 1800s through the 1950s, Brownsville, a section of eastern Brooklyn, was a white, predominantly Jewish, working-class neighborhood. The famous New York district nurtured the aspirations of thousands of upwardly mobile Americans while the infamous gangsters of Murder, Incorporated controlled its streets. But during the 1960s, Brownsville was stigmatized as a black and Latino ghetto, a neighborhood with one of the city's highest crime rates. Home to the largest concentration of public housing units in the city, Brownsville came to be viewed as emblematic of urban decline. And yet, at the same time, the neighborhood still supported a wide variety of grass-roots movements for social change. The story of these two different, but in many ways similar, Brownsvilles is compellingly told in this probing new work. Focusing on the interaction of Brownsville residents with New York's political and institutional elites, Wendell Pritchett shows how the profound economic and social changes of post-World War II America affected the area. He covers a number of pivotal episodes in Brownsville's history as well: the rise and fall of interracial organizations, the struggles to deal with deteriorating housing, and the battles over local schools that culminated in the famous 1968 Teachers Strike. Far from just a cautionary tale of failed policies and institutional neglect, the story of Brownsville's transformation, he finds, is one of mutual struggle and frustrated cooperation among whites, blacks, and Latinos. Ultimately, Brownsville, Brooklyn reminds us how working-class neighborhoods have played, and continue to play, a central role in American history. It is a story that needs to be read by all those concerned with the many challenges facing America's cities today.
A no-holds-barred biography of the great poet and sexual rebel, who could “give the dead a voice, make them sing” (Hilton Als, The New Yorker). Thom Gunn was not a confessional poet, and he withheld much, but inseparable from his rigorous, formal poetry was a ravenous, acute experience of life and death. Raised in Kent, England, and educated at Cambridge, Gunn found a home in San Francisco, where he documented the city’s queerness, the hippie mentality (and drug use) of the sixties, and the tragedy and catastrophic impact of the AIDS crisis in the eighties and beyond. As Jeremy Lybarger wrote in The New Republic, the author of Moly and The Man with Night Sweats was “an agile poet who renovated tradition to accommodate the rude litter of modernity.” Thom Gunn: A Cool Queer Life chronicles, for the first time, the largely undocumented life of this revolutionary poet. Michael Nott, a coeditor of The Letters of Thom Gunn, draws on letters, diaries, notebooks, interviews, and Gunn’s poetry to create a portrait as vital as the man himself. Nott writes with insight and intimacy about the great sweep of Gunn’s life: his traditional childhood in England; his mother’s suicide; the mind-opening education he received at Cambridge, reading Shakespeare and John Donne; his decades in San Francisco and with his life partner, Mike Kitay; and his visceral experience of sex, drugs, and loss. Thom Gunn: A Cool Queer Life is a long-awaited, landmark study of one of England and America’s most innovative poets.
Originally a New Deal liberal and aggressive anticommunist, Senator Eugene McCarthy famously lost faith with the Democratic party over Vietnam. His stunning challenge to Lyndon Johnson in the 1968 New Hampshire primary inspired young liberals and was one of the greatest electoral upsets in American history. But the 1968 election ultimately brought Richard Nixon and the Republican Party to power, irrevocably shifting the country’s political landscape to the right for decades to come. Dominic Sandbrook traces one of the most remarkable and significant lives in postwar politics, a career marked by both courage and arrogance. Sandbrook draws on extensive new research – including interviews with McCarthy himself – to show convincingly how Eugene McCarthy’s political experience embodies the larger decline of American liberalism after World War II. These were tumultuous times in American politics, and Sandbrook vividly captures the drama and historical significance through his intimate portrait of a singularly interesting man at the heart of it all.