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When Sister Maria Amata--the former Emily Barone--enters newly-established Mater Christi Monastery, she is eager to become a spouse of Christ--to give all she is and has to God. However, Sister Maria Amata finds that living in the monastery with the other nuns radically confronts her understanding of the life itself and her own motives. Why did she really enter the monastery? To give herself completely to God? Or is she instead running from facing her inability to forgive the man who murdered her brother? The possibility of acquiring a long-desired bell for the monastery catapults Sister Maria Amata into a crisis. The novice mistress, Sister Maria Bernadette, challenges the young novice by appointing her as the bell ringer for the Angelus each day. She must choose to live in the ways of freedom and love if her gift to God at first profession is to be truly one of total surrender. She can no longer hold onto her anger and lack of forgiveness. Can Sister Maria Amata overcome her fear of ringing the bell? More importantly, will she open her heart to God's grace and forgive?
For over a hundred years stories about photographs and photography have reflected the profound uncertainties and inconclusive endings of the modern world. For many writers, photography, supposedly the most realistic of the arts, turns out to be the most ambiguous. As Jane Rabb observes in her introduction, a number of the stories in this collection involve mysteries, perhaps because photography has a capacity for both documentary reality and moral and psychological ambiguity. Many nineteenth-century writers represented here, including Thomas Hardy and Sir Arthur Conan Doyle, helped make short fiction as respectable as the novel. Some of them were even serious photographers themselves. The twentieth century is arguably a golden age for both the short story and photography. This collection includes examples from a worldly group of writer--Eugène Ionesco, Julio Cortá¡zar, Michel Tournier, and Italo Calvino, as well as the Chinese writer Bing Xin and John Updike, Cynthia Ozick, and Raymond Carver. In this wide range of stories, varying from sentimental to obsessive, to sinister, to tragic and even fatal, the reader will find provocative examples of the confluence of the short story and photography, both once considered the bastard stepchildren of literature and art.
A Place at the Altar illuminates a previously underappreciated dimension of religion in ancient Rome: the role of priestesses in civic cult. Demonstrating that priestesses had a central place in public rituals and institutions, Meghan DiLuzio emphasizes the complex, gender-inclusive nature of Roman priesthood. In ancient Rome, priestly service was a cooperative endeavor, requiring men and women, husbands and wives, and elite Romans and slaves to work together to manage the community's relationship with its gods. Like their male colleagues, priestesses offered sacrifices on behalf of the Roman people, and prayed for the community’s well-being. As they carried out their ritual obligations, they were assisted by female cult personnel, many of them slave women. DiLuzio explores the central role of the Vestal Virgins and shows that they occupied just one type of priestly office open to women. Some priestesses, including the flaminica Dialis, the regina sacrorum, and the wives of the curial priests, served as part of priestly couples. Others, such as the priestesses of Ceres and Fortuna Muliebris, were largely autonomous. A Place at the Altar offers a fresh understanding of how the women of ancient Rome played a leading role in public cult.
In walked a handsome young man, sized up Giaand Ron. His Dad said Gia's beautiful he's crazyshe's damn gorgeous! He's been sent to keep an eyeout for the two, can't tell them yet. His Dad said, takeit nice and easy. This is a big favor to the big guy, Matteo De Ventino, seeing Gia it will be easy.a double wow and him a confirmed bachelor.Then went into his act, "May I ask what the hell you're doing in my lodge?"Whew! What a grouch thought Gia, answeredhonestly. "We have permission from Scott Curtis-Jones, Sr.! Here's his key! May I ask who the hellare you?"He grinned, she's a spunky one, dangled his key, "I'm Scott Curtis-Jones, Jr.!""Ron lets get our bags, hit the road quick! He's trouble seeing he doesn't know about us!"Scott stopped them. "Wait a minute! Not RonRonchetti and Gia DeVentino?""Let's get the hell out of here Ron, quick!" Gia yelled."Stop this minute!" Scot shouted. "I won't harm you. Dad and Matt told me about
Guarantee your kid stands out from the crowd with this vast selection of hip, edgy and occasionally outrageous baby names. The Alternative Guide to Baby Names goes beyond the pedestrian suggestions of the traditional baby name book, featuring boys' names like Draven, Legion, Skylar and Snake, and quirky girls' names such as Harper, Nori, Eyre and Effie. Taking inspiration from celebrities, fictional characters, the music industry and place names, this book will provide you with hundreds of ideas and hours of fun.
The large collection of letters by Pliny the Younger includes a number of women among its addressees, and Pliny also gives us plentiful information about many women of his acquaintance. This book brings together this material to build up a portrait of a peer-group of women in their social setting.
The gripping, unsparing tale of Amata, the first true Vestal Virgin of Rome, whose choices would shape the Vestal Order for centuries to come. It is 716 BCE, over thirty years since the founding of Rome. The city’s war-like nature has made it the “tyrant of Latium,” and King Romulus’s hardened nature has caused the fledgling Vestal order to fall into disrepute. But as crisis strikes and an enigmatic newcomer named Numa arrives in the city, Romulus’s only living kinswoman, Amata, must rise to restore the dignity of the order. AMATA is the riveting conclusion to The First Vestals of Rome, an epic trilogy about the founding Vestal Virgins of ancient Rome. About The First Vestals of Rome trilogy Set in the 8th century BCE, The First Vestals of Rome is an action-packed trilogy that dramatizes the sensational, often perilous lives of three legendary women who gave rise to Rome’s powerful order of Vestal Virgins. All of them central to the life of Romulus, Rome’s founder, these tectonic women were fated to shape the history of the Eternal City as much as any Caesar who came after them.
A key research tool in Vergilian studies, now in paper with substantial new material