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Always in the Dark: One Woman's Search for Answers from a Family Shrouded in Secrets is a deeply moving memoir that tells of secrets, scandal and survival. After her parents emigrated post war, Diane spends her idyllic and cosy childhood in Cape Town, which is ruined at the age of three after the arrival of a visitor. Her roller coaster existence and mother’s mental breakdown when she is eight adds to her confusion. Her father works for Cadbury’s and after securing a transfer with the company, the family move back to England when she is fourteen. With each new move, of which there are many, Diane prays that happiness will return to her parents’ marriage. It is obvious her home life is a weird one and it is only after her mother’s death that she rummages through her secret box and unearths a wealth of staggering information she does not know exists. But Diane is a young child when it all begins and the fact she has lived her life to the point of naivety is beyond baffling. And because of the hurt and embarrassment her shocking revelation is not something she wants to share with her husband. The search for the truth sends Diane on numerous missions to talk to many people only to discover that she is the last to know about her dysfunctional family. Her goal is to hear an apology for her ruined childhood.
Since the 1960s, the occult in film and television has responded to and reflected society's crises surrounding gender and sexuality. In Desire After Dark, Andrew J. Owens explores media where figures such as vampires and witches make use of their supernatural knowledge in order to queer what otherwise appears to be a normative world. Beginning with the global sexual revolutions of the '60s and moving decade by decade through "Euro-sleaze" cinema and theatrical hardcore pornography, the HIV/AIDS crisis, the popularity of New Age religions and witchcraft, and finally the increasingly explicit sexualization of American cable television, Owens contends that occult media has risen to prominence during the past 60 years as a way of exposing and working through cultural crises about queerness. Through the use of historiography and textual analyses of media from Bewitched to The Hunger, Owens reveals that the various players in occult media have always been well aware that non-normative sexuality constitutes the heart of horror's enduring appeal. By investigating vampirism, witchcraft, and other manifestations of the supernatural in media, Desire After Dark confirms how the queer has been integral to the evolution of the horror genre and its persistent popularity as both a subcultural and mainstream media form.
A short, sleek novel of encounters set in the witching hours of Tokyo between midnight and dawn, and every bit as gripping as Haruki Murakami’s masterworks The Wind-Up Bird Chronicle and Kafka on the Shore. At its center are two sisters: Yuri, a fashion model sleeping her way into oblivion; and Mari, a young student soon led from solitary reading at an anonymous Denny’s into lives radically alien to her own: those of a jazz trombonist who claims they’ve met before; a burly female “love hotel” manager and her maidstaff; and a Chinese prostitute savagely brutalized by a businessman. These “night people” are haunted by secrets and needs that draw them together more powerfully than the differing circumstances that might keep them apart, and it soon becomes clear that Yuri’s slumber—mysteriously tied to the businessman plagued by the mark of his crime—will either restore or annihilate her. After Dark moves from mesmerizing drama to metaphysical speculation, interweaving time and space as well as memory and perspective into a seamless exploration of human agency—the interplay between self-expression and understanding, between the power of observation and the scope of compassion and love. Murakami’s trademark humor, psychological insight and grasp of spirit and morality are here distilled with an extraordinary, harmonious mastery.
Nothing will stop Cadeon of the Rage Demons from finding the means to atone for the one wrong that haunts him. But once he captures the key to his redemption, the halfling Holly Ashwin, he finds that the woman he thought he could use for his own ends and then forget haunts him as much as his past. Raised as a human, Holly Ashwin never knew that some legends are real until she encounters a brutal demon, who inexplicably guards her like a treasure. Thrust into a sensual new world of myth and power, with him as her protector, she begins to crave the Cade's wicked touch. Yet just when he earns Holly's trust, will Cade be forced to betray the only woman who can sate his wildest needs - and claim his heart?
Welcome to Harmony—where the rules are a little different. Life is tough these days for Lydia Smith, licensed para-archaeologist. Seriously stressed-out from a nasty incident in an alien tomb, she is obliged to work part-time in Shrimpton’s House of Ancient Horrors, a very low-budget museum. She has a plan to get her career back on track, but it isn’t going well. Stuff keeps happening. Take the dead body that she discovered in one of the sarcophagus exhibits. Who needed that? Finding out that her new client, Emmett London, is one of the most dangerous men in the city isn’t helping matters either. And that’s just today’s list of setbacks. Here in the shadows of the Dead City of Old Cadence, things don’t really heat up until After Dark. Includes a preview of Jayne Castle’s Rainshadow Novel DECEPTION COVE
Fifteen-year-old slacker Charlie Harker is stuck in the sleepy town of Rolling Hills for the summer, helping his mom renovate his great-grandfather's creaky old inn. It's not entirely dull, thanks to Charlie's new neighbor Miles Van Helsing, who insists there's paranormal activity happening in Rolling Hills. Charlie chalks it up to Miles being the town nutcase. But many townspeople are falling prey to a mysterious illness, and wisecracking Charlie quickly gets wise: there's something sinister going on in Rolling Hills.
Sexy vampires, dangerous devotion, unparalleled romance--no one does desire after dark like bestselling author Amanda Ashley. Now, in her enthralling new novel, she explores a passion as smoldering as it is risky... Vicki Cavendish knows she should be careful. After all, there's a killer loose in town--one who drains women of blood, women with red hair and green eyes just like her. She knows she should tell police about the dark, gorgeous man who comes into the diner every night, the one who makes her feel a longing she's never felt before. The last thing she should do is invite the beautiful stranger into her house... Cursed to an eternity of darkness, Antonio Battista has wandered the earth, satisfying his hunger with countless women, letting none find a place in his heart. But Victoria Cavendish is different. Finally, he has found a woman to love, a woman who accepts him for what he is--a woman who wants him as much as he wants her...which is why he should leave. But Antonio is a vampire, not a saint. What is his, he'll fight to keep and protect. And Victoria Cavendish needs protecting...from the remorseless enemy who would make her his prey...and from Antonio's own uncontrollable hunger...
One of the best travel writers now at work in the English language brings back the sights and sounds from a dozen different frontiers. A cryptic encounter in the perfumed darkness of Bali; a tour of a Bolivian prison, conducted by an enterprising inmate; a nightmarish taxi ride across southern Yemen, where the men with guns may be customs inspectors or revolutionaries–these are just three of the stops on Pico Iyer’s latest itinerary. But the true subject of Sun After Dark is the dislocations of the mind in transit. And so Iyer takes us along to meditate with Leonard Cohen and talk geopolitics with the Dalai Lama. He navigates the Magritte-like landscape of jet lag, “a place that no human had ever been until forty or so years ago.” And on every page of this poetic and provocative book, he compels us to redraw our map of the world.
A half-human, half-vampire hunts the bloodsucker who bit her in this “compelling” Bram Stoker Award-winning debut (Publishers Weekly). One spring night in London, heiress Denise Thorne disappears while partying at a nightclub, never to be seen again. That very same night, Sonja Blue, a tough-as-nails punk vampire/vampire-slayer, conceived in terror and blood, is borne from the city’s gutters. Saved by modern medicine before she could die, she is a living vampire who still possesses a soul and is determined to fight for what remains of her humanity. In the years since her bizarre resurrection, Sonja Blue travels the globe, hunting down and disposing of those creatures that prey on the innocent while searching for the vampire Noble who created her. But when she investigates a sleazy televangelist named Catherine Wheele, who is exploiting Denise Thorne’s parents, Sonja finds herself up against a powerful inhuman adversary. But as dangerous as Catherine Wheele proves to be, Sonja’s greatest foe remains the Other, the demonic personality with whom she is locked in a constant battle for control of their shared body. Can Sonja Blue overcome her inner demon in time to rescue an innocent man from Catherine Wheele’s unholy clutches? Acknowledged as one of the first Urban Fantasy novels, Sunglasses After Dark burst onto the fantasy/horror scene in 1989, garnering widespread critical praise and winning the Horror Writers Association’s coveted Bram Stoker Award, as well as the British Fantasy Society’s Icarus Award. New edition: Revised and edited by the author.
On the night lovely Néomi Renate, a famous ballerina at the turn of the century, was murdered, an evil force turned her into a spectre - a phantom that's neither alive nor dead - and cursed her to relive her harrowing death every month during the full moon. Unable to leave her home, she has managed to scare away any trespassers, until she encounters an inhabitant even more terrifying than Néomi herself. When Conrad Wroth, a vampire warlord who's been half-mad for centuries, first beholds Néomi, he knows nothing will stop him from claiming the ethereal beauty as his own - not even death itself. Yet even if the gruff warrior can win her love and defeat the evil that surrounds her, he still must determine a way to bring her fully back to life, and back to him.