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A collection of stories by award winning writers from across the globe take on the Apocalypse challenge.
Contributions by Jordan Bolay, Ian Brodie, Jocelyn Sakal Froese, Dominick Grace, Eric Hoffman, Paddy Johnston, Ivan Kocmarek, Jessica Langston, Judith Leggatt, Daniel Marrone, Mark J. McLaughlin, Joan Ormrod, Laura A. Pearson, Annick Pellegrin, Mihaela Precup, Jason Sacks, and Ruth-Ellen St. Onge This overview of the history of Canadian comics explores acclaimed as well as unfamiliar artists. Contributors look at the myriad ways that English-language, Francophone, Indigenous, and queer Canadian comics and cartoonists pose alternatives to American comics, to dominant perceptions, even to gender and racial categories. In contrast to the United States' melting pot, Canada has been understood to comprise a social, cultural, and ethnic mosaic, with distinct cultural variation as part of its identity. This volume reveals differences that often reflect in highly regional and localized comics such as Paul MacKinnon's Cape Breton-specific Old Trout Funnies, Michel Rabagliati's Montreal-based Paul comics, and Kurt Martell and Christopher Merkley's Thunder Bay-specific zombie apocalypse. The collection also considers some of the conventionally "alternative" cartoonists, namely Seth, Dave Sim, and Chester Brown. It offers alternate views of the diverse and engaging work of two very different Canadian cartoonists who bring their own alternatives into play: Jeff Lemire in his bridging of Canadian/US and mainstream/alternative sensibilities and Nina Bunjevac in her own blending of realism and fantasy as well as of insider/outsider status. Despite an upsurge in research on Canadian comics, there is still remarkably little written about most major and all minor Canadian cartoonists. This volume provides insight into some of the lesser-known Canadian alternatives still awaiting full exploration.
Ren Girard s thesis that culture and religion arose from an original act of scapegoating murder gained international scholarly attention in the early seventies with his publication in France of Violence and the Sacred. A few years later, with Things Hidden Since the Foundation of the World, Girard made it clear that his basic insights derived of all places from the Bible. Those insights are finally escaping the confines of academia, and coming to the awareness of a broader, theologically minded public. Many people are beginning to find in Girard answers to troublesome questions such as: Is God violent? Is there a necessary relationship between violence and religion? Why are there so many violent stories in the Bible? Why did Jesus have to die? Are we living in the end times? In clear, understandable prose, Compassion or Apocalypse shows how the Girardian perspective answers such questions, making Girard s mimetic theory and its application to biblical interpretation available to those who have little or no familiarity with Girard s work. To read the Bible from a Girardian point of view is to discover the radical message of God s nonviolent love in its historical wrestling with human violence, and its immanent confrontation with the gathering human apocalypse. ,
In this post-apocalyptic rollercoaster ride, philosopher Srećko Horvat invites us to explore the Apocalypse in terms of ‘revelation’ (rather than as the ‘end’ itself). He argues that the only way to prevent the end – i.e., extinction – is to engage in a close reading of various interconnected threats, such as climate crisis, the nuclear age and the ongoing pandemic. Drawing on the work of neglected philosopher Günther Anders, this book outlines a philosophical approach to deal with what Horvat, borrowing a term from climate science and giving it a theological twist, calls ‘eschatological tipping points’. These are no longer just the nuclear age or climate crisis, but their collision, conjoined with various other major threats – not only pandemics, but also the viruses of capitalism and fascism. In his investigation of the future of places such as Chernobyl, the Mediterranean and the Marshall Islands, as well as many others affected by COVID-19, Horvat contends that the ‘revelation’ appears simple and unprecedented: the alternatives are no longer socialism or barbarism – our only alternatives today are a radical reinvention of the world, or mass extinction. After the Apocalypse is an urgent call not only to mourn tomorrow’s dead today but to struggle for our future while we can.
The third book in the Cornelius Quartet reissues published by Titan Books featuring the enigmatic character Jerry Cornelius, written by influential, award-winning author Michael Moorcock
Weaving Germanic Paganism with mysticism, magic, and his background as a transpersonal therapist, Matthew Ash McKernan introduces you to wyrd, a mysterious web of being that connects everything. Wyrd encompasses all organisms, ecosystems, matter, phenomena, purposes, and possibilities. It is destiny, nature, soul, magic, and mystery intertwined. In Wyrdcraft, McKernan guides you through a process of attuning to wyrd as it manifests within all the domains of your life, teaching you how to sense and intuit the ways of wyrd more clearly than ever before. Exploring the intersections of psychotherapy, ecotherapy, Heathenry, and magic, this contemplative and experiential book offers nearly fifty exercises to help you cultivate wyrd consciousness—an awareness that is naturally revealing, healing, transformative, and becoming. Becoming what, you may ask? You will see as you align with the wisdom of wyrd, heal yourself and our interconnected world, and remember the nature of your Higher Self.
Can social theories forge new paths into an uncertain future? The future has become increasingly difficult to imagine. We might be able to predict a few events, but imagining how looming disasters will coincide is simultaneously necessary and impossible. Drawing on speculative fiction and social theory, Theory for the World to Come is the beginning of a conversation about theories that move beyond nihilistic conceptions of the capitalism-caused Anthropocene and toward generative bodies of thought that provoke creative ways of thinking about the world ahead. Matthew J. Wolf-Meyer draws on such authors as Kim Stanley Robinson and Octavia Butler, and engages with afrofuturism, indigenous speculative fiction, and films from the 1970s and ’80s to help think differently about the future and its possibilities. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead
Apocalypse Undone recounts Preston Hubbard's four-and-a-half year odyssey from a young, idealistic CCC worker to a much older, troubled man full of contempt for war and those who make it. He survived the Bataan Death March; imprisonment at Camp O'Donnell, where the death rate exceded 400 a day; a jungle work detail on Tayabas Isthmus; the starvation diet of Manila's Bilibid Prison; a 17 day voyage to Japan on a Hell Ship; and a Japanese POW camp bombed by American planes.
Apocalyptic Transformation explores how one the oldest sense-making paradigms, the apocalyptic myth, is altered when postmodern authors and filmmakers adopt it. It examines how postmodern writers adapt a fundamentally religious story for a secular audience and it proposes that even as these writers use the myth in traditional ways, they simultaneously undermine and criticize the grand narrative of apocalypse itself.
A highly regarded expert on the Jewish apocalyptic tradition, John J. Collins has written extensively on the subject. Nineteen of his essays written over the last fifteen years, including previously unpublished contributions, are brought together for the first time in this volume. Its thematic essays organized in five sections, Apocalypse, Prophecy, and Pseudepigraphy complements and enriches Collins’s well-known book The Apocalyptic Imagination.