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“Dr. Leo Galland, a respected global leader in the eld of holistic medicine, has written an astounding book of revelations about the nature of heaven and earth, loss and pain, and love.” — Christiane Northrup, M.D., #1 New York Times best-selling author Already Here tells of the death of Leo Galland’s son, Christopher, at the age of 22; the direct visual evidence Christopher showed him that our souls do go on; and the communications he received from Christopher’s spirit that dramatically changed Leo’s understanding of life and its meaning. In life, Christopher was a brain-damaged special needs child who challenged everyone he knew with his unpredictable behavior and uncanny insights. After his death, he revealed to Leo the real purpose of his life, as a spiritual guide who taught others by confounding their assumptions and expectations. And he began to share with Leo a new perspective on everything from the nature of good and evil to the concept of timelessness to the notion that the universe is, fundamentally, an act of love. Christopher’s wisdom was revealed to Leo over the course of a year, coalescing into three themes, which Leo calls the Gift of the Opposite, the Gift of Presence, and the Gift of Timelessness. Leo quickly came to realize that these gifts were not for him alone: they contain ancient wisdom, held sacred in many traditions, that Chris intended him to share with others. He has written this book, under Chris’s direction, to do just that. Already Here presents a unique dialogue in which an analytical, scientific mind tries to comprehend truths from another plane of existence —one that, nonetheless, is inseparable from our own. Chris describes Heaven and Earth, spirit and matter, as unified opposites that cannot exist without each other and cannot be separated from human consciousness. The book takes its title from Christopher’s final message to Leo, in which he describes Heaven as an “eternal present” where everyone is together, even those of us still living earthly lives. “Lighten up,” Christopher says to his father. “You’re already here, you know.”
Changing racial perceptions in the tumultuous 1960s brings conflict to a rural Southern family. A short story.
An anthropological look at the UFO community, told through first-person experiences with researchers in their element as they pursue what they see as a solvable mystery—both terrestrial and cosmic. More than half a century since Roswell, UFOs have been making headlines once again. On December 17, 2017, the New York Times ran a front-page story about an approximately five-year Pentagon program called the Advanced Aerospace Threat Identification Program. The article hinted, and its sources clearly said in subsequent television interviews, that some of the ships in question couldn’t be linked to any country. The implication, of course, was that they might be linked to other solar systems. The UFO community—those who had been thinking about, seeing, and analyzing supposed flying saucers (or triangles or chevrons) for years—was surprisingly skeptical of the revelation. Their incredulity and doubt rippled across the internet. Many of the people most invested in UFO reality weren’t really buying it. And as Scoles did her own digging, she ventured to dark, conspiracy-filled corners of the internet, to a former paranormal research center in Utah, and to the hallways of the Pentagon. In They Are Already Here we meet the bigwigs, the scrappy upstarts, the field investigators, the rational people, and the unhinged kooks of this sprawling community. How do they interact with each other? How do they interact with “anomalous phenomena”? And how do they (as any group must) reflect the politics and culture of the larger world around them? We will travel along the Extraterrestrial Highway (next to Area 51) and visit the UFO Watchtower, where seeking lights in the sky is more of a spiritual quest than a “gotcha” one. We meet someone who, for a while, believes they may have communicated with aliens. Where do these alleged encounters stem from? What are the emotional effects on the experiencers?
As the climate crisis worsens, we must look to revolutionary strategy for justice
If you loved the science fiction movies of the 1950s, you will love this book. War of the Worlds, The Day the Earth Stood Still, Attack of the 50 ft. Woman, Creature From the Black Lagoon, and virtually every other great Sci Fi poster from the 1950s is pictured in this book. Not only are they pictured, but in virtually every size known. This book has over 1,500 pictures on 230 full-color pages, all found in one comprehensive, organized location. Never have these posters been assembled in one location before.
I want to be happy because I never was.I want to live what I have left with you.Tomorrow I'll never know if I'm alive.And the only thing I can take with me is my happiness.Now I'm happy here!I leave aside my pains, my envy and I will join the world of victorious people!Faith crosses the tunnel of courage.It makes the impossible become possible!I'd rather not remember a life full of lations.What I want is a life filled with magical moments!I did many hours of work, to win a little more, I fought everything for a true love, I fought everything to have a house, I did what I thought I could do, everything changed in my life.Thank God you're such a wonderful person.Above all, be happy.You'll be unhappy today.Be happy now, and never tomorrow.God is Love and love is God.He wants me to smile now and be happy!
RIGHT HERE, RIGHT NOW Alexis Wilson is a beautiful, confident, and successful woman who knows what she wants out of life. She’s been married for 10 years to her high school sweetheart, Reggie Wilson. It seems she has the perfect life until her husband cheats and the marriage ends. Her best friends Saundra, Alicia and Trina keep her grounded as she tries to find happiness once again. She meets, the handsome Ricky Lawson, who renews her faith that there are still good men in the world. The control Alexis once had over her life is gone when something unexpected happens and she realizes her life will never be the same. Her entrepreneurial goals and dreams for the future are put on hold when the reality of life takes over. Reggie Wilson finds out the grass is not greener on the other side, instead it’s risky and dangerous. A lesson that could make a man so desperate he would do anything to rid himself of his own self inflicted troubles. Saundra is a seasoned gold digger with a secret from her past that won’t allow her to love any man. She believes men are only good for sex and money; she must find the strength to overcome her hurtful past which holds the key to heal her future. Alicia struggles with her buffet style lust for men and the dangers of her reckless choices. Trina searches for love through risky sexual escapades until she meets Rodney. She thinks she’s found her soul mate until jealousy and insecurity destroys more than their relationship. As deep, dark, secrets come full circle and inner pain can no longer be hidden. The lustful behaviors and temptations lead to a devastating climax and all their lives are changed forever..... Right Here, Right Now.
The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites presents a fascinating picture of the ways in which today's cultural institutions are undergoing a transformation through innovative applications of digital technology. With a strong focus on digital design practice, the volume captures the vital discourse between curators, exhibition designers, historians, heritage practitioners, technologists and interaction designers from around the world. Contributors interrogate how their projects are extending the traditional reach and engagement of institutions through digital designs that reconfigure the interplay between collections, public knowledge and civic society. Bringing together the experiences of some of today’s most innovative cultural institutions and thinkers, the Handbook provides refreshingly new ideas and directions for the exciting digital challenges and opportunities that lie ahead. As such, it should be essential reading for academics, students, designers and professionals interested in the production of culture in the post-digital age.