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Alms in the Name of a Blind Horse (Anhe Ghore Da Daan) is a modern classic that derives its title from an ancient myth associated with the Churning of the Ocean, in which Lord Vishnu had been less than fair in his dispensation to the Asuras, supposedly the progenitors of latter-day Dalits. Through this novel, Gurdial Singh emphasizes that just as the Asuras had to depend upon the arbitrary dispensation of the Lord, in the same way the modern Dalits have to depend on the mercy and compassion of the village overlords. On the day of the lunar and solar eclipse, they still go around asking for the alms in the name of the blind horse. The events of this novel are confined to one such day of lunar eclipse in the lives of its characters. Often it is believed that poor, landless and marginalized characters such as Melu, his bapu, his Chacha Partapa, etc. lead banal and uneventful lives, which are not even worthy of a description, let alone artistic treatment. Exploding this myth, Gurdial Singh has created this 'whirlpool of a novella' around unending spate of events that enmesh hapless lives of its characters, all in course of a single day.
This book is an enthralling journey through time, exploring the Golden Age, the rise of Bollywood, the Parallel Cinema movement, global acclaim, and technological advancements that shaped one of the world's most prolific film industries.
Why are some parts of the world so rich and others so poor? Why did the Industrial Revolution--and the unprecedented economic growth that came with it--occur in eighteenth-century England, and not at some other time, or in some other place? Why didn't industrialization make the whole world rich--and why did it make large parts of the world even poorer? In A Farewell to Alms, Gregory Clark tackles these profound questions and suggests a new and provocative way in which culture--not exploitation, geography, or resources--explains the wealth, and the poverty, of nations. Countering the prevailing theory that the Industrial Revolution was sparked by the sudden development of stable political, legal, and economic institutions in seventeenth-century Europe, Clark shows that such institutions existed long before industrialization. He argues instead that these institutions gradually led to deep cultural changes by encouraging people to abandon hunter-gatherer instincts-violence, impatience, and economy of effort-and adopt economic habits-hard work, rationality, and education. The problem, Clark says, is that only societies that have long histories of settlement and security seem to develop the cultural characteristics and effective workforces that enable economic growth. For the many societies that have not enjoyed long periods of stability, industrialization has not been a blessing. Clark also dissects the notion, championed by Jared Diamond in Guns, Germs, and Steel, that natural endowments such as geography account for differences in the wealth of nations. A brilliant and sobering challenge to the idea that poor societies can be economically developed through outside intervention, A Farewell to Alms may change the way global economic history is understood.
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
In 'Deccan Nursery Tales; or, Fairy Tales from the South' by C. A. Kincaid, readers are transported to the rich folklore and cultural landscape of southern India through a collection of enchanting fairy tales. Kincaid's writing style is both engaging and descriptive, captivating readers with vivid imagery and compelling storytelling. The tales in this book offer a glimpse into the unique customs, traditions, and beliefs of the Deccan region, providing a valuable insight into the cultural heritage of India. This book is a valuable contribution to the genre of fairy tales, offering a refreshing perspective on well-known themes and motifs. C. A. Kincaid, a British colonial administrator and scholar, was inspired to write 'Deccan Nursery Tales' by his deep fascination with Indian folklore and culture. His appreciation for the rich storytelling traditions of southern India shines through in this collection, showcasing his respect for the local narratives and traditions. Kincaid's background in colonial administration likely influenced his interest in documenting and preserving these tales for future generations. I highly recommend 'Deccan Nursery Tales; or, Fairy Tales from the South' to readers who enjoy exploring diverse cultural narratives and folklore. This book is a treasure trove of enchanting stories that will delight both children and adults alike, offering a glimpse into the vibrant world of Deccan folklore.