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For nine consecutive years , the Almanac of Architecture & Design has provided readers with sweeping views of events, benchmarks, and successes of the past year in design. Find out which building has assumed the title as tallest, which firms are winning awards, which architecture and design schools are considered the best, which projects and firms are at the top of their market segment, and who the leaders are in the profession.
Includes Calendar, Registry of Awards in the Field, Directories of Museums, Professional Organizations, Leading Firms, and University Programs, and Short Obituaries.
Most of us have never found ourselves trapped inside a burning skyscraper or entombed within an Egyptian pyramid--but we probably have some idea of what it would be like because of their portrayal on screen. The movies have overcome the constraints of time and place by bringing us images of diverse and otherwise unfamiliar settings. This work covers the many applications of art and architecture appearing in the movies produced in Hollywood from the very beginning until the fifties. The first chapters deal with the process of design, construction, physical characteristics and immediate functions of a wide variety of architectural sets. The remaining chapters examine the great number of styles shown in those movies and take the reader up to the final triumph of modernist architecture in the aftermath of the Second World War.
The Blaue Reiter (Blue Rider) art movement was founded in 1911, by the young painters Wassily Kandinsky and Franz Marc, and remained active in Europe until 1914. Originally published in Munich, in 1912, and edited by Kandinsky and Marc, The Blaue Reiter Almanac presented the movement's synthesis of international culture to the European avant-garde at large. In both the selection of the essays and its innovative interplay of word and image, the Almanac remains one of the most critically important works on artistic theory and culture of the twentieth century. This edition, long unavailable in English and indispensable to any student of modernism, includes the original documents and musical notations, as well as essays by Kandinsky, Schonberg, Marc, and others, and an extensive critical introduction, placing the Blaue Reiter in context for contemporary readers.
This is a practical guide for software developers, and different than other software architecture books. Here's why: It teaches risk-driven architecting. There is no need for meticulous designs when risks are small, nor any excuse for sloppy designs when risks threaten your success. This book describes a way to do just enough architecture. It avoids the one-size-fits-all process tar pit with advice on how to tune your design effort based on the risks you face. It democratizes architecture. This book seeks to make architecture relevant to all software developers. Developers need to understand how to use constraints as guiderails that ensure desired outcomes, and how seemingly small changes can affect a system's properties. It cultivates declarative knowledge. There is a difference between being able to hit a ball and knowing why you are able to hit it, what psychologists refer to as procedural knowledge versus declarative knowledge. This book will make you more aware of what you have been doing and provide names for the concepts. It emphasizes the engineering. This book focuses on the technical parts of software development and what developers do to ensure the system works not job titles or processes. It shows you how to build models and analyze architectures so that you can make principled design tradeoffs. It describes the techniques software designers use to reason about medium to large sized problems and points out where you can learn specialized techniques in more detail. It provides practical advice. Software design decisions influence the architecture and vice versa. The approach in this book embraces drill-down/pop-up behavior by describing models that have various levels of abstraction, from architecture to data structure design.
“Out of the Ordinary is one part unembellished documentation and one part verbi-visual equivalent of a Pro Hart work made with nineteenth-century, paint-loaded canons. It is a cultural history, resource for contemporary designers, imaginarium and luminous almanac of an explorer of the stranger species of creativity – from brick art to letterboxes, junk mail, mail art, television, fashion, food, model trains, Disney’s imagineering, amusement parks, feng-shui, Postmodern architecture, human-scale craftsmanship, forgotten Australian architects in China, famous architects (that, perhaps, should be forgotten save for their bow ties), collectors of Sherlock Holmes memorabilia, outsider artists and clients – and none of these things exactly. Everywhere Derham Groves attends to and finds significance in the minutiae of everyday life, inter-association, and those things that affect us so profoundly but remain just outside the purview of the ‘normal.’ And in these things – objects, art, architecture, environment(s) – he finds stories and teaches his reader how to do the same. Out of the Ordinary is also a motivational text. It begins with bricks, perhaps the most standardized and repeatable units of construction, and reveals how they can be used as vehicles for unfettered creativity and not merely for the creation of containers. Groves shows how art and architecture can emerge and receive nourishment from the garbage of the everyday and creative collisions. Groves also calls, albeit subtly, for a turn away from homogeneity, the standardized, and unimaginative or ‘lazy’ design informed by principles of economy, efficiency, utility and function conceived in abstraction. Rather, Groves celebrates the reanimation and/or rejuvenation of place by the makers of anything out of the ordinary (who don’t necessarily pray to the demiurge of good taste) who have created spaces and things through which the creative imagination shines.” – Dr Andrew Chrystall, School of Communication, Journalism and Marketing, Massey University
A 2023 JAMES BEARD AWARD FINALIST AN AIGA "50 BOOKS | 50 COVERS" WINNER Foreword by Grammy-winning singer-songwriter Meshell Ndegeocello. Home cooks will love serving up bold-flavored tropical comfort food from Please Wait to Be Tasted, the first cookbook from Lil' Deb's Oasis, the James Beard Award-nominated hotspot in Hudson, New York. More than a recipe collection, it's a big-hearted celebration of food, love, and community. For flavor-craving, art-loving, community-celebrating home cooks, Please Wait to Be Tasted serves up tropical comfort recipes, alongside musings on wine, music, love, sex, friendship, and fashion. At Lil' Deb's Oasis in the Hudson Valley of New York, chefs Carla Kaya Perez-Gallardo and Hannah Black, both art school graduates, have created a bright, welcoming, rainbow-colored, LGBTQ+ inclusive community, where guests are treated to "hot, sticky, juicy, moist fever dreams of flavor." Their recipes mesh respect for cultural traditions with a twist: Ceviche Mixto with Popcorn; Charred Octopus in the Ink of Its Cousin, Sweet Plantains with Green Cream, Abuela's Flan, and more. With "Please Wait to be Tasted" (a phrase featured in the restaurant's waiting area), you can bring these recipes home. In addition to some seventy recipes, Please Wait to Be Tasted shares the knowledge and love that go into making memorable meals at Lil' Deb's Oasis: essays on the restaurant's beginnings and the chefs' navigation of the colonial histories entangled in their recipes' origins; tips on techniques, tools, and pantry; and lessons on how to eat well together.