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How did the epic of Ramayana originate? Which Rakshasa did Shatrughna kill? Why was Hanuman angry with Lord Rama? How did a king get stuck between the skies and Earth, upside down? Why did Lakshmana not sleep for 14 years? How did a sage become a crow? Why did Ravana help Rama? Why did Hanuman fight with his Lord Raama? How did a ring become an explanation and a curse become an inspiration? Who defeated both Lord Rama and Lakshmana single-handedly? Here are more than 40 enchanting short stories that are usually unheard about Gods and demons, mountains and rivers, curses and boons, and magnificent creatures and powerful weapons from the immortal epic of Ramayana written in an easy, accessible and inimitable style by the author and packed with a lot of extra information.
Fresh perspectives on the classic Indiana epic.
I have been working on Circassian Mythology of Narts for a long time. As a result of these studies, which started about fifteen years ago, some questions arose in my mind about the Circassian Mythology of Narts. One of them is how many themes in the Circassian Mythology of Narts are universal and have not been noticed until today. However, it is very clear that many themes in the Circassian Mythology of Narts are universal. At least most of them are certainly not regional. Undoubtedly, the themes related to Nart Wezırmes are at the forefront of such universal ones. I am amazed that it has not been noticed until today that the narratives of the character Rama in the Indian epic Ramayana and the hero named Nart Wezırmes in the Circassian Mythology of Narts are actually texts based on the same story. In the same way, the thematic similarities between Nart Wezırmes and Egyptian Osiris have not been noticed until now, which intrigues me. I dealt with this subject in my book, titled The Ancient Secret of Circassian and Egyptian Mythologies, From Narts to Neters.
The Book Consists Of Papers Presented At The International Seminar On ýVariations In Ramayana In Asia: Their Cultural, Social And Anthropological Significance: New Delhi 1981.
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled And Professional Editorial Staff Started Showing Results And The First Volume Was Brought Out In 1987. The Second Volume Was Brought Out In 1988, The Third In 1989, The Fourth In 1991, The Fifth In 1992, And The Sixth Volume In 1994. All The Six Volumes Together Include Approximately 7500 Entries On Various Topics, Literary Trends And Movements, Eminent Authors And Significant Works. The First Three Volume Were Edited By Prof. Amaresh Datta, Fourth And Fifth Volume By Mohan Lal And Sixth Volume By Shri K.C.Dutt.
A Single-Volume Study Of Ancient Indian History Delineating The Various Facets, Both Political And Cultural, And Incorporating The Fruits Of Recent Researches That Have Abundantly Appeared Since 1950, Has Not Been Attempted Before. Author Has Tried To Maintain A Delicate Balance Between Political History And Social, Economic And Cultural History Of Ancient India.The Book Covers The Pre-Historic India, The Vedic Age, The Post-Vedic Civilization, North India In The Sixth Century B.C. It Also Explains New Religious Movements And Their Socio-Economic Background, Maurya Age, Political Disintegration And Foreign Invasions. The Gupta Empire, The Prominence Of North Under Harshavardhana And Its Eclipse, Bengal Under The Palas And The Senas, Dynasties Of North India, Arabs And Turks In India, Indias Intercourse With The Outside World, Have Been Discussed In Depth.History Of Deccan And South India, Hitherto Not Given Due Weightage And Culture And Civilization Of Ancient India In All Its Variegated Hues, Have Received Due Attention. Some New Topics Like Espionage, Slavery, Guilds, Urbanisation, Feudalism And Science And Technology In Ancient India, Have Been Incorporated To Make The Book As Uptodate As Possible. Apart From Meeting The Requirements Of Undergraduate And Postgraduate Students Of Indian Universities, The Book Will Serve As A Useful Guide To Candidates For Civil Service Examination (Both Preliminary And Main).
R.K. Narayan S Career As A Novelist And Short Story Writer Spans Almost Eight Decades From Swami And Friends (1935) To Grandmother S Tale (1992) Until His Death On 13 May 2001 At The Ripe Age Of 95. His Distinctive Sense Of Humour, His Trade Mark Irony, His Bemused, Knowing, Overseeing Perspective, His Rootedness In Religion And Family Values And His Inescapable Capturing Of The Essence Of Indian Sensibility All Have Been Looked At From A Refreshingly New Perspective, Hitherto Only Partly Touched Or Left Unexplored And Unattempted. New Insights Into The Guide, The Maneater Of Malgudi, A Tiger For Malgudi, Waiting For The Mahatma, The Dark Room Exploit Freshly-Forged Tools Of Critical Analysis Comparative, Structural, New Historical , Feminist, Bakhtinian, Post-Colonial And Socio-Cultural And Ethical.A Welcome Addition To The Extant Critical Scholarship On R.K. Narayan S Ouevre.A Lucid Discussion Of New Dimensions In Literary Theory Through Well-Argued, Illustrative Analysis Of Popular Texts.A Scholarly Elucidation Of The Sociology Of Hinduism As Reflected In Popular Fiction.An Indispensable Source-Book For Students, Researchers, Teachers, Scholars In Inter-Related Fields Like Literary Criticism, Theory Of Literature, Indian Philosophy, Customs And Thought-Patterns, Besides Social Anthropology And Sociology.