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With All the Best Songs for Piano, we take a brief look backward--back to some of our most valued arrangements for piano by some of your favorite arrangers. A quick glance at the roster of contributors will demonstrate why we felt that you'd appreciate again (or for the first time) these significant, tested and proven creations. Featured arrangers include Cindy Berry, Roger House, Gail Smith, Stan Pethel, Teresa Wilhelmi, Don Phillips, Tim Conyers, Jeff Bennett, and Lavawan Riley. We know of no other single collection that offers such powerful music in such creative set.
(Amadeus). This holistic approach to the keyboard, based on a sound understanding of the relationship between physical function and musical purpose, is an invaluable resource for pianists and teachers. Professor Fink explains his ideas and demonstrates his innovative developmental exercises that set the pianist free to express the most profound musical ideas. HARDCOVER.
Alfred's Basic Adult All-in-One Course is designed for the beginner looking for a truly complete piano course that includes lesson, theory, technic and popular repertoire in one convenient, all-in-one book. This course has a number of features that make it particularly successful in achieving this goal, among them are smooth progression between concepts, the thorough explanation of chords and outstanding song material. At the completion of this course, the student will have learned to play some of the most popular music ever written and will have gained a thorough understanding of the basic concepts of music.
(Faber Piano Adventures ). Book 1 covers fundamental rhythms, all the notes of the grand staff, C position, G position. Contents include: Aloha Oe * Amazing Grace * Bagpipes * Bus Stop Boogie * Camptown Races * Chant of the Monk * Chant of the Monks * Chinese Dragon * Chord Crossings * Dreamscape * Eine Kleine Nachtmusik * English Minuet * Fife and Drums * Forest Drums * French Minuet.
Lots of piano books offer either in-depth analysis or quick gimmicks that don’t really teach music theory. But The Only Basic Piano Instruction Book You’ll Ever Need is different. For students who want to learn the basics and dive right into playing, this book skips all the unnecessary trivia on the history of pianos and avoids lengthy digressions on classical and contemporary musicians. Instead, it focuses specifically on piano instruction and includes: The basics of musical terms, definitions, note-reading structure, and time and key signatures The foundations for chords and more complicated note constructs Exercises and sample pieces of music that range from playing simple notes to combining harmony and melody Perfect even for those starting from scratch, The Only Basic Piano Book You’ll Ever Need makes learning to play a cinch.
(Piano/Vocal/Guitar Songbook). We've made this book even better with songs from Broadway's latest blockbusters over 80 songs in all arranged for piano and voice with guitar chord frames! Highlights include: Always Look on the Bright Side of Life * I Wanna Be a Producer * The Last Night of the World * On My Own * Popular * Seasons of Love * The Sound of Music * Younger Than Springtime * dozens more!
100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.
ON PIANO PLAYING begins with a revealing introduction to the fundamental relationships among motions and emotions, the keyboard itself and the human performing mechanism - the physical equipment that is used to make music. Here Sandor explains the role each plays in performance, pointing out typical mistakes and misconceptions that get in the way of virtually every pianist. He then discusses the basic technical patterns: free fall, scales and arpeggios, rotation, staccato, and thrust. Aided by carefully designed exercises, he shows how to execute physical movements to build muscle tone, sharpen coordination, and increase strength and flexibility. The exercises are based on common-sense principles of anatomy and physiology. Sandor next applies these patterns to the classic repertoire, showing how to play the exposition of Beethoven's WALDSTEIN sonata, for example. The emphasis in this section is on simplicity of motion and movement, and on ways to integrate motions to optimal effect - how to identify the technical patterns of a score and put them in the service of musical interpretation. No pianist, Sandor demonstrates, need suffer fatigue or exhaustion from playing a difficult piece. He shows that strength alone is not enough; the ability to use different muscles of the upper arm - is essential if practice is to be something more than a mechanical warming-up exercise. Special attention is given to problems of interpretation and performance as well: pedalling, variants, the development of precise musical diction and a singing piano tone, and much more. And he explores the common psychological challenges of public performance as well. Complete with line drawings, photographs, and many musical examples, ON PIANO PLAYING provides the means for mastering the complexities and intricacies of good musicianship. It offers an accessible, intriguing, and effective program for developing the fundamental skills that are the building blocks of good music-making.