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In the 1870s, Deadwood was a thriving—and largely lawless—boomtown. And as any fan of western history and films knows, stagecoach robberies were a regular feature of life in this fabled region of Dakota Territory. Now, for the first time, Robert K. DeArment tells the story of the "good guys and bad guys" behind these violent crimes: the road agents who wreaked havoc on Deadwood's roadways and the shotgun messengers who battled to protect stagecoach passengers and their valuable cargo. DeArment shows in dramatic detail how for two years gangs of robbers ruled the road, perpetrating holdups and killings, until lawmen and stage-company and railroad agents finally brought an end to the mayhem. The characters populating this violent tale include such legendary figures as Wild Bill Hickok and the famous railroad detective James L. "Whispering" Smith, a formidable opponent of bandits. We also get to know the men who operated the stages, the lawmen and company men who ran and defended the coaches, and the outlaws who fought against them. DeArment tells where these men came from and what became of them after the outlawry ended. He ends his account in the 1880s with Buffalo Bill's Wild West show and its spectacular rendition of a shotgun robbery, featuring an actual Deadwood stagecoach. After nearly a century and a half, the Deadwood stage continues to command our attention.
Adopted to different families shortly after birth, identical twin brothers Scott and Henry grow to manhood having no idea that the other exists. They ultimately wind up on opposite sides of the fence, for Scott 'Zipper' Conlon is a member of the Skuldmen, an outlaw motorcycle club, and Henry Baker is a federal law enforcement officer. During a stakeout, when FBI agent Mitchell Gates observes Zipper leaving the apartment of a suspected terrorist, he implores his old Army buddy to learn what he can about the man. Although uncomfortable doing so, Zipper feels obligated, not only as an American, but because Gates saved his life during the first Gulf War. Due to the Skuldmen's anti-law enforcement beliefs, they agree that their cooperation be kept secret. A terrorist plot to kill thousands, combined with a woman's revelation that Zipper is Henry Baker the cop, sets off a chain reaction that will shake the Skuldmen to the core, as the brothers react. In an unpredictable story of suspense, murder and mistaken identity, three tales merge into one during the biggest biker party of the year, when All Roads Lead to Sturgis.
Chronicles Deadwood, South Dakota, a typical American frontier and gold rush town, especially the volatile years 1875-1925.
Much of Seth Bullock's modern renown comes from TV, film, and his friendship with Theodore Roosevelt. But Bullock was much more than the frontier law enforcer portrayed in fictional accounts. In Seth Bullock, David Wolff examines the life work of Bullock as he helped build Deadwood, found the town of Belle Fourche, and promote the Black Hills.
“Shootin’—Lynchin’—Hangin’,” announces the advertisement for Tombstone’s Helldorado Days festival. Dodge City’s Boot Hill Cemetery sports an “authentic hangman’s tree.” Not to be outdone, Deadwood’s Days of ’76 celebration promises “miners, cowboys, Indians, cavalry, bars, dance halls and gambling dens.” The Wild West may be long gone, but its legend lives on in Tombstone, Arizona; Deadwood, South Dakota; and Dodge City, Kansas. In Tombstone, Deadwood, and Dodge City, Kevin Britz and Roger L. Nichols conduct a tour of these iconic towns, revealing how over time they became repositories of western America’s defining myth. Beginning with the founding of the communities in the 1860s and 1870s, this book traces the circumstances, conversations, and clashes that shaped the settlements over the course of a century. Drawing extensively on literature, newspapers, magazines, municipal reports, political correspondence, and films and television, the authors show how Hollywood and popular novels, as well as major historical events such as the Great Depression and both world wars, shaped public memories of these three towns. Along the way, Britz and Nichols document the forces—from business interests to political struggles—that influenced dreams and decisions in Tombstone, Deadwood, and Dodge City. After the so-called rowdy times of the open frontier had passed, town promoters tried to sell these towns by remaking their reputations as peaceful, law-abiding communities. Hard times made boosters think again, however, and they turned back to their communities’ rowdy pasts to sell the towns as exemplars of the western frontier. An exploration of the changing times that led these towns to be marketed as reflections of the Old West, Tombstone, Deadwood, and Dodge City opens an illuminating new perspective on the crafting and marketing of America’s mythic self-image.
The Revenger: The Life and Times of Wild Bill Hickok examines Wild Bill’s life in the context of 19th Century American history, from his birth, through his early manhood, and to his eventual demise. Woven into his life story are the significant role played by the Civil War in the development of his character and philosophy, the role played by popular media in the creation of his legendary status, and the changing of the western landscape and lifestyle that began to eliminate the need for gunmen such as Wild Bill. The book discusses Hickok’s early jobs in law enforcement and his associations with other significant westerners and recounts the events that transformed Hickok from a formidable lawman into a national celebrity and popular hero. Details of Hickok’s most famous gunfights, including weapons used and participants and outcomes and, of course, the end of his career including his famous death at the hands of an assassin in a saloon in Deadwood South Dakota are all explored. The book also incorporates changing views of historiographical interpretation of lawmen/gunmen in general and Wild Bill in particular. The book will have extensive illustrations—archival photos of Wild Bill, his contemporaries, his guns, etc.
Forget Doris Day singing on the stagecoach. Forget Robin Weigert’s gritty portrayal on HBO’s Deadwood. The real Calamity Jane was someone the likes of whom you’ve never encountered. That is, until now. This book is a definitive biography of Martha Canary, the woman popularly known as Calamity Jane. Written by one of today’s foremost authorities on this notorious character, it is a meticulously researched account of how an alcoholic prostitute was transformed into a Wild West heroine. Always on the move across the northern plains, Martha was more camp follower than the scout of legend. A mother of two, she often found employment as waitress, laundress, or dance hall girl and was more likely to be wearing a dress than buckskin. But she was hard to ignore when she’d had a few drinks, and she exploited the aura of fame that dime novels created around her, even selling her autobiography and photos to tourists. Gun toting, swearing, hard drinking—Calamity Jane was all of these, to be sure. But whatever her flaws or foibles, James D. McLaird paints a compelling portrait of an unconventional woman who more than once turned the tables on those who sought to condemn or patronize her. He also includes dozens of photos—many never before seen—depicting Jane in her many guises. His book is a long-awaited biography of Martha Canary and the last word on Calamity Jane.
The very name Deadwood conjures up vivid Wild West images: saloons with swinging doors, brazen dance-hall girls, buckskin-clad Calamity Jane roaming the streets with her erstwhile paramour, Wild Bill Hickok. The setting is the lawless Dakota Territory of 1876 at the start of the Black Hills gold rush, a stampede for the golden pay dirt. One would hardly expect to find a Jewish pioneer grocer named Jacob Goldberg in this scene, yet Deadwood's story is incomplete without Goldberg. And Goldberg's story is incomplete without either Calamity Jane or Wild Bill. Not just Goldberg, but Finkelstein (also known as Franklin), Stern (also known as Star), Jacobs, Schwarzwald, Colman, Hattenbach, and many other Jews joined the throngs. The Jews provided much more than overalls, chamberpots, and the chambers in which to put them. They also became the mayors, legislators, and civic leaders who helped bring sense and stability to this unruly expanse.