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This debut novel--told in interviews--spans 20 years in the rise and fall of the charismatic leader of a seductive self-help movement. In the 1990s, a talk show host leads the personality movement, an integrative approach to radical self-transformation. Mayah, the movement's architect and celebrity advocate, adopts a curious, wild child named Masha Isle. A guinea-pig for the movement, and the key to its future, Isle is the subject of the eight interviews that comprise this book. As the interviewer's objectivity disintegrates--even as the movement's legitimacy becomes increasingly suspect--he becomes obsessed with Masha. And all of that is thrown into question when tragedy strikes. The stunning debut of a new literary talent, and a fascinating take on the cult of personality: about celebrities need to destroy and recreate themselves to stay relevant, public personalities coming to belong to everyone, and about our need to see everyone as a kind of celebrity.
Named by Esquire as one of the Best Nonfiction Books of the Year: Chanel Miller's Know My Name meets Cheryl Strayed's Wild and Anthony Swofford's Jarhead in this powerful literary memoir of a young soldier driven to prove herself in a man's world. Raised by powerful women in a restrictive, sheltered Christian community in New England, Ryan Dostie never imagined herself on the front lines of a war halfway around the world. But then a conversation with an Army recruiter in her high-school cafeteria changes the course of her life. Hired as a linguist, she quickly has to find a space for herself in the testosterone-filled world of the Army barracks, and has been holding her own until the unthinkable happens: she is raped by a fellow soldier. Struggling with PTSD and commanders who don't trust her story, Dostie finds herself fighting through the isolation of trauma amid the challenges of an unexpected war. What follows is a riveting story of one woman's extraordinary journey to prove her worth, physically and mentally, in a world where the odds are stacked against her.
Violent Becomings conceptualizes the Mozambican state not as the bureaucratically ordered polity of the nation-state, but as a continuously emergent and violently challenged mode of ordering. In doing so, this book addresses the question of why colonial and postcolonial state formation has involved violent articulations with so-called ‘traditional’ forms of sociality. The scope and dynamic nature of such violent becomings is explored through an array of contexts that include colonial regimes of forced labor and pacification, liberation war struggles and civil war, the social engineering of the post-independence state, and the popular appropriation of sovereign violence in riots and lynchings.
Making headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade” mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself,” Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons,” interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation,” underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.
Everyday Forms of State Formation is the first book to systematically examine the relationship between popular cultures and state formation in revolutionary and post-revolutionary Mexico. While most accounts have emphasized either the role of peasants and peasant rebellions or that of state formation in Mexico's past, these original essays reveal the state's day-to-day engagement with grassroots society by examining popular cultures and forms of the state simultaneously and in relation to one another. Structured in the form of a dialogue between a distinguished array of Mexicanists and comparative social theorists, this volume boldly reassesses past analyses of the Mexican revolution and suggests new directions for future study. Showcasing a wealth of original archival and ethnographic research, this collection provides a new and deeper understanding of Mexico's revolutionary experience. It also speaks more broadly to a problem of extraordinary contemporary relevance: the manner in which local societies and self-proclaimed "revolutionary" states are articulated historically. The result is a unique collection bridging social history, anthropology, historical sociology, and cultural studies in its formulation of new approaches for rethinking the multifaceted relationship between power, culture, and resistance. Contributors. Ana María Alonso, Armando Bartra, Marjorie Becker, Barry Carr, Philip Corrigan, Romana Falcón, Gilbert M. Joseph, Alan Knight, Florencia E. Mallon, Daniel Nugent, Elsie Rockwell, William Roseberry, Jan Rus, Derek Sayer, James C. Scott
This book explores the diverse understandings of the archaeological record in both historical and contemporary perspective, while also serving as a guide to reassessing current views. Gavin Lucas argues that archaeological theory has become both too fragmented and disconnected from the particular nature of archaeological evidence. The book examines three ways of understanding the archaeological record - as historical sources, through formation theory, and as material culture - then reveals ways to connect these three domains through a reconsideration of archaeological entities and archaeological practice. Ultimately, Lucas calls for a rethinking of the nature of the archaeological record and the kind of history and narratives written from it.
This volume is an outcome of the International Conference on Algebra in celebration of the 70th birthday of Professor Shum Kar-Ping which was held in Gadjah Mada University on 7OCo10 October 2010. As a consequence of the wide coverage of his research interest and work, it presents 54 research papers, all original and referred, describing the latest research and development, and addressing a variety of issues and methods in semigroups, groups, rings and modules, lattices and Hopf Algebra. The book also provides five well-written expository survey articles which feature the structure of finite groups by A Ballester-Bolinches, R Esteban-Romero, and Yangming Li; new results of GrAbner-Shirshov basis by L A Bokut, Yuqun Chen, and K P Shum; polygroups and their properties by B Davvaz; main results on abstract characterizations of algebras of n-place functions obtained in the last 40 years by Wieslaw A Dudek and Valentin S Trokhimenko; Inverse semigroups and their generalizations by X M Ren and K P Shum. Recent work on cones of metrics and combinatorics done by M M Deza et al. is included."
A refreshing look at the meaning of socialism in Venezuela from the point of view of the country's ordinary citizens.