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Welded, a three-act play features The Capes.
This study attempts to trace Eugene O'Neill's theatrical contour from its origin to its end, by discussing each of his works in the approximate chronological order of composition. The book is thus a form of biography, although it pays no heed to those events of O'Neill's life that did not have direct bearing on his professional career. By virtue of O'Neill's central position in the drama of the modern world, this study also has become, within the limits its subject sets for it, a form of theatrical history. An appendix contains a complete factual record of important productions of O'Neill's plays. ISBN 0-19-504548-3 (pbk.): $12.95.
The moderns found these two writers to be one of them, and the post moderns said their essence was post-modern. They were found to have deep existential core and humanism was the defining spirit of their works. When a writer writes with deep empathy for the human situation, the work is freed from the traps of ideologies and techniques. It reaches out to people beyond time and space. Truth is complex and individual in manifestation but simple and universal in essence. This simplicity is the most difficult to achieve and most prized achievement of an artist. This simplicity of the communication is what the journey of O’Neill and Beckett has been all about. Their journey is marked by unsparing effort to give a universal metaphor to an immensely subjective experience. The voices of two of the greatest dramatists come together to tell not just what drama has been all about in the 20th Century, but also what it is in our own day. It looks not just into the plots or characters to understand their works but also how they communicated so much more through the way they visualized the technical aspects and theatrical impact of their plays.
An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times